“Thanks.”

I kept sucking away but as soon as he got hard, he’d get soft again.

“I don’t really want to fuck you anyway.”

“Why?”

“Dunno why-I just don’t feel like it.”

Adrian wanted to be loved for himself alone, and not his yellow hair. (Or his pink prick.) It was rather touching, actually. He didn’t want to be a fucking machine.

“I can fuck with the best of them when I feel like it,” he said defiantly.

“Of course you can.”

“Now you’ve got your bloody social worker voice on,” he said.

I had been a social worker on a couple of occasions in bed. Once with Brian, after he’d been released from the psycho ward and was too full of Thorazine (and too schizoid) to screw. For a month we’d lain in bed and held hands. “Like Hansel and Gretel,” he said. It was rather sweet. What you’d imagine Dodgson doing with Alice in a boat on the Thames. It was also something of a relief after Brian’s manic phase when he’d come very close to strangling me. And even before he cracked up, Brian’s asexual preferences were somewhat odd. He only liked sucking, not fucking. At the time, I was too inexperienced to realize that all men weren’t that way. I was twenty-one and Brian was twenty-five, and remembering what I’d heard about men reaching their sexual peak at sixteen and women at thirty, I figured that Brian’s age was to blame. He was in decline. Over the hill, I thought. I did get very good at sucking, though.

I’d also played social worker to Charlie Fielding, the conductor whose baton kept wilting. He was dazzlingly grateful. “You’re a real find,” he kept saying that first night (meaning that he expected I’d throw him out in the cold and I didn’t). He made up for it later. It was only opening nights that wilted him.

But Adrian? Sexy Adrian. He was supposed to be my zipless fuck. What happened? The funny thing was, I didn’t really mind. He was so beautiful lying there and his body smelled so good. I thought of all those centuries in which men adored women for their bodies while they despised their minds. Back in my days of worshipping the Woolfs and the Webbs it had seemed inconceivable to me, but now I understood it. Because that was how I so often felt about men. Their minds were hopelessly befuddled, but their bodies were so nice. Their ideas were intolerable, but their penises were silky. I had been a feminist all my life (I date my “radicalization” to the night in 1955 on the IRT subway when the moronic Horace Mann boy who was my date asked me if I planned to be a secretary), but the big problem was how to make your feminism jibe with your unappeasable hunger for male bodies. It wasn’t easy. Besides, the older you got, the clearer it became that men were basically terrified of women. Some secretly, some openly. What could be more poignant than a liberated worn an eye to eye with a limp prick? All history’s greatest issues paled by comparison with these two quintessential objects: the eternal woman and the eternal limp prick.

“Do I scare you?” I asked Adrian.

“You?”

“Well some men claim to be afraid of me.”

Adrian laughed. “You’re a sweetheart,” he said, “a pussycat-as you Americans say. But that’s not the point.”

“Do you usually have this problem?”

“Nein, Frau Doktor, and I bloody well don’t want to be interrogated further. This is absurd. I do not have a potency problem-it’s just that I am awed by your stupendous ass and I don’t feel like fucking.”

The ultimate sexist put-down: the prick which lies down on the job. The ultimate weapon in the war between the sexes: the limp prick. The banner of the enemy’s encampment: the prick at half-mast. The symbol of the apocalypse: the atomic warhead prick which self-destructs. That was the basic inequity which could never be righted: not that the male had a wonderful added attraction called a penis, but that the female had a wonderful all-weather cunt. Neither storm nor sleet nor dark of night could faze it. It was always there, always ready. Quite terrifying, when you think about it. No wonder men hated women. No wonder they invented the myth of female inadequacy.

“I refuse to be impaled upon a pin,” Adrian said, unaware of the pun it immediately brought to mind. “I refuse to be categorized. When you finally do sit down to write about me, you won’t know whether I’m a hero or an anti-hero, a bastard or a saint. You won’t be able to categorize me.”

And at that moment, I fell madly in love with him. His limp prick had penetrated where a stiff one would never have reached.

Not that falling madly in love was at all unusual for me. All year I had fallen in love with everyone. I fell in love with an Irish poet who kept pigs on a farm in Iowa. I fell in love with a six-foot-tall novelist who looked like a cowboy and only wrote allegories about the effects of radiation. I fell in love with a blue-eyed book reviewer who had raved about my first book of poems. I fell in love with a surly painter (whose three wives had all committed suicide). I fell in love with a very courtly professor of Italian Renaissance philosophy who sniffed glue and screwed freshman girls. I fell in love with a UN interpreter (Hebrew, Arabic, Greek) who had five children, a sick mother, and seven unpublished novels in his sprawling apartment on Morningside Drive. I fell in love with a pale WASP of a biochemist who took me to lunch at the Harvard Club and had been married to two other women writers-both of them nymphomaniacally inclined.

But nothing came of anything. Oh there were cuddles in the backs of cars. And long drunken kisses in roachy New York kitchens over pitchers of warm martinis. And there were flirtations over fattening expense-account lunches. And pinches in the stacks of Butler Library. And embraces after poetry readings. And hand squeezes at gallery openings. And long meaningful telephone conversations and letters heavy with double entendres. There were even some frank and open propositions (usually from men who didn’t attract me at all). But nothing came of anything. I would go home instead, and write poems to the man I really loved (whoever he might be). After all, I had screwed enough guys to know that one prick wasn’t that different from the next. So what was I looking for? And why was I so restless? Maybe I resisted consummating any of these flirtations because I knew that the man I really wanted would continue to elude me and I would only wind up disappointed. But who was the man I really wanted? All I knew was that I had been desperately searching for him from the age of sixteen on.

When I was sixteen and called myself a Fabian socialist, when I was sixteen and refused to pet with boys who liked Ike, when I was sixteen and cried into the Rubaiyat, when I was sixteen and cried into the sonnets of Edna St. Vincent Millay-I used to dream of a perfect man whose mind and body were equally fuckable. He had a face like Paul Newman and a voice like Dylan Thomas. He had a body like Michelangelo’s David (“with those rippling little marble muscles,” as I used to tell my best friend Pia Wittkin, whose favorite male statue was Discobolus; we were both avid students of art history). He had a mind like George Bernard Shaw (or, at least, what my sixteen-year-old mind conceived of as George Bernard Shaw’s mind). He loved Rachmaninoff’s Third Piano Concerto and Frank Sinatra’s “In the Wee Small Hours of the Morning” above all other mortal music. He shared my passion for unicorn tapestries, Beat the Devil, the Cloisters, Simone de Beauvoir’s Second Sex, witchcraft, and chocolate mousse. He shared my contempt for Senator Joe McCarthy, Elvis Presley, and my philistine parents. I never met him. At sixteen, my not meeting him seemed unbearable. Later I learned to take the cash and let the credit go, nor heed the rumble of a distant drum. The contrast between my fantasies (Paul Newman, Laurence Olivier, Humphrey Bogart, Michelangelo’s David) and the pimply faced adolescent boys I knew was laughable. Only I cried. And so did Pia. We commiserated in her parent’s gloomy apartment on Riverside Drive.