The big bird was high enough above the river to see,

over the lip of the falls, the lake beyond lying calm in the sun, its blue expanse contrasting with the tumult and white water of the twenty-foot-high outfall. There were in fact two falls, each about fifteen yards wide, separated by a little, green island bordered, at this time of year, with forget-me-not and golden water-lilies, some nodding and dipping upon the very edge, as though peering down into the welter below.

The keriot had circled twice and was just about to glide down to the flat stones at the foot of the falls when suddenly it rose again, turned and made heavily off across the nearby thickets of scrub willow, disappearing at length into the recesses of the swamp. Something had evidently decided it to go elsewhere.

Here, at close quarters, the noise of the falls was made up of all manner of sounds: boomings, gurglings, patterings of spray, sudden spurts and bubblings here and gone above the steady beat of water falling into water and the higher, smacking note of water falling upon flat stones. And amongst this tumult a girl was singing, her voice rising clearly above the plunging boil.

"Why was I born? Ah, tell me, tell me, Lord Cran! Isthar, isthal a steer. Thou wast born, my daughter, to bear the weight of a man. Isthar a steer, na ro, isthal a rondu."

The singer was nowhere to be seen. Though her song had alarmed the keriot, a human listener (supposing there to be one at hand) must surely have been affected otherwise, for it possessed not only youthful gladness, but also a kind of tentative, wondering quality of which the singer herself could hardly have been conscious, just as no bird or animal can be aware of its own beauty. Her voice, common and beautiful as any of the flowers by the pool, fell silent, leaving only the water-noises, but still there was no one to be seen along the verge or on the stones beneath the green-and-white stretch of the falls. Then, as though a spirit's, the song resumed from a different place, close to the further bank.

" 'Fill thou my purse, great Cran; my purse is cut.' Isthar, isthal a steer.

'Seek, daughter, that horn of plenty with which men

butt.' Isthar a steer, na ro, isthal a rondu."

Out through the curtain of falling water stepped a girl, perhaps fifteen years old: sturdy and well-made, the very picture of youthful energy and health, her naked body glistening as the cascade beat down upon it, pouring in streams from her shoulders, her out-thrust breasts and the firm curve of her buttocks. Laughing, she flung back her head and for a moment took the full force of the fall in her face; then, spluttering, she threw up her arms and spread her open hands to shield herself from the water. In this posture she rocked on her heels, swaying back and forth, now disappearing behind the water-curtain, now covered with it as by a bright, translucent cloak and again leaning forward to leave the torrent unbroken at her back.

Despite the bloom and opulence of her body and the words of her song, both her face and a certain ingenuous quality in her bearing suggested the child rather than the woman. Her absorbed, joyous movements as she played her game (not far removed from hide-and-seek or peep-bo), in and out of the water-curtain; her impulsive, unself-conscious delight, like that of a creature unreflectingly happy in the immediate moment; her very nakedness in this open (if lonely) spot-all denoted a girl who, while she might have learned already to know the world as a place where one could be tired, hungry or even ill, had never yet found it perilous or cruel, or become aware (except perhaps in. stories or songs) of the kind of danger which would certainly have been present to the mind of an older girl bathing alone in this wilderness. Not that she was unconscious of her early maturity and beauty: indeed, standing under the fall, deliberately moving so that the inexhaustible water deluged and caressed in turn her shoulders, her belly, thighs and rump, she appeared sensible of nothing else.

Longing for the future, dwelling on it, even enacting it in imagination-such blending of syrupy concoctions never includes the sharper ingredients infused by experience. These would be as unpalatable to the immature taste of young girls (who are free to exclude them from their dreams) as they often are to the taste of grown women (who are not free to exclude them from their lives).

At length, tiring of picking her way back and forth along

the cool, slippery recesses behind the fall and looking out- like a sentry from a castle-through rifts in the falling water, the girl burst through it once more, hop, skip and jump on the stones, plunged headlong into the pool and swam swiftly down to the shallow water at its foot. Here, as the sand and small gravel of the bed brushed her prone length, she came to rest, turned on her back and lay spread-eagled, legs apart, her head resting on a convenient, flat stump just above the surface.

" "The flowers of spring, Lord Cran, they cannot be

counted.'

Isthar, isthal a steer. 'They bloom in the green field where the mare was

mounted.' Isthar a steer, na ro, isthal a rondu.

'I will tell thee, my daughter-' "

She giggled, sinking a few moments below the surface, so that the words were lost in bubbling. Then, standing up, she began wandering here and there through the shallows, pulling the long-stalked lilies, gold and pink, piercing their fibrous, dripping stems with her thumb-nail and threading them into a wreath. A tangle of scarlet trepsls hung over the opposite bank, and she waded across and wrenched out half a dozen strands, twining them into the lily-garland until it was nearly as thick as her arm.

Hanging it round her neck, she stood dabbling her feet, picking up sticks between her toes and bending her head this way and that to smell the great collar of bloom that covered her shoulders. Then, off again like a child who cannot remain still but must find some outlet for its energy, she began gathering more flowers-pulling tufted heads off the clustering hellias, plucking daisies out of the grass, campions, orange ladies' cups-whatever came to hand. She made a belt, bracelets of flowers and a lopsided, fragile crown that would not hold together until she had bound it with another strand of trepsis. She put a crimson flower behind each ear and another in the hollow of her navel- whence it almost at once fell out. Then, smiling-for in imagination she was teasing an outraged, invisible companion-she tore up a sheaf of forget-me-nots and, pinching the thin stems one by one from the plant, threaded them in and out of the fleece of hair at her groin, until it

was first speckled and then almost completely hidden beneath a close mat of small, sky-blue flowers.

"I am the Queen of Bekla!"

Raising open arms, she began pacing with measured dignity across the shallows, but unluckily trod on a pointed stone, cried "Ow!" and stood wobbling on one leg. Petulantly, she kicked the water, sending up a shower of drops; then bent down, pulled up the offending stone, spat on it and tossed it away among the trees. Another impulse coming upon her, she climbed out on the bank, ran to the head of the pool, took three steps into the deeper water, turned on her back and slowly drifted, flowers and all, out towards the centre. Here she floated, arms at her sides, only her breasts and face above the surface, gazing up at the sinking disc of the sun.

"You dazzle me-reckon I'll dazzle you!" she whispered. "Go on, try and burn me, then-yah, I'm in the water!"

As she remained floating, the current, rippling over and past her, gently soaked and pulled at her frail finery, gradually loosening and untwining it, so that the flowers began to drift away piecemeal from her body; here a lily, there a daisy carried away on the stream, some vanishing swiftly, some twirling in slow eddies under the bank, until at length, save for a bloom or two, she was naked as at first. Last of all, she allowed herself to drift downstream until she was standing once more at the tail of the pool, the water to her knees.