"Yes, sir." D'Esmenard paused. He heard a grunt, a sigh, then the sound of bedsprings rhythmically squeaking.

"Are you still there, Captain?" the Prince of Essling shouted.

D'Esmenard crept downstairs, timing his steps on the creaking stair treads to the regular bounce of the bedsprings. He ate cold chicken. And waited.

Pedro and Luis Ferreira had always been close. Luis, the oldest, the rebel, the huge, uncontrollable boy, had been the brighter of the two, and if he had not been exiled from his family, if he had not been sent to the nuns who beat and mocked him, if he had not run away from Coimbra to see the world, he might have secured an education and become a scholar, though in truth that would have been an unlikely fate for Luis. He was too big, too belligerent, too careless of his own and other men's reelings, and so he had become Ferragus. He had sailed the world, killed men in Africa, Europe and America, had seen the sharks eat the dying slaves thrown overboard off the Brazilian coast, and then he had come home to his younger brother and the two of them, so different and yet so close, had embraced. They were brothers. Ferragus had come home rich enough to set himself up in business, rich enough to own a score of properties about the city, but Pedro insisted that he have a room in his house to use when he wished. "My house is your house," he had promised Ferragus, and though Major Ferreira's wife might wish otherwise she dared not protest.

Ferragus rarely used the room in his brother's house, but on the day when the two armies faced each other at Bussaco, after his brother had promised to lure Captain Sharpe to a beating among the trees, Ferragus had promised Pedro that he would return to Coimbra and there guard the Ferreira household until the pattern of the French campaign was clear. Folk were supposed to be fleeing the city, going to Lisbon, but if the French were stopped then no such flight would be necessary, and whether they were stopped or not, there was unrest in the streets because people were unhappy with the orders to abandon their homes. Ferreira's house, grand and rich, bought with the legacy of his father's wealth, would be a likely place for thieves to plunder, though none would dare touch it if Ferragus and his men were there and so, after his failure to kill the impudent rifleman, the big man rode to keep his promise.

The journey from the ridge of Bussaco to the city of Coimbra was less than twenty miles, but the mist and the darkness slowed Ferragus and his men, so it was just before dawn that they rode past the imposing university buildings and down the hill to his brother's house. There was a squeal from the hinges of the gates to the stable yard where Ferragus dismounted, abandoned his horse and pushed into the kitchen to thrust his injured hand into a vat of cool water. Sweet Jesus, he thought, but the damned rifleman had to die. Had to die. Ferragus brooded on the unfairness of life as he used a cloth to wipe the wounds on his jawbone and cheeks. He winced at the pain, though it was not as bad as the throbbing in his groin that persisted from their confrontation at the shrine. Next time, Ferragus promised himself, next time he would face Mister Sharpe with nothing but fists and he would kill the Englishman as he had killed so many other men, by pulverizing him into a bloody, whimpering mess. Sharpe had to die, Ferragus had sworn it, and if he did not keep the oath then his men would think he was weakening.

He was being weakened anyway. The war had seen to that. Many of his victims had fled Coimbra and its surrounding farmlands, gone to take shelter in Lisbon. That temporary setback would pass, and, anyway, Ferragus hardly needed to go on extorting money. He was rich, but he liked to keep cash flowing for he did not trust the banks. He liked land, and the vast profits of his slaving years had been invested in vineyards, farms, houses and shops. He owned every brothel in Coimbra and scarcely a student at the university did not live in a house owned by Ferragus. He was rich, rich beyond his childhood dreams, but he could never be rich enough. He loved money. He yearned for it, loved it, caressed it, dreamed of it.

He rinsed his jaw again and saw how the water dripped pink from the cloth. Capitao Sharpe. He said the name aloud, feeling the pain in his mouth. He looked at his hand that was hurting. He reckoned he had cracked some knuckle bones, but he could still move his fingers so the damage could not be that bad. He dipped the knuckles in the water, then turned suddenly as the kitchen door opened and his brother's governess, Miss Fry, dressed in a nightdress and a heavy woolen gown, came into the kitchen. She was carrying a candle and gave a small start of surprise when she saw her employer's brother. "I am sorry, senhor," she said, and made to leave.

"Come in," Ferragus growled.

Sarah would rather have gone back to her room, but she had heard the horses clattering in the stable yard and, hoping it might be Major Ferreira with news of the French advance, she had come to the kitchen. "You're hurt," she said.

"I fell from my horse," Ferragus said. "Why are you up?"

"To make tea," Sarah said. "I make it every morning. And I wondered, senhor," she took a kettle off the shelf, "whether you have news of the French."

"The French are pigs," Ferragus said, "which is all you need to know, so make your tea and make some for me too."

Sarah put down the candle, opened the stove and fed kindling onto the embers. When the kindling was blazing she put more wood onto the fire. By the time the fire was properly burning there were other servants busy around the house, opening shutters and sweeping the corridors, but none came into the kitchen where Sarah hesitated before filling the kettle. The water in the big vat was bloodstained. "I'll draw some from the well," she said.

Ferragus watched her through the open door. Miss Sarah Fry was a symbol of his brother's aspirations. To Major Ferreira and his wife an English governess was as prized a possession as fine porcelain or crystal chandeliers or gilt furniture. Sarah proclaimed their good taste, but Ferragus regarded her as a priggish waste of his brother's money. A typical, snobbish Englishwoman, he reckoned, and what would she turn Tomas and Maria into? Little stuck-up copies of herself? Tomas did not need manners or to know English; he needed to know how to defend himself. And Maria? Her mother could teach her manners, and so long as she was pretty, what else mattered? That was Ferragus's view, anyway, but he had also noticed, ever since Miss Fry had come to his brother's house, that she was pretty, more than just pretty, beautiful. Fair-skinned, fair-haired, blue-eyed, tall, elegant. "How old are you?" he asked as she came back to the kitchen.

"Is it any business of yours, senhor?" Sarah asked briskly.

Ferragus smiled. "My brother sent me here to protect you all. I like to know what I'm protecting."

"I'm twenty-two, senhor." Sarah set the kettle on the stove, then stood the big brown English teapot close by so that the china would warm. She took down the tin caddy, then had nothing to do because the pot was still cold and the kettle would take long minutes to boil on the newly awakened fire so, abhorring idleness, she began polishing some spoons.

"Are Tomas and Maria learning properly?" Ferragus addressed her back.

"When they apply themselves," Sarah said briskly. "Tomas tells me you hit him."

"Of course I hit him," Sarah said, "I am his governess."

"But you don't hit Maria?"

"Maria does not use bad language," Sarah said, "and I detest bad language."

"Tomas will be a man," Ferragus said, "so he will need bad language."

"Then he may learn it from you, senhor," Sarah retorted, looking Ferragus in the eye, "but I shall teach him not to use it in front of ladies. If he learns that alone then I shall have been useful."