And Werther showed her how to dance — how to notice a gap in a pattern which might be filled by the movements from her body. Because it was a special occasion he had given her her very own power ring — only a small one, but she was proud of it, and she gasped so prettily at the colours her train made that Werther's anxieties (that his gift might corrupt her precious innocence) melted entirely away. It was then that he realized with a shock how deeply he had fallen in love with her.

At the realization, he made an excuse, leaving her to dance with, first, Sweet Orb Mace, feminine tonight, with a latticed face, and then with O'Kala Incarnadine who, with his usual preference for the bodies of beasts, was currently a bear. Although he felt a pang as he watched her stroke O'Kala's ruddy fur, he could not bring himself just then to interfere. His immediate desire was to leave the Ball, but to do that would be to disappoint his ward, to raise questions he would not wish to answer. After a while he began to feel a certain satisfaction from his suffering and remained, miserably, on the floor while Catherine danced on and on.

And then My Lady Charlotina had stopped the orchestra and stood on the platform calling for their attention.

"It is time for the masquerade. You all know the theme, I hope." She paused, smiling. "All, save Werther and Catherine. When the music begins again, please reveal your creations of the evening."

Werther frowned, wondering her reasons for not revealing the theme of the masquerade to him. She was still smiling at him as she drifted towards him and settled beside him on the floor.

"You seem sad, Werther. Why so? I thought you at one with yourself at last. Wait. My surprise will flatter you, I'm sure!"

The music began again. The Ball was filled with laughter — and there was the theme of the masquerade!

Werther cried out in anguish. He dashed upward through the gleeful throng, seeing each face as a mockery, trying to reach the side of his girl-child before she should realize the dreadful truth.

"Catherine! Catherine!"

He flew to her. She was bewildered as he folded her in his arms.

"Oh, they are monsters of insincerity! Oh, they are grotesque in their apings of all that is simple, all that is pure!" he cried.

He glared about him at the other guests. My Lady Charlotina had chosen "Childhood" as her general theme. Sweet Orb Mace had changed himself into a gigantic single sperm, his own face still visible at the glistening tail; the Iron Orchid had become a monstrous newborn baby with a red and bawling face which still owed more to paint than to Nature; the Duke of Queens, true to character, was three-year-old Siamese twins (both the faces were his own, softened); even Lord Mongrove had deigned to become an egg.

"What ith it, Werther?" lisped My Lady Charlotina at his feet, her brown curls bobbing as she waved her lollipop in the general direction of the other guests. "Doeth it not pleathe you?"

"Ugh! This is agony! A parody of everything I hold most perfect!"

"But, Werther…"

"What is wrong, dear Werther?" begged Catherine. "It is only a masquerade."

"Can you not see? It is you — what you and I mean — that they mock. No — it is best that you do not see. Come, Catherine. They are insane; they revile all that is sacred!" And he bore her bodily towards the wall, rushing through the nearest doorway and out into the darkened sky.

He left his typewriter behind, so great was his haste to be gone from that terrible scene. He fled with her willy-nilly through the air, through daylight, through pitchy night. He fled until he came to his own tower, flanked now by green lawns and rolling turf, surrounded by songbirds, swamped in sunshine. And he hated it: landscape, larks and light — all were hateful.

He flew through the window and found his room full of comforts — of cushions and carpets and heady perfume — and with a gesture he removed them. Their particles hung gleaming in the sun's beams for a moment. But the sun, too, was hateful. He blacked it out and night swam into that bare chamber. And all the while, in amazement, Catherine Gratitude looked on, her lips forming the question, but never uttering it. At length, tentatively, she touched his arm.

"Werther?"

His hands flew to his head. He roared in his mindless pain.

"Oh, Werther!"

"Ah! They destroy me! They destroy my ideals!"

He was weeping when he turned to bury his face in her hair.

"Werther!" She kissed his cold cheek. She stroked his shaking back. And she led him from the ruins of his room and down the passage to her own apartment.

"Why should I strive to set up standards," he sobbed, "when all about me they seek to pull them down. It would be better to be a villain!"

But he was quiescent; he allowed himself to be seated upon her bed; he felt suddenly drained. He sighed. "They hate innocence. They would see it gone forever from this globe."

She gripped his hand. She stroked it. "No, Werther. They meant no harm. I saw no harm."

"They would corrupt you. I must keep you safe."

Her lips touched his and his body came alive again. Her fingers touched his skin. He gasped.

"I must keep you safe."

In a dream, he took her in his arms. Her lips parted, their tongues met. Her young breasts pressed against him — and for perhaps the first time in his life Werther understood the meaning of physical joy. His blood began to dance to the rhythm of a sprightlier heart. And why should he not take what they would take in his position? He placed a hand upon a pulsing thigh. If cynicism called the tune, then he would show them he could pace as pretty a measure as any. His kisses became passionate, and passionately were they returned.

"Catherine!"

A motion of a power ring and their clothes were gone, the bed hangings drawn.

And your auditor, not being of that modern school which salaciously seeks to share the secrets of others' passions (secrets familiar, one might add, to the great majority of us), retires from this scene.

But when he woke the next morning and turned on the sun, Werther looked down at the lovely child beside him, her auburn hair spread across the pillows, her little breasts rising and falling in tranquil sleep, and he realized that he had used his reaction to the masquerade to betray his trust. A madness had filled him; he had raised an evil wind and his responsibility had been borne off by it, taking Innocence and Purity, never to return. His lust had lost him everything.

Tears reared in his tormented eyes and ran cold upon his heated cheeks. "Mongrove was perceptive indeed," he murmured. "To be befriended by Werther is to be embraced by a viper. She can never trust me — anyone — again. I have lost my right to offer her protection. I have stolen her childhood."

And he got up from the bed, from the scene of that most profound of crimes, and he ran from the room and went to sit in his old chair of unpolished quartz, staring listlessly through the window at the paradise he had created outside. It accused him; it reminded him of his high ideals. He was astonished by the consequences of his actions: he had turned his paradise to hell.

A great groan reverberated in his chest. "Oh, now I know what sin is!" he said. "And what terrible tribute it exacts from the one who tastes it!"

And he sank almost luxuriously into the deepest gloom he had ever known.