Darken Rahl licked his fingers, and reaching down ran them wetly over the bumpy scars. How he had so badly wanted to do that when he had been burned, how he had so badly wanted to do it to stop the terror of the unrelenting pain and burning.

But the healers wouldn’t let him. They said he mustn’t touch the burn, and so they bound him by his wrists, to keep him from reaching down. He had licked his fingers and instead rubbed them on his lips as he shook, to try to stop his crying, and on his eyes to try to wipe away the vision of having seen his father burned alive. For months he had cried and panted and begged to touch and soothe the burns, but they would not let him.

How he hated the wizard, how he wanted to kill him. How he wanted to push his hand into the wizard’s living body while he looked into his eyes—and pull his heart out.

Darken Rahl took his fingers away from the scar and, picking up the knife, put the thoughts of that time out of his mind. He was a man now. He was the Master. He put his mind back to the matter at hand. He wove the proper spell, and then plunged the knife into the boy’s chest.

With care, he removed the heart and put it into the iron bowl of boiling water. Next he removed the brain and added it to the bowl. Last, he took the testicles and added them, too—then, finally, he put the knife down. Blood mixed with the sweat that covered him. It dripped from his elbows.

He laid his arms across the body and offered prayers to the spirits. His face lifted to the dark windows above as he closed his eyes and continued the incantations, rolling them out without having to think. For an hour he went on with the words of the ceremony, smearing the blood on his chest at the proper time.

When he had finished with the runes from his father’s tomb, he went to the sorcerer’s sand where the boy had been buried for the time of his testing. With his arms he smoothed the sand—it stuck to the blood in a white crust. Squatting, he carefully began drawing the symbols, radiating from the center axis, branching in intricate patterns learned in years of study. He concentrated as he worked into the night, his straight blond hair hanging down, his brow wrinkled with intensity as he added each element, leaving out no line or stroke or curve, for that would be fatal.

At last finished, he went to the sacred bowl and found the water almost boiled away, as it should be. With magic, he floated the bowl back to the polished stone block and let it cool a little before he took a stone pestle and began grinding. He mashed, sweat running from his face, until he had worked the heart, brain, and testicles into a paste, to which he added magic powders from pockets in his discarded robes.

Standing in front of the altar, he held up the bowl with the mixture while he cast the calling spells. He lowered the bowl when finished, and looked around at the Garden of Life. He always like to look upon beautiful things before he went to the underworld.

With his fingers, he ate from the bowl. He hated the taste of meat, and never ate anything but plants. Now, though, there was no choice, the way was the way. If he wanted to go to the underworld, he had to eat the flesh. He ignored the taste, and ate it all, trying to think of it as vegetable paste.

Licking his fingers clean, he set the bowl down and went to sit cross-legged on the grass in front of the white sand. His blond hair was matted in places with dried blood. He placed his hands palm up on his knees, closed his eyes, and took deep breaths, preparing himself for meeting the spirit of the boy.

At last ready, all preparations done, all charms spoken, all spells cast, the Master raised his head and opened his eyes.

“Come to me, Carl,” he whispered in the secret ancient language.

There was a moment of dead silence, and then a wailing roar. The ground shook.

From the center of the sand, the center of the enchantment, the boy’s spirit rose, in the form of the Shinga, the underworld beast.

The Shinga came, transparent at first, like smoke rising from the ground, turning, as if unscrewing itself from the white sand, lured by the drawing. Its head reared as it struggled to pull itself through the drawing, snorting steam from its flared nostrils. Rahl calmly watched as the fearsome beast rose, becoming solid as it came, ripping the ground and pulling the sand up with it, its powerful hind legs pulling through at last as it reared with a wail. A hole opened, black as pitch. Sand around the edges fell away into the bottomless blackness. The Shinga floated above it. Piercing brown eyes looked down at Rahl.

“Thank you for coming, Carl.”

The beast bent forward, nuzzling its muzzle against the Master’s bare chest. Rahl came to his feet and stroked the Shinga’s head as it bucked, calming its impatience to be off. When at last it quieted, Rahl climbed onto its back and held its neck tight.

With a flash of light, the Shinga, Darken Rahl astride its back, dissolved back into the black void, corkscrewing itself down as it went. The ground shuddered and the hole closed with a grating sound. The Garden of Life was left in the sudden silence of the night.

From the shadows of the trees, Demmin Nass stepped forward, forehead beaded with sweat. “Safe journey, my friend,” he whispered, “safe journey.”

The rain held off for the time being, but the sky remained thickly overcast, as it had been for almost as long as she could remember. Sitting alone on a small bench against the wall of another building, Kahlan smiled to herself as she watched Richard construct the roof of the spirit house. Sweat ran off his bare back, over the swell of his muscles, over the scars where the gar’s claws had raked his back.

Richard was working with Savidlin and some other men, teaching them. He had told her he didn’t need her to translate, that working with one’s hands was universal, and if they had to partly figure it out themselves, they would understand it better and have more pride in what they had done.

Savidlin kept jabbering questions Richard didn’t understand. Richard just smiled and explained things in words the others couldn’t understand, using his hands in a sign language he invented as needed. Sometimes the others thought it hilarious, and all would end up laughing. They had accomplished a lot for men who didn’t understand each other.

At first, Richard hadn’t told her what he was doing—he just smiled and said she would have to wait and see. First, he took blocks of clay, about one by two feet, and made wavelike forms. Half the block’s face was a concave trough, like a gutter, the other half along rounded hump. He hollowed them out and asked the women who worked the pottery to fire them.

Next, he attached two uniform strips of wood to a flat board, one to each side, and put a lump of soft clay into the center. Using a rolling pin, he flattened the clay, the two strips of wood acting as a thickness gauge. Slicing off the excess at the top and bottom of the board, he ended up with slabs of clay of a uniform thickness and size, which he draped and smoothed over the forms the women had fired for him. He used a stick to poke a hole in the two upper corners.

The women followed him around, inspecting his work closely, so he enlisted their help. Soon he had a whole crew of smiling, chatting women making the slabs and forming them, showing him how to do it better. When the slabs were dry, they could be pulled from the forms. While these were being fired, the women, by then buzzing with curiosity, made more. When they asked how many they should make, he said to just keep making them.

Richard left them to their new work and went to the spirit house and began making a fireplace out of the mud bricks that were used for the buildings. Savidlin followed him around, trying to learn everything.