I did not see the man Black Oak, but the Serpentine. It was a rock person, not man nor woman, not human, but in shape like a heavy human being, with the blue, blue-green, and black colors and the surfaces of serpentine rock in its skin. It had no hair, and its eyes were lidless and without transparency, seeing very slowly. Serpentine looked at me very slowly with those rock eyes.

I crouched down in terror. I could not weep or speak or stand or move. I was like a bag full of fear.

All I could do was crouch there. I could not breathe at all until a stone, maybe Serpentine's hand, struck my head a hard blow on the right side, above the ear. It knocked me off balance and hurt very much, so that I whimpered and sobbed with the pain, and after that I could breathe again. My head did not bleed where it had been struck but began swelling up there.

I crouched, recovering from the blow and the dizziness, and after a long while looked up again.

Serpentine was standing there. It stood there. After a while I saw the hands moving slowly. They moved up slowly and came together at the navel, at the middle of the stone. There they pulled back and apart.

They pulled open a long, wide rent, or opening in the stone, like the doorway of a room into which I knew I was to enter. I got up crouching and shaking and took a step forward into the stone.

It was not like a room. It was stone, and I was in it. There was no light or breath or room. I think the rest of the vision all took place in the stone; that is where it all happened and was; but because of the human way human people have to see things, it seemed to change and to be other places, things, and beings.

As if the serpentine rock had crumbled and decayed into the red earth, after a while I was in the earth, part of the dirt. I could feel how the dirt felt. Presently I could feel rain coming into the dirt, coming down. I could feel it in a way that was like seeing, falling down on and into me, out of a sky that was all rain.

I would go to sleep and then be partly awake again, perceiving. I began feeling stones and roots, and along my left side I began to feel and hear cold water running, a creek in the rainy season. Veins of water underground went down and around through me to that creek, seeping in the dark through the dirt and stones, Near the creek, I began to feel the big, deep roots of trees, and in the dirt everywhere, the fine, many roots of the grasses, the bulbs of brodiea and blue-eyed grass, the ground squirrel's heart beating, the mole asleep. I began to come up one of the great roots of a buckeye, up inside the trunk and out the leafless branches to the ends of the small outmost branches. From there I perceived the ladders of rain.

These I climbed to the stairways of cloud. These I climbed to the paths of wind. There I stopped, for I was afraid to step out on the wind.

Coyote came down the wind path. She came like a thin woman with rough, dun hair on her head and arms, and a long, fine face with yellow eyes. Two of her children came with her, like coyote pups.

Coyote looked at me and said, "Take it easy. You can look down. You can look back."

I looked back and down under the wind. Below and behind me were dark ridges of forest with the rainbow shining across them, and light shining on the water on the leaves of the trees. I thought there were people on the rainbow but was not sure of that. Below and farther on were yellow hills of summer and a river among them going to the sea. In places the air below me was so full of birds that I could not see the ground, but only the light on their wings, Coyote had a high, singing voice like several voices at once. She said, "Do you want to go on from here?"

I said, "I was going to go to the Sun."

"Go ahead. This is all my country." Coyote said that and then came past me on the wind, trotting on four legs as a coyote with her pups. I was standing alone on the wind there. So I went on ahead.

My steps on the wind were long and slow, like the Rainbow Dancers' steps. At each step the world below me looked different. At one step it was light; at the next one, dark. At the next step it was smoky; at the next, clear. At the next long step, black and gray clouds of ash or dust hid everything; and at the next, I saw a desert of sand with nothing growing or moving at all. I took a step, and everything on the surface of the world was one single town, roofs and ways with people swarming in them like the swarming in pond water under a lens. I took another step and saw the bottoms of the oceans laid dry, the lava slowly welling from long center seams, and huge desolate canyons far down in the shadow of the walls of the continents, like ditches below the walls of a barn. The next step I took, long and slow on the wind, I saw the surface of the world - blank, smooth, and pale, like the face of a baby I once saw that was born without forebrain or eyes. I took one more step and the hawk met me in the sunlight, in the quiet air, over the southwest slope of Grandmother Mountain.

It had been raining, and clouds were still dark in the northwest. The rain shone on the leaves of the forests in the canyons of the mountainside.

Of the vision given me in the Ninth House, I can tell some parts in writing, and some I can sing with the drum, but for most of it, I have not found words or music, though I have spent a good part of my life ever since learning how to look for them. I cannot draw what I saw, as my hand has no gift for making a likeness.

One reason it would be better drawn and is hard to tell is that there is no person in it. To tell a story, you say, "I did this" or "She saw that." When there is no I nor she, there is no story. I was, until I got to the Ninth House; there was the hawk, but I was not. The hawk was; the still air was. Seeing with the hawk's eyes is being without self. Self is mortal. That is the House of Eternity.

So of what the hawk's eyes saw, all I can here recall to words is this: It was the universe of power. It was the network, field, and lines of the energies of all the beings, stars, and galaxies of stars, worlds, animals, minds, nerves, dust, the lace and foam of vibration that is being itself, all interconnected, every part part of another part, and the whole part of each part, and so comprehensible to itself only as a whole, boundless and unclosed.

At the Exchange it is taught that the electrical mental network of the City extends from all over the surface of the world out past the moon and the other planets to unimaginable distances among the stars: In the vision all that vast web was one momentary glitter of light on one wave on the ocean of the universe of power, one fleck of dust on one grass seed in unending fields of grass. The images of the light dancing on the waves of the sea or on dust motes, the glitter of light on ripe grass, the flicker of sparks from a fire, are all I have: No image can contain the vision, which contained all images. Music can mirror it better than words can, but I am no poet to make music of words. Foam and the scintillation of mica in rock, the flicker and sparkle of waves and dust, the working of the great broadcloth looms, and all dancing have reflected the hawk's vision for a moment to my mind; and indeed everything would do so, if my mind were clear and strong enough. But no mind or mirror can hold it without breaking.

There was a descent or drawing away, and I saw some things that I can describe. Here is one of them: In this lesser place or plane, which was what might be called the gods or the divine, beings enacted possibilities. These I, being human, recall as having human form. One of them came and shaped the vibrations of energies, closing their paths from gyre into wheel. This one was very strong and was crippled. He worked as blacksmith at the smithy, making wheels of energy, closed upon themselves, terrible with power, flaming. He who made them was burnt away by them to a shell of cinder, with eyes like a potter's kiln when it is opened and hair of burning wires, but still he turned the paths of energy and closed them into wheels, locking power into power. All around this being now was black and hollow where the wheels turned and ground and milled. There were other beings who came as if flying, like birds in a storm, flying and crying across the wheels of fire to stop the turning and the work, but they were caught in the wheels and burst like feathers of flame. The miller was a thin shell of darkness now, very weak, burnt out, and he too was caught in the wheels' turning and burning and grinding and was ground to dust, like fine, black meal. The wheels as they turned kept growing and joining until the whole machine was interlocked cog within cog, and strained and brightened and burst into pieces. Every wheel as it burst was a flare of faces and eyes and flowers and beasts on fire - burning, exploding, destroyed, falling into black dust. That happened, and it was one flicker of brightness and dark in the universe of power, a bubble of foam, a flick of the shuttle, a fleck of mica. The dark dust, or meal, lay in the shape of open curves or spirals. It began to move and shift, and there was a scintillation in it, like dust in a shaft of sunlight. It began dancing. Then the dancing drew away and drew away, and closer by, to the left, something was there, crying like a little animal. That was myself, my mind and being in the world; and I began to become myself again; but my soul that had seen the vision was not entirely willing. Only my mind kept drawing it back to me from the Ninth House, calling and crying for it till it came.