“I’ll take my horse,” Frank McLaury said, and took hold of the reins with his left hand.

“You’ll have to keep him off the sidewalk,” Wyatt said.

McLaury and he looked at each other.

“Watch toward Allen Street, Frank,” Tom McLaury said.

Virgil Earp had rounded the corner of Allen and Fourth, his hat pulled low against the cold, carrying a ten-gauge shotgun. He walked slowly toward them and leaned on the wall of a doorway across the street.

“Bob Hatch said you was down here, Wyatt.”

“Just clearing this horse off the sidewalk,” Wyatt said.

“Town ordinance,” Virgil said. “No horses on the sidewalk.”

Frank backed the horse off the sidewalk and into the street and wrapped the reins around the hitching rail in front of Spangenberg’s. Wyatt stood quietly watching. Virgil stayed where he was in the doorway, the shotgun over his forearm, the double-barrels aimed loosely toward the cowboys. Most of the dozen or so people who had crowded around to see what was going on when Ike had stumbled in there with his head bleeding, had backed away out of any line of fire that might develop. The McLaurys went back into the gun shop. Wyatt could see Billy Clanton feeding shells into his cartridge belt from a box that Frank McLaury was holding. Wyatt turned and walked past McLaury’s horse, across Fourth Street, and joined his brother in the doorway.

“Guess you’re still covered by that temporary marshal appointment,” Virgil said.

“Guess so,” Wyatt said.

“Seen you let crimes like that pass, though,” Virgil said.

“Horse on the sidewalk. It’s unlawful, unsanitary, and dangerous to the citizenry,” Wyatt said. “Damned horse coulda stepped on somebody’s foot.”

“You’re pushing this kind of hard,” Virgil said, still staring across the street at the gun shop.

The wind had picked up, and both men were glad to be sheltered in the doorway. An occasional spat of snow drifted in on the wind.

“It’s going to happen, Virgil. Might as well move it along.”

“Might not happen.”

“It’ll happen,” Wyatt said.

“You want it to happen,” Virgil said.

“Hell, it’s about me and Josie,” Wyatt said. “We both know that.”

“Maybe. But you think Ike knows it, or the McLaurys?”

“Nope. But Behan knows it.”

Ike Clanton came out of the gun shop with his brother, and Billy Claiborne and the McLaurys, and walked silently past, without a glance at the Earps, toward Allen Street.

“Might make less of a mess,” Virgil said as his eyes followed the cowboys, “if you and Johnny settled it between you.”

“He won’t go against me straight out,” Wyatt said.

“No,” Virgil said. “He won’t.”

“So he stirs up the cowboys and hopes they’ll do it for them.”

“He think you’ll be alone?” Virgil said. “He think you don’t have brothers?”

Wyatt looked out of the doorway at Fourth Street. Now and then an isolated snowflake drifted past.

“How about Doc?” Virgil said.

“Doc will be with us if he feels like fighting.”

“If he hasn’t got a hangover,” Virgil said.

“Or maybe if he has,” Wyatt said.

“If there’s a fight.”

“There’ll be a fight,” Wyatt said.

“You want it to come?” Virgil said.

“Time to lance this boil,” Wyatt said.

“More than that,” Virgil said.

“Maybe.”

Forty-two

Morgan came out of Hafford’s Saloon and joined his brothers and Doc Holliday in front of Hafford’s, on the corner of Fourth and Allen. The Doc was wearing a long gray coat and carrying a cane.

“Heard we was going to shoot some cowboys,” Doc said.

Virgil nodded. “Might have to,” he said.

“Care to join us?” Morgan said.

Doc took a nickel-plated revolver from his right-hand coat pocket and pretended to shoot it twice, making soft puffing sounds to indicate the shots.

“Don’t mind if I do,” Doc said. “You ready, Wyatt?”

Wyatt nodded. He felt himself steadily clarifying, as if some sort of internal telescope were slowly coming into focus. He had the big Colt Peacemaker in his belt. It seemed to be just right there, as if when he took hold of it it became him, part of his hand, an extension of his reach. His collar was turned up, and he felt warm and steady inside the wool mackinaw. He could feel the strength in his muscles. His heartbeat was steady. His legs felt springy. His hands felt soft and comfortable. There were people coming out of Hafford’s, and going into Hafford’s, and walking past on both Allen and Fourth Streets. But they seemed now insubstantial, not invisible, but immaterial as he leaned his back against the wall of the saloon again and waited. It would come; it was like an empty railroad car that had been started on a downgrade, moving persistently faster, becoming always more inevitable. One had only to wait its arrival at the bottom of the grade. Except for the weather, it was the way he’d felt when he faced down Clay Allison in Dodge.

