“Is that a yes?” he said, and she nodded, and he slid the ring on her finger, and put his arms around her. “We’re going to be so happy,” he told her as he held her, and she crooked her finger to keep the ring on because it was too large.

“Yes,” Gwen said into his shoulder. “Can we go scuba diving for our honeymoon?”

“Of course,” Mason said. “Anything you want.”

“Just not to Aruba,” Gwen said.

Nadine opened the door and said, “Uh, Aunt Tilda says it’s time to close,” and Gwen pulled back. “Also, we can’t find Thomas the Caterer. Did he leave? Because all his stuff is here.”

“I’ll be right there,” Gwen said, and straightened her dress, which didn’t need straightening. “I have to go-”

“I understand,” Mason said.

“So, tomorrow,” Gwen said, smiling at him as brightly as she could.

“Oh,” he said, and looked up at the ceiling, toward her apartment.

“Because we have to… you know… shut down the gallery,” Gwen said, trying to think of a reason not to invite her fiancé upstairs. “For the night. Clean up. You know.”

“Of course,” Mason said, looking confused. “I’ll see you tomorrow.” He kissed her again, and over his shoulder, Gwen could see Nadine scowling.

Yeah, I kind of feel that way, too, she thought.

OUT IN the gallery, Davy had come up behind Tilda, put his arms around her, and whispered in her ear, “I have plans for you, Vilma.”

Oh, good, Tilda thought. “There’s one last woman over there thinking about buying that awful wombat chest.” She snuggled in closer. “Don’t you think you should go sell it to her?”

“No,” Davy said. “I’m tired, the show’s over, and I want to clean this place up and then see how easy this dress is to get off.”

“Extremely easy.” Tilda shoved her shoulder strap up again. “The trick all evening has been to keep it on. I don’t know how Louise manages this stuff.”

Back in the office, Nadine started the jukebox, and some woman began to sing about saving the last dance.

Davy frowned. “What is this song? And why do I have good feelings about it?”

Tilda laughed. “You were winning a bet the last time you heard it.” Her shoulder strap fell down again.

“We can clean tomorrow.” Davy took her hand and pulled her toward the office door.

“You were great tonight,” Tilda said, following him.

“You haven’t seen anything yet, Celeste.”

Tilda stopped at the door for one last look around the gallery. About half of the furniture was gone, and the rest would go in the next couple of weeks as word spread. She wasn’t going to set the art world on fire, or even the furniture world, but people had liked the things they bought, the Finsters notwithstanding. And they’d bought them because of Davy. The basement was empty because of Davy.

No, she thought. Only half-empty.

“Okay, long silences make me nervous,” Davy said from the office doorway. “Also, you have that look on your face again.”

She turned back to him. “You’re solving all my problems.”

“I can do it all,” he said, not really listening as he tugged at her hand. “Come upstairs and I’ll show you.”

“Come downstairs first,” she said.

Davy shook his head. “The bed’s packed in the van. And that concrete floor is cold.”

“I have something to show you.” She pulled her hand out of his and headed for the basement.

“Can’t you show it to me in the attic?” he said, but he followed her down the stairs and stopped behind her as she punched in the code for the studio.

“Til, you don’t have to,” he said, his voice serious.

“Yeah,” she said. “I do. Here’s the last of my secrets, Dempsey. Let’s see how good you are with a big problem.”

And then she opened the door.

UPSTAIRS, the last customer left with her wombats, and Nadine and Ethan walked around picking up cups. “We’ll clean up the office and then head upstairs,” Nadine told Gwen. “We have things to talk about.”

“You didn’t bug anybody else, did you?” Gwen said, alarmed.

“No,” Ethan said. “But the investigation is ongoing.”

“What things, then?” Gwen said, looking at Nadine with narrowed eyes.

“We’re going to discuss the future of Matilda Veronica furniture,” Nadine said. “We’re going to run out pretty soon, and we were thinking that if we went around to dumps and collected stuff on trash day, that Tilda could draw the lines and we could paint them.”

“I don’t know if Tilda wants to.” Gwen looked around the depleted gallery. Mason wouldn’t be happy about more furniture. He’d want to sell paintings. Her head throbbed harder. “I don’t even know when Tilda is leaving again on her next mural.”

“That’s why we need to talk about this first,” Nadine said. “It’s still fuzzy, but once Ethan and I work out the details, I don’t think she’ll say no. After all, we’ll be doing most of the work. Right?” She nudged Ethan and grinned up at him affectionately. “It’s not like Ethan has anything else to do.”

“And how do you feel about that, Ethan?” Gwen said, exasperated with them both.

Ethan shrugged. “It’s summer.”

No, it isn’t, Gwen thought, It’s Nadine.

“You look tired, Grandma,” Nadine said. “Go to bed. Ethan and I will take care of everything down here.”

“Maybe you’re right,” Gwen said and then someone banged on the street door to the gallery. “Who could that be? It’s after midnight.”

“Want me to get it?” Ethan said.

“No.” Gwen went toward the door. “You stay here and clean.”

When she lifted the shade on the street door, Mason was standing there. “Hey, we’re closed,” she said, opening the door for him.

“Thought you might be able to spare another drink,” Mason said, a little sheepishly, as he came in.

“Hello, Mr. Phipps,” Nadine said politely, when they came into the office. “Come on, Ethan, let’s do the gallery.” She picked up the sweeper and went into the gallery, Ethan following her with a trash bag and a pained expression.

“Cute kids,” Mason said, while Gwen got out the orange juice and vodka.

“Good kids,” Gwen said, failing to see how anybody could call either Nadine or Ethan cute. She glanced through the glass into the gallery. Nadine was attacking the floors with the sweeper while Ethan gathered up miscellaneous cups and plates, keeping one eye on Nadine’s rear end. Maybe it was time to send Ethan home.

“I thought maybe,” Mason began and hesitated. “I don’t want to go home to Clea tonight, Gwen,” he blurted finally. “Let me stay with you.”

“Oh,” Gwen said.

“I don’t want to rush you,” Mason said, moving closer. “I know you’re tired.”

Oh, good, I look tired. Gwen stood up. “You’re a very generous man, Mason.”

“I’m not generous,” Mason said. “I get a lot, too. It’s lonely back at the house.”

Gwen thought, I know. It’s lonely where I am, too. And sooner or later… “Would you like to see my apartment?” she said.

“Yes,” he said solemnly. “I would like to very much.”

“Great,” she said and stood up. “It’s this way.”

THE BASEMENT ROOM was big when Tilda turned on the light. Davy saw three walls lined with expensive-looking metal cabinets and the fourth with shelves full of tools and equipment, some of it standard artist’s supplies but a lot of it unfamiliar. The whole place was white, just like everything else in the basement.

Tilda pulled out a bentwood side chair that had seen better days, and said, “Sit,” and Davy sat, facing the longest wall of cabinets. She opened the first cabinet and pulled out a painting, cornfields under a heavily painted, swirling blue sky.

“Do you know what this is?” she said.

“A van Gogh?” Davy said, not caring. “You have great legs.”