"And you are not engaged in such work?"

"Absolutely not! My work is noncommercial. I am a Creative Conrad Specialist."

"Would you mind telling me what that means, Citizen Honners?"

"I'd be happy to. My own particular field of endeavor lies in re-creating the works of Joseph Conrad, an author who lived in the pre-atomic era."

"How do you go about re-creating those works, sir?"

"Well, at present I am engaged in my fifth re-creation of Lord Jim. To do it, I steep myself as thoroughly as possible in the original work. Then I set about rewriting it as Conrad would have written it if he had lived today. It is a labor which calls for extreme diligence, and for the utmost in artistic integrity. A single slip could mar the re-creation. As you can see, it calls for a preliminary mastery of Conrad's vocabulary, themes, plots, characters, mood, approach, and so on. All this goes in, and yet the book cannot be a slavish repeat. It must have something new to say, just as Conrad would have said it."

"And have you succeeded?"

"The critics have been generous, and my publisher gives me every encouragement."

"When you have finished your fifth re-creation of Lord Jim, what do you plan to do?"

"First I shall take a long rest. Then I shall re-create one of Conrad's minor works. The Planter of Malata, perhaps."

"I see. Is re-creation the rule in all the arts?"

"It is the goal of the true aspiring artist, no matter what medium he has chosen to work in. Art is a cruel mistress, I fear."

(Citizen Willis Ouerka, age 8, occupation student. A cheerful, black-haired, sun-tanned boy. )

"I'm sorry, Mr. Opinioner, my parents aren't home right now."

"That's perfectly all right, Willis. Do you mind if I ask you a question or two?"

"I don't mind. What's that you got under your jacket, Mister? It bulges."

"I'll ask the questions, Willis, if you don't mind…. Now, do you like school?"

"It's all right."

"What courses do you take?"

"Well, there's reading and writing and status appreciation, and courses in art, music, architecture, literature, ballet, and theater. The usual stuff."

"I see. That's in the open classes?"

"Sure."

"Do you also attend a closed class?"

"Sure I do. Every day."

"Do you mind talking about it?"

"I don't mind. Is that bulge a gun? I know what guns are. Some of the big boys were passing around pictures at lunchtime a couple days ago and I peeked. Is it a gun?"

"No. My suit doesn't fit very well, that's all. Now then. Would you mind telling me what you do in the closed class?"

"I don't mind."

"What happens, then?"

"I don't remember."

"Come now, Willis."

"Really, Mr. Opinioner. We all go into this classroom, and we come out two hours later for recess. But that's all. I can't remember anything else. I've talked with the other kids. They can't remember either."

"Strange…."

"No, sir. If we were supposed to remember, it wouldn't be closed."

"Perhaps so. Do you remember what the room looks like, or who your teacher is for the closed class?"

"No, sir. I really don't remember anything at all about it."

"Thank you. Willis."

(Citizen Cuchulain Dent, age 37, occupation inventor. A prematurely bald man with ironic, heavy-lidded eyes. )

"Yep, that's right. I'm an inventor specializing in games. I brought out Triangulate — Or Else! last year. It's been pretty popular. Have you seen it?"

"I'm afraid not."

"Sort of a cute game. It's a simulated lost-in-space thing. The players are given incomplete data for their miniature computers, additional information as they win it. Space hazards for penalties. Lots of flashing lights and stuff like that. Very big seller."

"Do you invent anything else, Citizen Dent?"

"When I was a kid, I worked up an improved seeder harvester. Designed to be approximately three times as efficient as the present models. And would you believe it, I really thought I had a chance of selling it."

"Did you sell it?"

"Of course not. At that time I didn't realize that the patent office was closed permanently except for the games section."

"Were you angry about that?"

"A little angry at the time. But I soon realized that the models we have are plenty good enough. There's no need for more efficient or more ingenious inventions. Folks today are satisfied with what they've got. Besides, new inventions would be of no service to mankind. Earth's birth and death rate are stable, and there's enough for everyone. To produce a new invention, you'd have to retool an entire factory. That would be almost impossible, since all the factories today are automatic and self-repairing. That's why there's a moratorium on invention, except in the novelty game field."

"How do you feel about it?"

"What's there to feel? That's how things are."

"Would you like to have things different?"

"Maybe. But being an inventor, I'm classified as a potentially unstable character anyhow."

(Citizen Barn Threnten, age 41, occupation atomics engineer specializing in spacecraft design. A nervous, intelligent-looking man with sad brown eyes. )

"You want to know what I do in my job? I'm sorry you asked that, Citizen, because I don't do a thing except walk around the factory. Union rules require one stand-by human for every robot or robotized operation. That's what I do. I just stand by."

"You sound dissatisfied, Citizen Threnten."

"I am. I wanted to be an atomics engineer. I trained for it. Then when I graduated, I found out my knowledge was fifty years out of date. Even if I learned what was going on now, I'd have no place to use it."

"Why not?"

"Because everything in atomics is automatized. I don't know if the majority of the population knows that, but it's true. From raw material to finished product, it's all completely automatic. The only human participation in the program is quantity-control in terms of population indexes. And even that is minimal."

"What happens if a part of an automatic factory breaks down?"

"It gets fixed by robot repair units."

"And if they break down?"

"The damned things are self-repairing. All I can do is stand by and watch, and fill out a report. Which is a ridiculous position for a man who considers himself an engineer."

"Why don't you turn to some other field?"

"No use. I've checked, and the rest of the engineers are in the same position I'm in, watching automatic processes which they don't understand. Name your field: food processing, automobile manufacture, construction, biochem., it's all the same. Either stand-by engineers or no engineers at all."

"This is true for spaceflight also?"

"Sure. No member of the spacepilot's union has been off Earth for close to fifty years. They wouldn't know how to operate a ship."

"I see. All the ships are set for automatic."

"Exactly. Permanently and irrevocably automatic."

"What would happen if these ships ran into an unprecedented situation?"

"That's hard to say. The ships can't think, you know; they simply follow pre-set programs. If the ships ran into a situation for which they were not programmed, they'd be paralyzed, at least temporarily. I think they have an optimum-choice selector which is supposed to take over unstructured situations; but it's never been tried out. At best, it would react sluggishly. At worst, it wouldn't work at all. And that would be fine by me."

"Do you really mean that?"

"I certainly do. I'm sick of standing around watching a machine do the same thing day after day. Most of the professional men I know feel the same way. We want to do something. Anything. Did you know that a hundred years ago human-piloted starships were exploring the planets of other solar systems?"