Hour 5 of 45

“WELL?” RHYME ASKED.

Lon Sellitto folded up his phone. “They still don’t know.” Eyes out the window of Rhyme’s town house, tapping the glass compulsively. The falcons had returned to the ledge but kept their eyes vigilantly on Central Park, uncharacteristically oblivious to the noise.

Rhyme had never seen the detective this upset. His doughy, sweat-dotted face was pale. A legendary homicide investigator, Sellitto was usually unflappable. Whether he was reassuring victims’ families or relentlessly punching holes in a suspect’s alibi, he always concentrated on the job before him. But at the moment his thoughts seemed miles away, with Jerry Banks, in surgery – maybe dying – in a Westchester hospital. It was now three on Saturday afternoon and Banks had been in the operating room for an hour.

Sellitto, Sachs, Rhyme, and Cooper were on the ground floor of Rhyme’s town house, in the lab. Dellray had left to make sure the safe house was ready and to check out the new baby-sitter the NYPD was providing to replace Banks.

At the airport they’d loaded the wounded young detective into the ambulance – the same one containing the dead, handless painting contractor. Earl, the medic, had stopped being an asshole long enough to work feverishly to stop Banks’s torrential bleeding. Then he’d sped the pale, unconscious detective to the emergency room several miles away.

FBI agents from White Plains got Percey and Hale into an armored van and started south to Manhattan, using evasive driving techniques. Sachs worked the new crime scenes: the sniper’s nest, the painter’s van, and the Dancer’s getaway wheels – a catering van. It was found not far from where he’d killed the contractor and where, they guessed, he’d have hidden the car he’d driven to Westchester in.

Then she’d sped back to Manhattan with the evidence.

“What’ve we got?” Rhyme now asked her and Cooper. “Any rifle slugs?”

Worrying a tattered bloody nail, Sachs explained, “Nothing left of them. They were explosive rounds.” She seemed very spooked, eyes flitting like birds’.

“That’s the Dancer. Not only deadly but his evidence self-destructs.”

Sachs prodded a plastic bag. “Here’s what’s left of one. I scraped it off a wall.”

Cooper spilled the contents into a porcelain examining tray. He stirred them. “Ceramic tipped too. Vests’re pointless.”

“Grade-A asshole,” Sellitto offered.

“Oh, the Dancer knows his tools,” Rhyme said.

There was a bustle of activity at the doorway and Thom let two suited FBI agents into the room. Behind them were Percey Clay and Brit Hale.

Percey asked Sellitto, “How’s he doing?” Her dark eyes looked around the room, saw the coolness that greeted her. Didn’t seem fazed. “Jerry, I mean.”

Sellitto didn’t answer.

Rhyme said, “He’s still in surgery.”

Her face was fretted, hair more tangled than this morning. “I hope he’ll be all right.”

Amelia Sachs turned to Percey and said coldly, “You what?”

“I said, I hope he’ll be all right.”

“You hope?” The policewoman towered over her. She stepped closer. The squat woman stood her ground as Sachs continued, “Little late for that, isn’t it?”

“What’s your problem?”

“That’s what I oughta be asking you. You got him shot.”

“Hey, Officer -” Sellitto said.

Composed, Percey said, “I didn’t ask him to run after me.”

“You’d be dead if it wasn’t for him.”

“Maybe. We don’t know that. I’m sorry he was hurt. I -”

“And how sorry are you?”

“Amelia,” Rhyme said sharply.

“No, I want to know how sorry. Are you sorry enough to give blood? To wheel him around if he can’t walk? Give his eulogy if he dies?”

Rhyme snapped, “Sachs, take it easy. It’s not her fault.”

Sachs slapped her hands, tipped in chewed nails, against her thighs. “It’s not?”

“The Dancer out-thought us.”

Sachs continued, gazing down into Percey’s dark eyes. “Jerry was baby-sitting you. When you ran into the line of fire what’d you think he was going to do?”

“Well, I didn’t think, okay? I just reacted.”

“Jesus.”

“Hey, Officer,” Hale said, “maybe you act a lot cooler under pressure than some of us. But we’re not used to getting shot at.”

“Then she should’ve stayed down. In the office. Where I told her to stay.”

There seemed to be a slight drawl in Percey’s voice when she continued. “I saw my aircraft endangered. I reacted. Maybe for you it’s like seeing your partner wounded.”

Hale said, “She just did what any pilot would’ve done.”

“Exactly,” Rhyme announced. “That’s what I’m saying, Sachs. That’s the way the Dancer works.”

But Amelia Sachs wasn’t letting go. “You should’ve been in the safe house in the first place. You never should have gone to the airport.”

“That was Jerry’s fault,” said Rhyme, growing angrier. “He had no authority to change the route.”

Sachs glanced at Sellitto, who’d been Banks’s partner for two years. But apparently he wasn’t about to stand up for the young man.

“This’s been real pleasant,” Percey Clay said dryly, turning toward the door. “But I’ve got to get back to the airport.”

“What?” Sachs almost gasped. “Are you crazy?”

“That’s impossible,” Sellitto said, emerging from his gloom.

“It was bad enough just trying to get my aircraft outfitted for the flight tomorrow. Now we’ve got to repair the damage too. And since it looks like every certified mechanic in Westchester ’s a damn coward I’m going to have to do the work myself.”

“Mrs. Clay,” Sellitto began, “not a good idea. You’ll be okay in the safe house but there’s no way we can guarantee your safety anywhere else. You stay there until Monday, you’ll be -”

“Monday,” she blurted. “Oh, no. You don’t understand. I’m driving that aircraft tomorrow night – the charter for U.S. Medical.”

“You can’t -”

“A question,” asked the icy voice of Amelia Sachs. “Could you tell me exactly who else you want to kill?”

Percey stepped forward. She snapped, “Goddamn it, I lost my husband and one of my best employees last night. I’m not losing my company too. You can’t tell me where I’m going or not. Not unless I’m under arrest.”

“Okay,” Sachs said, and in a flash the cuffs were ratcheted onto the woman’s narrow wrists. “You’re under arrest.”

“Sachs,” Rhyme called, enraged. “What are you doing? Uncuff her. Now!”

Sachs swung to face him, snapped back, “You’re a civilian. You can’t order me to do a thing!”

“I can,” Sellitto said.

“Uh-un,” she said adamantly. “I’m the arresting, Detective. You can’t stop me from making a collar. Only the DA can throw a case out.”

“What is this bullshit?” Percey spat out, the vestigial drawl returning full force. “What’re you arresting me for? Being a witness?”

“The charge is reckless endangerment, and if Jerry dies then it’ll be criminally negligent homicide. Or maybe manslaughter.”

Hale worked up some courage and said, “Look now. I don’t really like the way you’ve been talking to her all day. If you arrest her, you’re going to have to arrest me…”

“Not a problem,” Sachs said, then turned to Sellitto. “Lieutenant, I need your cuffs.”

“Officer, enougha this crap,” he grumbled.

“Sachs,” Rhyme called, “we don’t have time for this! The Dancer’s out there, planning another attack right now.”

“You arrest me,” Percey said, “I’ll be out in two hours.”

“Then you’ll be dead in two hours and ten minutes. Which would be your business -”

“Officer,” Sellitto snapped, “you’re on real thin ice here.”

“- if you didn’t have this habit of taking other people with you.”

“Amelia,” Rhyme said coldly.

She swung to face him. He called her “Sachs” most of the time; using her first name now was like a slap in the face.