“Homicides are inclined to be unattractive, darling,” said Alleyn.
“What about Mr. Smith? George Joseph? You can’t say that of him with all those wives. The thing that makes me so cross with Mr. Smith,” continued Lady Alleyn, turning to Fox, “is his monotony. Always in the bath and always a pound of tomatoes. In and out of season, one supposes.”
“If we consider Mr. Malmsley, Lady Alleyn,” said Fox with perfect gravity, “his only motive, as far as we know, would be vanity.”
“And a very good motive too, Mr. Fox. Mr. Bathgate tells me Malmsley is an extremely affected and conceited young man. No doubt this poor murdered child threatened him with exposure. No doubt she said she would make a laughing-stock of him by telling everybody that he cribbed his illustration from Pol de Limbourge. I must say, Roderick, he showed exquisite taste. It is the most charming little picture imaginable. Do you remember we saw it at Chantilly?”
“I do, but I’m ashamed to say that I didn’t at first spot it when I looked at his drawing.”
“That was rather slow of you, darling. Too gay and charming for words. Well, Mr. Fox, suppose this young Malmsley deliberately stayed behind on Friday, deliberately gave Garcia opium, deliberately egged him on to set the trap, and then came away, hoping that Garcia would do it. How about that?”
“You put it very neatly indeed, my lady,” said Fox, looking at Lady Alleyn with serious approval. “May I relieve you of your glass?”
“Thank you. Well now, Roderick, what about Basil Pilgrim?”
“What about him, little mum?”
“Of course, he might easily be unbalanced. Robert Pilgrim is as mad as a March hare, and I think that unfortunate wife of his was a cousin of sorts, so there you are. And she simply set to work and had baby after baby after baby — all gels, poor thing — until she had this boy Basil, and died of exhaustion. Not a very good beginning. And Robert turned into a Primitive Methodist in the middle of it all, and used to ask everybody the most ill-judged questions about their private lives. I remember quite well when this boy was born, Roderick, your father said Robert’s methods had been too primitive for Alberta. Her name was Alberta. Do you think the boy could have had anything to do with this affair?”
“Has Bathgate told you all about our interview with Pilgrim?” asked Alleyn.
“He was in the middle of it when you came in. What sort of boy has he grown into? Not like Robert, I hope?”
“Not very. He’s most violently in love.”
“With this Seacliff gel. What kind of gel is she, Roderick? Modern and hard? Mr. Bathgate says beautiful.”
“She’s very good-looking and a bit of a huntress?”
“At all murderish, do you imagine?”
“Darling, I don’t know. Do you realise you ought to be in bed, and that you’ve led Bathgate into the father and mother of a row for talking out of school?”
“Mr. Bathgate knows I’m as safe as the Roman Wall, don’t you, Mr. Bathgate?”
“I’m so much in love with you, Lady Alleyn,” said Nigel, “that I wouldn’t care if you were the soul of indiscretion. I should still open my heart to you.”
“There now, Roderick,” said his mother, “isn’t that charming? I think perhaps I will go to bed.”
Ten minutes later, Alleyn tapped on his mother’s door. The familiar, high-pitched voice called: “Come in, darling,” and he found Lady Alleyn sitting bolt upright in her bed, a book in her hand, and spectacles on her nose.
“You look like a miniature owl,” said Alleyn and sat on the bed.
“Are they tucked away comfortably?”
“They are. Both besotted with adoration of you.”
“Darling! Did I show off?”
“Shamelessly.”
“I do like your Mr. Fox, Roderick.”
“Isn’t he splendid? Mum— ”
“Yes, darling?”
“This is a tricky business.”
“I suppose so. How is she?”
“Who?”
“Don’t be affected, Roderick.”
“We had two minor rows and one major one. I forgot my manners.”
“You shouldn’t do that. I don’t know, though. Perhaps you should. Who do you think committed this horrible crime, my dear?”
“Garcia.”
“Because he was drugged?”
