It was late autumn when the daybreak was long in coming. Although the sky was still dark, cars could now be heard starting up further down the hill, and as the living folk began to drive to work through the misty night-black morning, the graveyard folk talked about the child that had come to them, and what was to be done. Three hundred voices. Three hundred opinions. Nehemiah Trot, the poet, from the tumbled northwestern side of the graveyard, had begun to declaim his thoughts on the matter, although what they were no person listening could have said, when something happened; something to silence each opinionated mouth, something unprecedented in the history of that graveyard.

A huge white horse, of the kind that the people who know horses would call a “grey,” came ambling up the side of the hill. The pounding of its hooves could be heard before it was seen, along with the crashing it made as it pushed through the little bushes and thickets, through the brambles and the ivy and the gorse that had grown up on the side of the hill. The size of a Shire horse it was, a full nineteen hands or more. It was a horse that could have carried a knight in full armor into combat, but all it carried on its naked back was a woman, clothed from head to foot in grey. Her long skirt and her shawl might have been spun out of old cobwebs.

Her face was serene, and peaceful.

They knew her, the graveyard folk, for each of us encounters the Lady on the Grey at the end of our days, and there is no forgetting her.

The horse paused beside the obelisk. In the east the sky was lightening gently, a pearlish, pre-dawn luminescence that made the people of the graveyard uncomfortable and made them think about returning to their comfortable homes. Even so, not a one of them moved. They were watching the Lady on the Grey, each of them half-excited, half-scared. The dead are not superstitious, not as a rule, but they watched her as a Roman Augur might have watched the sacred crows circle, seeking wisdom, seeking a clue.

And she spoke to them.

In a voice like the chiming of a hundred tiny silver bells she said only, “The dead should have charity.” And she smiled.

The horse, which had been contentedly ripping up and masticating a clump of thick grass, stopped then. The lady touched the horse’s neck, and it turned. It took several huge, clattering steps, then it was off the side of the hill and cantering across the sky. Its thunderous hooves became an early rumble of distant thunder, and in moments it was lost to sight.

That, at least, was what the folk of the graveyard who had been on the hillside that night claimed had happened.

The debate was over and ended, and, without so much as a show of hands, had been decided. The child called Nobody Owens would be given the Freedom of the Graveyard.

Mother Slaughter and Josiah Worthington, Bart., accompanied Mr. Owens to the crypt of the old chapel, and they told Mrs. Owens the news.

She seemed unsurprised by the miracle. “That’s right,” she said. “Some of them dun’t have a ha’porth of sense in their heads. But she does. Of course she does.”

Before the sun rose on a thundering grey morning the child was fast asleep in the Owenses’ fine little tomb (for Master Owens had died the prosperous head of the local cabinetmaker’s guild, and the cabinetmakers had wanted to ensure that he was properly honored).

Silas went out for one final journey before the sunrise. He found the tall house on the side of the hill, and he examined the three bodies he found there, and he studied the pattern of the knife-wounds. When he was satisfied he stepped out into the morning’s dark, his head churning with unpleasant possibilities, and he returned to the graveyard, to the chapel spire where he slept and waited out the days.

In the little town at the bottom of the hill the man Jack was getting increasingly angry. The night had been one that he had been looking forward to for so long, the culmination of months—of years—of work. And the business of the evening had started so promisingly—three people down before any of them had even had a chance to cry out. And then…

Then it had all gone so maddeningly wrong. Why on earth had he gone up the hill when the child had so obviously gone down the hill? By the time he had reached the bottom of the hill, the trail had gone cold. Someone must have found the child, taken it in, hidden it. There was no other explanation.

A crack of thunder rang out, loud and sudden as a gunshot, and the rain began in earnest. The man Jack was methodical, and he began to plan his next move—the calls he would need to pay on certain of the townsfolk, people who would be his eyes and ears in the town.

He did not need to tell the Convocation he had failed.

Anyway, he told himself, edging under a shopfront as the morning rain came down like tears, he had not failed. Not yet. Not for years to come. There was plenty of time. Time to tie up this last piece of unfinished business. Time to cut the final thread.

It was not until the police sirens sounded and first a police car, then an ambulance, then an unmarked police car with a siren blaring, sped past him on their way up the hill that, reluctantly, the man Jack turned up the collar of his coat, put his head down, and walked off into the morning. His knife was in his pocket, safe and dry inside its sheath, protected from the misery of the elements.

BOD WAS A QUIET child with sober grey eyes and a mop of tousled, mouse-colored hair. He was, for the most part, obedient. He learned how to talk, and, once he had learned, he would pester the graveyard folk with questions. “Why amn’t I allowed out of the graveyard?” he would ask, or “How do I do what he just did?” or “Who lives in here?” The adults would do their best to answer his questions, but their answers were often vague, or confusing, or contradictory, and then Bod would walk down to the old chapel and talk to Silas.

He would be there waiting at sunset, just before Silas awakened.

His guardian could always be counted upon to explain matters clearly and lucidly and as simply as Bod needed in order to understand.

“You aren’t allowed out of the graveyard—it’s aren’t, by the way, not amn’t, not these days—because it’s only in the graveyard that we can keep you safe. This is where you live and this is where those who love you can be found. Outside would not be safe for you. Not yet.”

“You go outside. You go outside every night.”

“I am infinitely older than you, lad. And I am safe wherever I am.”

“I’m safe there too.”

“I wish that that were true. But as long as you stay here, you are safe.”

Or,

“How could you do that? Some skills can be attained by education, and some by practice, and some by time. Those skills will come if you study. Soon enough you will master Fading and Sliding and Dreamwalking. But some skills cannot be mastered by the living, and for those you must wait a little longer. Still, I do not doubt that you will acquire even those, in time.

“You were given the Freedom of the Graveyard, after all,” Silas would tell him. “So the Graveyard is taking care of you. While you are here, you can see in the darkness. You can walk some of the ways that the living should not travel. The eyes of the living will slip from you. I too was given the Freedom of the Graveyard, although in my case it comes with nothing but the right of abode.”