I may have wrapped my arms more tightly around the child, following the realisation of our pilot’s condition. I know I prayed.

We had been flying for a quarter hour or so when I became conscious that my lips were moving, and that the words they shaped were Hebrew: Yehi ratzon mil’fanecha, the prayer of the traveller begins. If it be Thy will, to lead us towards peace, to guide our footsteps in the way of peace, to have us reach our destination of peace. The repetition of shalom, meaning both peace and health, is said to calm the nerves. Mine could certainly use some calming.

But how had Brothers followed us? The man was a religious charlatan, not some master criminal with a platoon of armed men at his beck and call. Yes, he had Marcus Gunderson, but I’d questioned Gunderson myself, at the point of a knife, and there had been no indication that he was one of a platoon of Thugees.

Brothers’ mumbo-jumbo was the spiritual equivalent of eating an enemy’s heart. He believed that by spilling blood at carefully chosen places and times-lunar eclipse, summer solstice, meteor shower, today’s eclipse of the sun-he would absorb the loosed psychic energies of his victims. However, he appeared to have kept this aspect of his teaching to himself: I had seen no evidence that he used any of his Inner Circle in his quest to become a god; only Gunderson.

With Brothers in my thoughts and the Hebrew on my lips, my mind turned to the nature of gods. The Hebrew Bible does not say that the gods do not exist, merely that we are not to worship them. For a Christian, doubt is a shameful secret, a failure of faith, but the rabbis have long embraced doubt as an opportunity for vigorous argument. For the rabbis, the existence of God is no more of a question than the existence of air: Doubt is how we converse with Him.

Small-g gods might be considered a sort of concentrated essence: Loki the impulsive, Shiva the destroyer, Wayland the craftsman. The local gods were why Brothers had come to Britain, a country littered with Norse and Roman deities. The Holmes brothers were a bit god-like: generous and well meaning towards lesser mankind, but capricious and sometimes frightening in their omniscience. What, I wondered sleepily, would Brothers have embodied, had he succeeded in becoming a god? For that matter, what god would carry the attributes of flying machines? Which deity would be represented by the rifle?

As I sat in the deafening, cramped and frigid compartment, behind a dying pilot, holding a child for whom I could do nothing, incredibly, imperceptibly, I drifted into sleep.

The grey scraps of cloud outside, tossed like leaves in a fitful breeze, shifted, becoming wind-tossed foliage. I was sitting not in a fragile device of metal and wood, but on a hillside, warm and secure in an ancient land. The foliage remained, a hedgerow bordering a field of summer wheat. The grain rippled with the breeze, the green wall danced, until in the midst of the leaves-or the scraps of cloud-I became aware of a Presence among the moving scraps of green or grey: a pair of eyes that were there and then gone, that met mine and were hidden again. Green, grey; there, gone; comfort, threat.

I must have made a noise, because the child in my arms stirred, pushing away the heavy coat to rub her eyes and look around her.

“What did you say?” she asked me.

“I didn’t say anything, honey.”

“Yes, you did,” she insisted.

“I fell asleep, and was dreaming. It must have been something about that.”

“I’m cold,” she complained.

“It won’t be much longer,” I said. She gave me a look that declared her lack of reassurance at the statement. “Here, snuggle back under the coat,” I suggested.

This must be what it felt like to be an Elizabethan noblewoman before a roaring fire, I thought: toasty warm in front, frigid in back.

“What was your dream about?” Estelle asked.

“Only a silly dream. A face peeping out from leaves.”

“My Papa made a painting like that.”

“Did he? Oh yes, I remember.” I’d seen it in a London gallery-heavens, only two weeks before? The Green Man, Damian had called it, a Surrealist rendering of the ancient pagan spirit of the British Isles, the surge of life in this green land. The figure was carved into church ceilings and pews, painted on the signs of public houses, leading processions. He was often shown as a face with branches bursting from his mouth and nostrils and twining about his head in the exuberance of life: a divine creature, speaking in leaves.

Jack-in-the-Green, Will of the Wisp, Wild Woodsman: The figure represents not just life, but the cycle of birth and death and birth anew. His authority and mystery stand behind such diverse characters as Robin Hood and Puck. Damian’s painting began as a study in green, a canvas entirely covered with leaves so precise, they might have been the colour photograph of a hedge. Only after examining the wall of greenery for some time, searching for meaning in the shades and shadows, did the viewer become aware that two off-centre points of light were not drops of water on leaves, but reflections from a pair of green eyes. Unlike the foliate heads carved into the stones of churches, nothing could be seen of the features-or rather, the skin seemed made of leaves instead of flesh-but the sense of watching was powerful. Not threatening, necessarily, just… eerie. Disturbing.

At the time, my thought had been, Next time I walk in the woods, the back of my neck will crawl.

Now I pulled my arms more snugly around the artist’s child, and raised my eyes to what I could see of Javitz. He had stayed reassuringly upright; there was no indication that he was about to faint away and send us spinning to earth. Still, I wanted to get down as soon as we could. The hour I had given him was less than half over, but the man urgently required medical attention.

I stretched out an arm to knock on the dividing glass. I could tell he heard me from the tilt of his head, but it took a minute for him to turn.

When he had done so, I held out my hand and slowly lowered it, palm down, to indicate that I wanted us to descend. He put up a finger, telling me to wait, then bent over his pad for a minute. He held up the message:

I’M FINE. BLEEDING STOPPED. NO REASON NOT TO MAKE INVERNESS OR FORT WILLIAM.

Inverness was some eighty-five miles from Thurso, or less than an hour with the wind at our back as it was. Fort William was nearly twice that. I shook my head firmly, mouthing, “Inverness, not Fort William.”

He shrugged, which I would have taken for capitulation except that I had a feeling that those scars were hiding an expression of stubbornness. He started to turn back, but I rapped hard on the glass, and spelt out in front of his eyes:

KEEP LOOSENING THE TOURNIQUET.

Not bleeding: Right, I thought. So why are you surreptitiously reaching down now to work the tie loose on your upper leg?

The first thing I’d learned about this aeroplane was that its 230 horsepower engine would take it 500 miles on a tank of petrol. On the trip up here, we had failed to come anywhere near that, but-so far-it appeared that our curse of mechanical problems was in abeyance. Theoretically, 500 miles would take us near enough to London to smell the smoke-although if Javitz’s hands were no longer on the controls, it could as easily land us in Ireland, France, or the middle of the North Sea.

How to force a man to your will when you could not reach him-could not even communicate if he chose not to turn his head? It was maddening, and his masculine pride was putting this child in danger.

I might have to break the pane of glass that separated us, even if it meant Estelle and I were in the full blast of air. The butt of the revolver would do as a hammer-but as I was reaching for it, I saw that Javitz had turned again, and was holding to the glass a longer message: