Mal took it hard, going on a two-day drunk, sobering up with a direct frontal attack on the Red Menace. A strongarmed lefty told Dudley Smith that Claire De Haven made “Ted Krugman” as a cop; Mal was enraged, but the consensus of the team was that they now had enough snitch testimony to take UAES down without Upshaw’s covert dirt. Docket time was being set up; if all went well, the grand jury would convene in two weeks. Mal had gone off the deep end, crucifying Reds to perk his juice for his court battle. He’d turned Nathan Eisler’s diary upside down for names, turning out snitches from four of the men Claire De Haven serviced to start her union. His flop at the Shangri-Lodge Motel now looked like Ellis Loew’s living room: graphs, charts and cross-referenced hearsay, Mal’s ode to Danny Upshaw, all of it proving one thing: that Commies were long on talk. And when the grand jury heard that talk, they probably wouldn’t have the brains to think it out one step further: that the sad, deluded fuckers talked because they didn’t have the balls to do anything else.

Buzz kicked the gravestone again; he thought that Captain Mal Considine almost had himself convinced that UAES was a hot damn threat to America’s internal security—that he had to believe it so he could keep his son and still call himself a good guy. Odds on the Hollywood Commies subverting the country with their cornball propaganda turkeys, rallies and picket line highjinks: thirty trillion to one against, a longshot from Mars. The entire deal was a duck shoot, a play to save the studios money and make Ellis Loew District Attorney and Governor of California.

Bagman.

Fixer.

He’d been skating since the moment Mal called him with the news. Ellis told him to run background checks on the names in Eisler’s diary; he called R&I, got their dope and let it go at that. Mal told him to conduct phone interviews with HUAC snitches back east; he gave a third of the numbers cursory calls, asked half the questions he was supposed to and edited the answers down to two pages per man, easy stuff for his secretary to type up. His big job was to locate Dr. Saul Lesnick, the grand jury’s boss fink; he’d skated entirely on that gig—and kept skating in general. And always in the same direction—toward Danny Upshaw.

When he knew the hush was in, he drove up to San Bernardino for a look-see at the kid’s past. He talked to his widowed mother, a faded ginch living on Social Security; she told him she didn’t attend the funeral because Danny had been curt with her on his last several visits and she disapproved of his drinking. He got her talking; she painted a picture of Danny the child as smart and cold, a youngster who read, studied and kept to himself. When his father died, he expressed no grief; he liked cars and fix-it things and science books; he never chased girls and always kept his room spotless. Since he became a policeman, he visited her only on Christmas and her birthday, never more, never less. He got straight B’s in high school and straight A’s in junior college. He ignored the floozies who chased after him; he tinkered with hot rods. He had one close friend: a boy named Tim Bergstrom, now a phys ed teacher at San Berdoo High.

Buzz drove to the school and badged Bergstrom. The man had seen the newspaper plant on Upshaw’s death, said Danny was born to die young and elaborated over beers in a nearby bar. He said that Danny liked to figure things like motors and engines and arithmetic out, that he stole cars because he loved the danger, that he was always trying to prove himself, but kept quiet about it. You could tell he was crazy inside, but you couldn’t figure out how or why; you could tell he was really smart, but you didn’t know what he’d end up doing with his brains. Girls liked him because he was mysterious and played hard to get; he was a terrific street fighter. Years ago, drunk, Danny told him a story about witnessing a murder; that was when he got hipped on being a cop, hipped on scientific forensic stuff. He was a cold drunk: booze just made him more inside, more mysterious and persistent, and sooner or later you knew he’d persist with the wrong guy and get himself shot—what surprised him was that Danny died accidentally. Buzz let that one go and said, “Was Danny a queer?”

Bergstrom flushed, twitched, sputtered into his beer and said, “Hell, no”—and two seconds later was whipping out pictures of his wife and kids.

Buzz drove back to LA, called a County pal, learned that Danny Upshaw’s Personnel file had been yanked and that for all intents and purposes the kid was never a member of the Los Angeles County Sheriff’s Department. He took a trip by the West Hollywood Substation, talked to the guys on the squad, learned that Danny never accepted bribes or trade pussy; he never moved on his snitch Janice Modine or on switchboard Karen Hiltscher— both of whom were dying to give it to him. Upshaw’s fellow deputies either respected his brains or wrote him off as an idealistic fool with a mean streak; Captain Al Dietrich was rumored to like him because he was methodical, hard-working and ambitious. Buzz thought of him as a kid graduating from machines to people at the wrong time, fishing for WHY? in a river of shit, getting the worst answer two bad cases had to give and ending up dead because he couldn’t lie to himself.

Daniel Thomas Upshaw, 1922—1950. Queer.

Turner Prescott Meeks, 1906—? Free ride because the kid couldn’t take it.

“It” couldn’t be anything else. Danny Upshaw didn’t kill Gene Niles. Mal said Thad Green and two hardnoses roughed him up; they probably recounted Niles calling him a queer and went over what Dudley Smith told Mal and Green: that Danny was seen shaking down Felix Gordean. With a poly test and silly syrup pending, Green let the kid go home with his gun, hoping he’d spare LAPD the grief of a trial and Niles as a Dragna bagman coming out. Danny had obliged—but for the wrong reason and not with his gun.

Scapegoat.

Who got some kind of last laugh.

He couldn’t sleep for shit; when he did put three or four hours together he dreamed of all the crappy stunts he’d pulled: farm girls coerced into Howard’s bed; heroin bootjacked and sold to Mickey, cash in his pocket, the junk sidetracked on its way to some hophead’s arm. Sleeping with Audrey was the only cure— she’d played her string since Niles like a trouper—and touching her and keeping her safe kept the kid away. But their four nights in a row at Howard’s place was dangerous too, and every time he left her he got scared and knew he had to do something about it.

Keeping his take on Danny away from Mal was one way. The cop couldn’t believe the kid killed Niles, and he was pretty shrewd in tagging Cohen gunmen for the job—he’d watched Danny question a Dragna hump named Vinnie Scoppettone, who spilled on the shooting at Sherry’s: LAPD shooters. But that was as far as his reconstruction went, and he still idealized Upshaw as a smart young cop headed for rank and glory. Keeping the kid’s secret was the beginning.

Buzz cocked a finger at the gravestone and made up his mind around two facts. One, when LAPD crashed Upshaw’s pad, they found it thoroughly trashed; Nort Layman did a forensic, came up with Danny’s prints on a shitload of tossed furniture and pegged him going crazy in the last moments of his life. LAPD’s property report—the contents of the apartment inventoried— carried no mention of the grand jury paperwork or the personal file Danny kept on his homicides. He broke into the place and tossed it extra good; no files were secreted anywhere inside the four rooms. Mal was there when the body was discovered; he said LAPD sealed the crib tight, with only Danny and the knife leaving the premises. Two, the night before he died, Danny called him: he was amazed that his two cases had crossed at the juncture of Charles Hartshorn and Reynolds Loftis.

“Deputy, are you tellin’ me Loftis is a suspect for your killin’s?”