But why? he vainly questioned. What injury had he done Bernard Higginbotham? The thing was so unreasonable, so wanton. There was no explaining it. In the course of the week a dozen similar letters were forwarded to Martin by the editors of various Eastern magazines. The editors were behaving handsomely, Martin concluded. He was wholly unknown to them, yet some of them had even been sympathetic. It was evident that they detested anonymity. He saw that the malicious attempt to hurt him had failed. In fact, if anything came of it, it was bound to be good, for at least his name had been called to the attention of a number of editors. Sometime, perhaps, reading a submitted manuscript of his, they might remember him as the fellow about whom they had received an anonymous letter. And who was to say that such a remembrance might not sway the balance of their judgment just a trifle in his favor?

It was about this time that Martin took a great slump in Maria’s estimation. He found her in the kitchen one morning groaning with pain, tears of weakness running down her cheeks, vainly endeavoring to put through a large ironing. He promptly diagnosed her affliction as La Grippe, dosed her with hot whiskey (the remnants in the bottles for which Brissenden was responsible), and ordered her to bed. But Maria was refractory. The ironing had to be done, she protested, and delivered that night, or else there would be no food on the morrow for the seven small and hungry Silvas.

To her astonishment (and it was something that she never ceased from relating to her dying day), she saw Martin Eden seize an iron from the stove and throw a fancy shirt-waist on the ironing-board. It was Kate Flanagan’s best Sunday waist, than whom there was no more exacting and fastidiously dressed woman in Maria’s world. Also, Miss Flanagan had sent special instruction that said waist must be delivered by that night. As every one knew, she was keeping company with John Collins, the blacksmith, and, as Maria knew privily, Miss Flanagan and Mr. Collins were going next day to Golden Gate Park. Vain was Maria’s attempt to rescue the garment. Martin guided her tottering footsteps to a chair, from where she watched him with bulging eyes. In a quarter of the time it would have taken her she saw the shirt-waist safely ironed, and ironed as well as she could have done it, as Martin made her grant.

"I could work faster," he explained, "if your irons were only hotter."

To her, the irons he swung were much hotter than she ever dared to use.

"Your sprinkling is all wrong," he complained next. "Here, let me teach you how to sprinkle. Pressure is what’s wanted. Sprinkle under pressure if you want to iron fast."

He procured a packing-case from the woodpile in the cellar, fitted a cover to it, and raided the scrap-iron the Silva tribe was collecting for the junkman. With fresh-sprinkled garments in the box, covered with the board and pressed by the iron, the device was complete and in operation.

"Now you watch me, Maria," he said, stripping off to his undershirt and gripping an iron that was what he called "really hot."

"An’ when he feenish da iron’ he washa da wools," as she described it afterward. "He say, ‘Maria, you are da greata fool. I showa you how to washa da wools,’ an’ he shows me, too. Ten minutes he maka da machine-one barrel, one wheel-hub, two poles, justa like dat."

Martin had learned the contrivance from Joe at the Shelly Hot Springs. The old wheel-hub, fixed on the end of the upright pole, constituted the plunger. Making this, in turn, fast to the spring-pole attached to the kitchen rafters, so that the hub played upon the woollens in the barrel, he was able, with one hand, thoroughly to pound them.

"No more Maria washa da wools," her story always ended. "I maka da kids worka da pole an’ da hub an’ da barrel. Him da smarta man, Mister Eden."

Nevertheless, by his masterly operation and improvement of her kitchen-laundry he fell an immense distance in her regard. The glamour of romance with which her imagination had invested him faded away in the cold light of fact that he was an ex-laundryman. All his books, and his grand friends who visited him in carriages or with countless bottles of whiskey, went for naught. He was, after all, a mere workingman, a member of her own class and caste. He was more human and approachable, but, he was no longer mystery.

Martin’s alienation from his family continued. Following upon Mr. Higginbotham’s unprovoked attack, Mr. Hermann von Schmidt showed his hand. The fortunate sale of several storiettes, some humorous verse, and a few jokes gave Martin a temporary splurge of prosperity. Not only did he partially pay up his bills, but he had sufficient balance left to redeem his black suit and wheel. The latter, by virtue of a twisted crank-hanger, required repairing, and, as a matter of friendliness with his future brother-in-law, he sent it to Von Schmidt’s shop.

The afternoon of the same day Martin was pleased by the wheel being delivered by a small boy. Von Schmidt was also inclined to be friendly, was Martin’s conclusion from this unusual favor. Repaired wheels usually had to be called for. But when he examined the wheel, he discovered no repairs had been made. A little later in the day he telephoned his sister’s betrothed, and learned that that person didn’t want anything to do with him in "any shape, manner, or form."

"Hermann von Schmidt," Martin answered cheerfully, "I’ve a good mind to come over and punch that Dutch nose of yours."

"You come to my shop," came the reply, "an’ I’ll send for the police. An’ I’ll put you through, too. Oh, I know you, but you can’t make no rough-house with me. I don’t want nothin’ to do with the likes of you. You’re a loafer, that’s what, an’ I ain’t asleep. You ain’t goin’ to do no spongin’ off me just because I’m marryin’ your sister. Why don’t you go to work an’ earn an honest livin’, eh? Answer me that."

Martin’s philosophy asserted itself, dissipating his anger, and he hung up the receiver with a long whistle of incredulous amusement. But after the amusement came the reaction, and he was oppressed by his loneliness. Nobody understood him, nobody seemed to have any use for him, except Brissenden, and Brissenden had disappeared, God alone knew where.

Twilight was falling as Martin left the fruit store and turned homeward, his marketing on his arm. At the corner an electric car had stopped, and at sight of a lean, familiar figure alighting, his heart leapt with joy. It was Brissenden, and in the fleeting glimpse, ere the car started up, Martin noted the overcoat pockets, one bulging with books, the other bulging with a quart bottle of whiskey.

Brissenden gave no explanation of his long absence, nor did Martin pry into it. He was content to see his friend’s cadaverous face opposite him through the steam rising from a tumbler of toddy.

"I, too, have not been idle," Brissenden proclaimed, after hearing Martin’s account of the work he had accomplished.

He pulled a manuscript from his inside coat pocket and passed it to Martin, who looked at the title and glanced up curiously.

"Yes, that’s it," Brissenden laughed. "Pretty good title, eh? ‘Ephemera’-it is the one word. And you’re responsible for it, what of your man , who is always the erected, the vitalized inorganic, the latest of the ephemera, the creature of temperature strutting his little space on the thermometer. It got into my head and I had to write it to get rid of it. Tell me what you think of it."

Martin’s face, flushed at first, paled as he read on. It was perfect art. Form triumphed over substance, if triumph it could be called where the last conceivable atom of substance had found expression in so perfect construction as to make Martin’s head swim with delight, to put passionate tears into his eyes, and to send chills creeping up and down his back. It was a long poem of six or seven hundred lines, and it was a fantastic, amazing, unearthly thing. It was terrific, impossible; and yet there it was, scrawled in black ink across the sheets of paper. It dealt with man and his soul-gropings in their ultimate terms, plumbing the abysses of space for the testimony of remotest suns and rainbow spectrums. It was a mad orgy of imagination, wassailing in the skull of a dying man who half sobbed under his breath and was quick with the wild flutter of fading heart-beats. The poem swung in majestic rhythm to the cool tumult of interstellar conflict, to the onset of starry hosts, to the impact of cold suns and the flaming up of nebular in the darkened void; and through it all, unceasing and faint, like a silver shuttle, ran the frail, piping voice of man, a querulous chirp amid the screaming of planets and the crash of systems.