“I don’t know. You won’t say anything about— ”
“Now, Roderick!”
“I know you won’t.”
“Did you give her my invitation?”
“Unfortunately we were not on them terms. I’ll be up betimes in the morning.”
“Give me a kiss, Rory. Bless you, dear. Good night.”
“Good night, little mum.”
CHAPTER XIV
Evidence from a Twig
Alleyn and Fox were back at Tatler’s End House at seven o’clock in the thin chilly light of dawn. A thread of smoke rose from one of the chimneys. The ground was hard and the naked trees, fast, fast asleep, stretched their lovely arms against an iron sky. The air was cold and smelt of rain. The two men went straight to the studio, where they found a local constable, wrapped in his overcoat, and very glad to see them.
“How long have you been here?” asked Alleyn.
“Since ten o’clock last night, sir. I’ll be relieved fairly soon — eight o’clock with any luck.”
“You can go off now. We’ll be here until then. Tell Superintendent Blackman I said it was all right.”
“Thank you very much, sir. I think I’ll go straight home. Unless— ”
“Yes?”
“Well, sir, if you’re going to work here, I’d like to look on — if it’s not a liberty, sir.”
“Stay, by all means. What’s your name?”
“Sligo, sir.”
“Right. Keep your counsel about our business. No need to tell you that. Come along.”
Alleyn led them to the studio window. He released the blind and opened the window. The ledge outside was rimy with frost.
“Last night,” said Alleyn, “we noticed certain marks on this window-sill. Look first of all at the top of the stool here. You see four marks — indentations in the surface?”
“Yes, sir.”
“We’re going to measure them.”
Alleyn produced a thin steel tape and measured the distance between the indentations. Fox wrote the figures in his note-book.
“Now the window-sill. You see these marks?” He pointed to two lateral marks, shiny and well defined, like shallow grooves. Alleyn measured the distance between them and found that it corresponded exactly with the previous figure. The width of the marks, the depth, and the appearance were the same as those on the stool.
“Garcia had his model on a small wheeled platform,” said Alleyn. “Now, Malmsley told us that Garcia proposed to wheel the model into the case and then put the whole thing on board whatever vehicle called to collect it. I think he changed his mind. I think he put the empty crate in the vehicle, drew the stool up to the sill, and wheeled the model over the sill into the crate, and aboard the caravan which was backed up to the window in the lane outside.”
“The caravan, sir?” asked Sligo. “Was it a caravan?”
“Lock this place up and come along outside. You can get over the sill, but don’t touch those two marks just yet. Jump well out to the side and away from the tyre-tracks.”
In the lane Alleyn showed them the traces left by the wheels. They had been frozen hard.
“Bailey has taken casts of these, but I want you to note them carefully. You see at once that the driver of the van or whatever it was did a good deal of skirmishing about. If there were any footprints within twelve feet of the window, they’ve been obliterated. Farther out are the traces of the mortuary van, blast it. The caravan tracks overlap, and there are four sets of them. But if you look carefully, you can pick out the last impression on top of all the others. That’s when the van was finally driven away. The next set, overlaid by these, represents the final effort to get in close to the window. Damn! it’s beginning to rain. This will be our last chance in the lane, so let’s make the most of it. Observe the tread, Sligo. There, you see, is the clear impression of a patch. I’ll measure the distance between the wheels and the width of the tyres. There a little oil has dripped on the road. The van or whatever it is has been recently greased. It was backed in and the brakes jammed on suddenly, but not quite suddenly enough. The outer edge of the window-sill has had a knock. The front wheels were turned after the vehicle had stopped. There are the marks. From them we get the approximate length of the wheel-base. Out in the middle of the lane they disappear under the tracks of more recent traffic. Now look at the branches of that elm. They reach across the lane almost to our side, and are very low. I wonder the county councillors have not lopped them down. Do you see that one or two twigs have been snapped off? There’s been no wind, and the breaks are quite recent. See here!”