I watched a little of the halftime stuff. I wished they had taken my stomach out because it was pumping acid into my ulcers now. The chili came, and I could hardly finish the bowl. I popped two Zantac, then a Maalox even though the gastro-doc said not to mix.

In truth, my health, once robust, had taken a decided dip since the April 12 incident. My eating, drinking, and sleeping habits were never good, and the divorce and the job had taken their toll. I was starting to feel forty-something, starting to feel my mortality. Sometimes in my sleep, I remember lying in the gutter in my own blood, lying on a storm drain and thinking, "I'm circling around the drain, I'm going down the drain."

On the upside, I was starting to notice things like the waitress with the NordicTrack ass, and when Elizabeth Penrose walked into the bar, my little meat puppet sat up and stretched. Truly, I was on the road to recovery, and for sure I was in better shape than the Gordons.

I thought a moment about Tom and Judy. Tom was a Ph.D. who didn't mind killing his brain cells with beer and wine, and he cooked a good steak on the grill. He was a down-to-earth guy from Indiana or Illinois or someplace out there where they have this sort of twang. He was low-key about his work and joked about the danger, like last week when a hurricane was headed our way, he said, "If it hits Plum, you can call it Hurricane Anthrax, and we can kiss our asses goodbye." Ha. Ha. Ha.

Judy, like her husband, was a Ph.D., a Midwesterner, unpretentious, good-natured, spirited, funny, and beautiful. John Corey, like every guy who met her, was in love with her.

Judy and Tom seemed to have taken well to this maritime province in the two years since they'd been here, and they seemed to enjoy power boating and had gotten involved with the Peconic Historical Society. In addition, they were enchanted by the wineries and had become connoisseurs of Long Island wine. In fact, they had befriended some of the local vintners, including Fredric Tobin, who threw lavish soirees at his château, one of which I attended as the Gordons' guest.

As a couple, the Gordons seemed happy, loving, caring, sharing, and all that 1990s stuff, and I really never noticed anything amiss between them. But that's not to say they were perfect people or a perfect couple.

I searched my memory for something like a fatal flaw, the kind of thing that sometimes gets people murdered. Drugs? Not likely. Infidelity? Possible, but not probable. Money? They didn't have much to steal. So it came down to the job again.

I thought about that. It would appear on the face of things that the Gordons were selling superbugs and something went wrong, and they were terminated. Along the same lines, I recalled that Tom once confided to me that his biggest fear, aside from catching a disease, was that he and Judy would be kidnapped right off their boat one day, that an Iranian submarine or something would come up and snatch them away, and they'd never be seen or heard from again. This seemed a little far-fetched to me, but I remember thinking that the Gordons must have a lot of stuff in their heads that some people wanted. So maybe what happened was that the murder started out as a snatch job and went wrong. I thought about this. If the murders were related to the job, were the Gordons innocent victims, or were they traitors who sold death for gold? Were they killed by a foreign power or were they killed by someone closer to home?

I mulled this over as best I could in the OTT with the noise, the halftime crap, the beer in my brain, and the acid in my tummy. I had another beer and another Maalox. Gastro-doc never said why I wasn't supposed to mix.

I tried to think of the unthinkable, of handsome, happy Tom and beautiful, bouncy Judy selling plague to some nut cases, of water reservoirs filled with disease, or maybe aerial crop sprayers over New York or Washington, of millions of sick, dying, and dead…

I couldn't imagine the Gordons doing that. On the other hand, everyone has a price. I used to wonder how they could afford to rent that house on the water and buy that expensive boat. Now maybe I knew how and also why they needed a high-speed boat and a house with a private dock. It all made sense, and yet my instincts were telling me not to believe the obvious.

I overtipped Ms. NordicTrack and returned to the scene of the crime.

It was after eleven as I drove along the lane that led to the Gordons' house. The night was lit by a nice three-quarter moon, and a pleasant breeze brought the smell of the sea through the open windows of my new moss green Jeep Grand Cherokee Limited, a $40,000 indulgence that the nearly deceased John Corey thought he owed himself.

I stopped fifty yards from the house, put the vehicle into "park," and listened to a few more minutes of Giants-Dallas, then I shut off the engine. A voice said, "Your headlights are on."

"Shut up," I replied, "just shut up." I switched off the headlights.

There are many options in life, but one option you should never choose is the "Voice Warning and Advisory Option."

I opened the door. "Your key is in the ignition. Your emergency brake is not engaged." It was a female voice, and I swear to God it sounded like my ex-wife. "Thank you, dear." I took my keys, climbed down, and slammed the door.

The vehicles and crowds on the small street had thinned considerably, and I figured that the bodies had been removed, it being a fact of life that the arrival of the meat wagon usually satisfies most of the spectators and signals the end of Act One, Also, they all wanted to see themselves on the eleven o'clock news.

There was a new addition to the police presence since my earlier visit: a Suffolk County police mobile van was parked in front of the house near the forensic van. This new van was the command post that could accommodate investigators, radios, fax machines, cell phones, video equipment, and the other high-tech doodads that make up the arsenal in the never-ending battle against crime and all that.

I noticed a helicopter overhead, and I could see by the light of the moon that it was from one of the networks. Though I couldn't hear the reporter's voice, he or she was probably saying something like, "Tragedy struck this exclusive Long Island community earlier this evening." Then some stuff about Plum Island and so on.

I made my way through the last of the stragglers, avoiding anyone who looked like the working press. I stepped over the yellow tape, and this immediately attracted a Southold cop. I tinned the guy and got a half-assed salute.

The uniformed crime scene recorder approached me with a clipboard and time sheet, and again I gave him my name, my business, and so forth, as he requested. This is SOP and is done throughout the investigation of the crime, beginning with the first officer at the scene and continuing until the last officer leaves and the scene is returned to the owner of the property. In any case, they had me twice now and the hook was in deeper.

I asked the uniformed officer, "Do you have a guy from the Department of Agriculture logged in?"

He replied without even looking at the sheet, "No."

"But there is a man from the Department of Agriculture here. Correct?"

"You'll have to ask Chief Maxwell."

"I'm asking you why you haven't logged this guy in."

"You'll have to ask Chief Maxwell."

"I will." Actually, I already knew the answer. They don't call these guys spooks for nothing.

I walked around to the backyard and onto the deck. In the places where the Gordons had lain were now two chalk outlines, looking very ghostly in the moonlight. A big sheet of clear plastic covered the splatter behind them where their mortality had exited.