Granger moved his hand. “My grandfather showed me some V-2 rocket films once, fifty years ago. Have you ever seen the atom-bomb mushroom from two hundred miles up? It’s a pinprick, it’s nothing. With the wilderness all around it.”

“My grandfather ran off the V-2 rocket film a dozen times and then hoped that some day our cities would open up and let the green and the land and the wilderness in more, to remind people that we’re allotted a little space on earth and that we survive in that wilderness that can take back what it has given, as easily as blowing its breath on us or sending the sea to tell us we are not so big. When we forget how close the wilderness is in the night, my grandpa said, some day it will come in and get us, for we will have forgotten how terrible and real it can be. You see?” Granger turned to Montag. “Grandfather’s been dead for all these years, but if you lifted my skull, by God, in the convolutions of my brain you’d find the big ridges of his thumbprint. He touched me. As I said earlier, he was a sculptor. ‘I hate a Roman named Status Quo!’ he said to me. ‘Stuff your eyes with wonder,’ he said, ‘live as if you’d drop dead in ten seconds. See the world. It’s more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that,’ he said, ‘shake the tree and knock the great sloth down on his ass.’“

“Look!” cried Montag.

And the war began and ended in that instant.

Later, the men around Montag could not say if they had really seen anything. Perhaps the merest flourish of light and motion in the sky. Perhaps the bombs were there, and the jets, ten miles, five miles, one mile up, for the merest instant, like grain thrown over the heavens by a great sowing hand, and the bombs drifting with dreadful swiftness, yet sudden slowness, down upon the morning city they had left behind. The bombardment was to all intents and purposes finished, once the jets had sighted their target, alerted their bombardiers at five thousand miles an hour; as quick as the whisper of a scythe the war was finished. Once the bomb-release was yanked it was over. Now, a full three seconds, all of the time in history, before the bombs struck, the enemy ships themselves were gone half around the visible world, like bullets in which a savage islander might not believe because they were invisible; yet the heart is suddenly shattered, the body falls in separate motions and the blood is astonished to be freed on the air; the brain squanders its few precious memories and, puzzled, dies.

This was not to be believed. It was merely a gesture. Montag saw the flirt of a great metal fist over the far city and he knew the scream of the jets that would follow, would say, after the deed, disintegrate, leave no stone on another, perish. Die.

Montag held the bombs in the sky for a single moment, with his mind and his hands reaching helplessly up at them. “Run!” he cried to Faber. To Clarisse, “Run!” To Mildred, “Get out, get out of there! “ But Clarisse, he remembered, was dead. And Faber was out; there in the deep valleys of the country somewhere the five a.m. bus was on its way from one desolation to another. Though the desolation had not yet arrived, was still in the air, it was certain as man could make it. Before the bus had run another fifty yards on the highway, its destination would be meaningless, and its point of departure changed from metropolis to junkyard.

And Mildred…

Get out, run!

He saw her in her hotel room somewhere now in the halfsecond remaining with the bombs a yard, a foot, an inch from her building. He saw her leaning toward the great shimmering walls of colour and motion where the family talked and talked and talked to her, where the family prattled and chatted and said her name and smiled at her and said nothing of the bomb that was an inch, now a half-inch, now a quarter-inch from the top of the hotel. Leaning into the wall as if all of the hunger of looking would find the secret of her sleepless unease there. Mildred, leaning anxiously, nervously, as if to plunge, drop, fall into that swarming immensity of colour to drown in its bright happiness.

The first bomb struck.

“Mildred!”

Perhaps, who would ever know? Perhaps the great broadcasting stations with their beams of colour and light and talk and chatter went first into oblivion.

Montag, falling flat, going down, saw or felt, or imagined he saw or felt the walls go dark in Millie’s face, heard her screaming, because in the millionth part of time left, she saw her own face reflected there, in a mirror instead of a crystal ball, and it was such a wildly empty face, all by itself in the room, touching nothing, starved and eating of itself, that at last she recognized it as her own and looked quickly up at the ceiling as it and the entire structure of the hotel blasted down upon her, carrying her with a million pounds of brick, metal, plaster, and wood, to meet other people in the hives below, all on their quick way down to the cellar where the explosion rid itself of them in its own unreasonable way.

I remember. Montag clung to the earth. I remember. Chicago. Chicago, a long time ago. Millie and I. That’s where we met! I remember now. Chicago. A long time ago.

The concussion knocked the air across and down the river, turned the men over like dominoes in a line, blew the water in lifting sprays, and blew the dust and made the trees above them mourn with a great wind passing away south. Montag crushed himself down, squeezing himself small, eyes tight. He blinked once. And in that instant saw the city, instead of the bombs, in the air. They had displaced each other. For another of those impossible instants the city stood, rebuilt and unrecognizable, taller than it had ever hoped or strived to be, taller than man had built it, erected at last in gouts of shattered concrete and sparkles of torn metal into a mural hung like a reversed avalanche, a million colours, a million oddities, a door where a window should be, a top for a bottom, a side for a back, and then the city rolled over and fell down dead.

Montag, lying there, eyes gritted shut with dust, a fine wet cement of dust in his now shut mouth, gasping and crying, now thought again, I remember, I remember, I remember something else. What is it? Yes, yes, part of the Ecclesiastes and Revelation. Part of that book, part of it, quick now, quick, before it gets away, before the shock wears off, before the wind dies. Book of Ecclesiastes. Here. He said it over to himself silently, lying flat to the trembling earth, he said the words of it many times and they were perfect without trying and there was no Denham’s Dentifrice anywhere, it was just the Preacher by himself, standing there in his mind, looking at him…

“There,” said a voice.

The men lay gasping like fish laid out on the grass. They held to the earth as children hold to familiar things, no matter how cold or dead, no matter what has happened or will happen, their fingers were clawed into the dirt, and they were all shouting to keep their eardrums from bursting, to keep their sanity from bursting, mouths open, Montag shouting with them, a protest against the wind that ripped their faces and tore at their lips, making their noses bleed.

Montag watched the great dust settle and the great silence move down upon their world. And lying there it seemed that he saw every single grain of dust and every blade of grass and that he heard every cry and shout and whisper going up in the world now. Silence fell down in the sifting dust, and all the leisure they might need to look around, to gather the reality of this day into their senses.

Montag looked at the river. We’ll go on the river. He looked at the old railroad tracks. Or we’ll go that way. Or we’ll walk on the highways now, and we’ll have time to put things into ourselves. And some day, after it sets in us a long time, it’ll come out of our hands and our mouths. And a lot of it will be wrong, but just enough of it will be right. We’ll just start walking today and see the world and the way the world walks around and talks, the way it really looks. I want to see everything now. And while none of it will be me when it goes in, after a while it’ll all gather together inside and it’ll be me. Look at the world out there, my God, my God, look at it out there, outside me, out there beyond my face and the only way to really touch it is to put it where it’s finally me, where it’s in the blood, where it pumps around a thousand times ten thousand a day. I get hold of it so it’ll never run off. I’ll hold on to the world tight some day. I’ve got one finger on it now; that’s a beginning.