“Where are they?” Doc said.

“Dexter’s Corral,” Virgil answered. “Look.”

The cowboys came out of Dexter’s and crossed the street and entered the O.K. Corral. As they disappeared into the livery area, J. L. Phonic walked up Fourth Street and stopped in front of Virgil. The collar of his long black coat was turned up against the wind. His smallish townsman’s hat was pulled down hard on his head.

“You need them, I can deliver ten men with Winchesters right now,” Phonic said.

“Don’t expect to need them,” Virgil said. “Those boys stay in the O.K. Corral, we won’t bother them.”

“Why those boys down on Fremont Street right now, near your rooming house, Doc?”

“Looking for me, probably,” Doc said.

“They’re heeled,” Virgil said.

“Sure,” Phonic said.

“Well, I guess we better go down there and disarm them,” Virgil said.

He handed the shotgun to Doc.

“Keep that under your coat, Doc. Don’t want people getting the wrong idea and going off too quick.”

Doc gave his cane to Virgil and stowed the shotgun, holding it inside his coat with his left hand.

“Here we go,” Virgil said.

Things at large were going very fast now, but the small details were getting steadily slower. Everything Wyatt looked at seemed leisurely and somehow stately. The wind had stopped. The movement of his brothers and Doc as they began the walk down Fourth Street was timeless and made no sound. Johnny Behan appeared and spoke to them and was brushed aside. A two-horse hitch moved past them going silently in the opposite direction, moving as if it had wound down, the big draft horses nearly balletic in their slow elegance. He could feel the steady rhythm of his pulse, the easy flow of his blood. There was nothing on the periphery anymore. The buildings along Fourth Street disappeared as he walked, and he felt Virgil and Morgan and Doc to his left. They walked abreast, Wyatt on the far right. He knew there was coldness and the smell of snow. Now and then a random and singular snowflake would drift in front of him. He felt the weight of the six-shooter in his belt. Everything seemed to be happening soundlessly at the bottom of a clear lake. They were at Fremont Street. It had taken no time at all, and yet it had moved more slowly than it seemed possible to move. Wyatt didn’t want it hurried. If Josie were with him here in this crystalline moment there could be no heaven to match it. As it was, he felt as if his life had compacted into a density that no harm could penetrate. He opened his hands wide and let them relax and stretched them again for the sheer physical surge of it. Everything was profoundly intense, nearly magical. Ike was there with Billy Clanton and the McLaurys, clustered in the alley together beside Fly’s. Virgil’s voice came from beyond a vast emptiness. Something about “Throw up your hands…” and then, “Hold on, I don’t mean that…” and then gunfire. His big Army Colt ahead of him, an extension of himself, the hammer thumbed back, bucking slightly as the hammer fell. Around him, barely penetrating his focus, other guns were firing as if at a great distance. Frank is hit, and Billy Clanton, and his brother Morgan. Ike closes with him for a moment. Wyatt tosses him aside. Ike runs. Tom shoots from behind his frightened horse. More shots. Hammer back. Pull the trigger. Again. The bullets seem to surge from his deepest self in a leisurely way. Doc staggers and curses and fires again. Clinging to his horse, firing over him, Frank takes a few steps into Third Street and falls. The horse shies off, his reins trailing, and trots down Third Street. Tom is down in the alley. Billy Clanton is on the ground, his back against the wall of Fly’s, still cocking and firing. Another shot. Billy slumps. Then vast silence. As if time had stopped. Virgil was limping, a bullet through the calf. Morgan was in pain, a bullet in his shoulder. Billy Clanton was dead. Tom McLaury was dead. Frank was dead. In the utter stillness the smell of cordite was thick in the narrow alley. Wyatt still held the gun with its hammer back, moving the gun slowly before him back and forth, scanning the silence. Part of the silence, at one with it, as the occasional snowflake spiraled down, and the clean desert air that filled his lungs began to clarify the gun smoke.