Brett stared at him. "You're drunk."

Mimicking Brett's tone, Twisp said, "Kid, I am getting dowright inebriated. I may even have another boo."

"My folks do that after an art show," Brett said.

"And you didn't like it," Twisp said. "Well, kid, I am not your folks - neither one of 'em."

A hooter went off just outside the Ace of Cups hatchway. The wall pulsed with the blast of sound.

"Wavewall!" Brett shouted. "Can we save your boat?" Brett was already up and headed out of the coffeehouse in a press of pale-faced fishermen.

Twisp lurched to his feet and followed, motioning to Gerard not to dog the hatch. The deck outside already was awash from a few low breakers. The passage was filled with people lurching and splashing toward hatchways. Twisp shouted at Brett's retreating back far up the passage, "Kid! No time! Get inside!"

Brett didn't turn.

Twisp found an extruded safety line and worked himself along it out onto the rim. Lights glared out there, throwing high contrast onto scurrying people, contorted faces. People were shouting all around, calling out names. Brett was out on the fishboat slip tossing equipment into the coracle's cubby and lashing it down. As Twisp came up to him, Brett lashed a long line to the coracle's bow cleat. The wind howled across them now and waves were breaking over the outer bubbly of the slip, filling the normally protected lagoon with frothing white water.

"We can sink it and haul it up later!" Brett shouted.

Twisp joined him, thinking that the kid had learned this lesson from listening to some of the old-timers. Sometimes it worked and certainly it was the only chance they had to save the coracle. All along the slip, other boats had been sunk, their lines dipping down sharply. Twisp found a store of ballast rocks near the slip and began passing the heavy load to Brett, who tossed them into the boat. The five-meter craft was almost awash. Brett jumped in and lashed a cover over the ballast.

"Open the valves and jump!" Twisp yelled.

Brett reached under the load. A strong jet of water pulsed up from the bottom. Twisp reached a long arm toward Brett just as the wavewall itself swept over the lagoon and crashed into the side of the sinking coracle. Brett's outstretched fingertips grazed Twisp's hand as the coracle went under. The line to the bow, passing across Twisp's right arm, played out in a wet hiss. Twisp grabbed it, burning his palms, yelling: "Brett! Kid!"

But the lagoon was a boil of white rage and two other fishermen grabbed him and forced him, soaked and still shouting, down the passage and through the hatch into the Ace of Cups. Gerard, in his motorized chair, dogged the hatch against the incoming sea behind them.

Twisp clawed at the resilient wool. "No! The kid's still out there!"

Someone forced a warm drink of almost pure boo against his lips. The liquid gushed into his mouth and he swallowed. The liquor washed through him in a soothing blankness. But it did not drive away the tingle of Brett's fingertips grazing his own.

"I almost had him," Twisp moaned.

The image caught on the small stretched sheet of organics was that of a silvery tube flying through the sky. The tube had no wings or any other visible means of support. Only that orange glow from one end, pale fire against the silver and blue of Pandora's sky. The process that had caught the image was fugitive and the colors already had begun to fade.

Ward Keel was held as much by the beauty of it as by its unique implications. Images made this way were a much-loved art form among Islanders, relying on the light-sensitivity of organisms that could be made to adhere in a thin layer on the stretched organics. Pictures on this preparation formed by exposure through a lens were admired as much for their fleeting existence as for their intrinsic beauty. This image, however, in spite of its exquisite play of colors and composition, was deemed by its creator to possess holy significance.

Was that not Ship or an artifact from Ship?

The man was reluctant to part with his creation, but Keel used the power of his position to silence argument. He did this kindly and without hurry, relying chiefly on delay - long and convoluted sentences with many references to trust and the well-being of the Islands, frequent pauses and silent noddings of his massive head. Both of them were aware that the picture was fading and before long would be a flat gray surface ready for renewal and the capture of another image. The man left finally, unhappy but resigned - a thin, spindly-legged fellow with too-short arms. An artist, though, Keel had to admit.

It was early on a warm day and Keel sat a moment in his robes, enjoying the breeze that played through the vent system in his quarters. Joy had straightened some of the rumpled disarray around him before leaving, smoothing the covers on his couch and arranging his clothing across a translucent plaz sling-chair. The matching table surface in front of him still bore the remains of the breakfast she had fixed for them - squawk eggs and muree. Keel pushed the plate and chopsticks aside and put the stretched sheet with its odd image flat on the table. He stared at it a moment longer, thinking. Presently, he nodded to himself and called the chief of Inner-Island Security.

"I'll send a couple of people down in two hours," the man said. "We'll get right on it."

"Two hours is not getting right on it," Keel said. "The image will be almost faded out by then."

The deeply lined face on the viewscreen frowned. The man started to speak, then thought better of it. He rubbed his fleshy nose with a thick finger and lifted his gaze. The chief appeared to be reviewing data from a source out of Keel's sight.

"Mr. Justice," he said, presently, "someone will meet you in a few minutes. Where will you be?"

"In my quarters. I presume you know where that is."

The chief flushed. "Of course, sir."

Keel switched off, regretting his sharpness with Security. They were irritating, but his reaction had come from thoughts aroused by that fading image. It was a disturbing thing. The artist who had captured the image of that object in the sky had not taken it to the C/P. Evidence of Ship's return, the man thought, but he had taken it to the Chief Justice.

What am I supposed to do about it? Keel wondered. But I didn't call the C/P, either.

Simone Rocksack would resent this, he knew. He would have to call her soon, but first ... a few other matters.

The water drum at his door thrummed once, twice.

Security here already? he wondered.

Taking the fading image of the thing in the sky, Keel walked through the hatchway into his main room, sealing off the kitchen area as he passed. Some Islanders resented those who ate privately, those whose affluence removed them from the noisy, crowded press of the mess halls.

At the entrance to his quarters he touched the sense membrane and the responsive organics expanded, revealing Kareen Ale standing in the arched opening. She gave a nervous start as she saw him, then smiled.

"Ambassador Ale," he said, momentarily surprised at his own formality. They had been Kareen and Ward off the debate floor for several seasons now. Something about her nervous posture, though, said this was a formal visit.

"Forgive my coming to your quarters without warning," she said. "But we have something to discuss, Ward."

She glanced at the image in his hand and nodded, as though it confirmed something.

Keel stood aside for her to enter. He sealed the door against casual entry and watched Ale choose a seat and sink into it without invitation. As always, he was conscious of her beauty.