The receptionist smiled back at him as though she'd read his thoughts. "You're in a controlled and sterile biospace, Mr. Gibson. It's heavily over-oxygenated and, of course, the equipment gives off a lot of ozone."

Of course.

"It takes a little getting used to at first but, after a while, you don't really notice it, and the extra oxygen gives you so much more energy. Of course, you can't smoke."

Of course.

"The only places that you can smoke are in the designated areas. I can't stress this strongly enough, Mr. Gibson. Smoking outside the designated areas is extremely dangerous."

Message received and understood.

"I was out of cigarettes anyway."

The receptionist was leading Gibson and his streamheat minders down the central aisle of a very large loft. So large, in fact, that it must have run all the way through to the other side of the block. On one side of the central aisle, there was an area that looked for all the world like a compact version of NASA mission control or possibly the launch center of an MX-missile complex. Lines of computer workstations were arranged in semicircular rows facing the big board, a multiple split-projection display the size of a small cinema screen. The main display was a simplified map of the world according to Mercator. This was surrounded by a bank of smaller displays, some twenty in all; the majority of these small screens showed the layouts of familiar cities-New York, London, Paris, Los Angeles, Beirut, Jerusalem, Tokyo, Rio-but others were showing places that Gibson didn't recognize, either by name or configuration.

The large map was dotted with a hundred or more blood-red points of light. In the main they corresponded with the major centers of population, but here and there there were dots in some of the most inaccessible spots on the face of the Earth. There were two in Antarctica, two more in remote parts of the Andes, three up the Amazon, and no less than six in the Australian outback. Here and there, two or more dots had merged to produce irregular shaded areas that resembled the blemishes of an unpleasant disease. The planet on the big board looked sick and infected, and Gibson knew in his heart that this wasn't just an error in design. The big board was plotting some very bad news. He searched out Haiti. It was one solid red island. The area of Tibet was similarly shaded.

Gibson transferred his attention from the display screens to the people who sat hunched over the rows of computer terminals. Most were the kind of shirt-sleeved, crew-cut young men one might expect to find at a military installation; there was also a sprinkling of beards and rock-band T-shirts that might be more in keeping with MIT or Caltech. Right in the middle, however, there was a shaved head and a saffron robe. What the hell was a Buddhist priest doing running a state-of-the-art computer?

Something else caught Gibson's eye. He paused in midstride and leaned over the shoulder of one of the operators in the back row and looked at his terminal. The characters that were traveling from the bottom to the top of his screen, green and orange out of black, were completely alien, like nothing that Gibson, who prided himself on being pretty well traveled, had ever seen before.

The receptionist immediately snapped him to heel. "Please don't linger, Mr. Gibson. The members are waiting."

The other side of the aisle was even more fantastic. Gibson didn't even recognize the components. A circular area of floor, about twenty feet across, had been surfaced in what looked like either black marble or some sort of plastic substitute. Lines of a red substance were inlaid into the marble like giant symbols or possibly even a huge printed circuit. A pair of sturdy translucent pillars, some two feet in diameter, stood in the center of the marble circle and extended almost to the roof. They were sunk into gold floor settings, and they terminated in two large gold spheres. Inside the pillars, a dimly glowing, green-tinged liquid energy writhed and undulated, making the pillars look like two giant lava lamps arranged side by side. The space between the pillars appeared to pulse with an indistinct shimmer like the heat haze on a blacktop in the afternoon sun. Although there were no people in this part of the loft, the whole area seemed to be alive with abnormal and unearthly energy.

At the end of the aisle there was a pair of double doors. Gibson was a little relieved to see that they were simple mahogany with plain brass fittings. It pleased Gibson that they hadn't been constructed to withstand a small nuclear attack. They were, however, flanked by two more young women in leather skirts and black rollnecks. Unlike the receptionist, though, these women had sidearms strapped around their hips in military-police style, white webbing holsters. The overall effect was not unlike an old sixties Matt Helm movie, and it added a definite touch of the absurd to what had previously just been outlandish and impossible.

Gibson's party halted in front of the doors. Smith raised a hand. "This is where we part company."

Gibson was too overawed by the place to think much about the streamheat. If anything, he was glad to be rid of their certain superiority and condescension.

"Yeah, okay. Thanks for pulling me out of the shit back there in Jersey."

French nodded. "It was nothing personal."

With that, the three of them turned on their heels and walked back the way that they had come.

The receptionist exchanged curt salutes with the two guards.

One of them turned and opened the right-hand door, and the receptionist indicated that Gibson should go in.

After the bizarre combinations of technology in the outer area, the inner room was more like something out of the Middle Ages. The space was dominated by a long conference table of solid dark wood. Its top, polished to a mirror finish, was empty apart from a foot-high gold pyramid and a long, very old double-handed broadsword. Gibson wasn't pleased to note that the blade was pointed directly at him. The lights were dim, going on gloomy, and the walls of the chamber were hung with deep-purple drapes. The only concession to the modern world was a smaller version of the big board outside, mounted on the wall at the head of the table where he might have expected a heraldic coat of arms to be given pride of place. The screen showed the same map of the world with the same scattering of ugly red dots.

"Welcome, Joseph Gibson, enter freely and remain only from your own choice."

Casillas and three other men were seated at the far end of the table. It had been one of the others who had spoken in greeting and who now held out a hand indicating the single chair that had been placed at his end of the table.

"Please be seated."

The lone, isolated chair was too much like the kind of seat that might be offered to a prisoner who'd been hauled before the Inquisition. Gibson sat down in silence, inwardly reminding himself that this wasn't fifteenth-Century Spain but New York in the 1990s. Just beyond the purple-draped walls there were the crowds on West Broadway; the bars, nightclubs, and bustle of downtown in full swing. Men and women were out there going about the everyday business of looking for lovers, copping drugs, getting drunk, hustling for status. There were people in nearby buildings watching TV, making themselves snacks, or fucking. There was probably at least one individual getting mugged within a matter of blocks. Life was going on as usual, in blissful ignorance of interdimensional conflict and impending disaster. It was a reminder that didn't provide much comfort. For Gibson, reality had become this purple room, and he didn't like that one little bit.

The man who had greeted him was seated on Casillas's right. He was black, thickset, and completely bald. From the lines etched in his face, Gibson could only guess that he was at least in his early seventies, but everything else about him gave the impression that he was as strong as an ox. Indeed, that was the overall feel of the man: the old bull, the unquestioned monarch of his herd. Visually, he was easily less plausible than the ancient Hispanic. He was dressed in a silver, three-button mohair suit with narrow lapels, a black shirt, and a white tie. The outfit was completed by blue mirrored aviator glasses. He looked like either the venerable star of a Motown singing group or a retired Detroit pimp. When he spoke, there was the faintest trace of a French accent. For almost a minute he looked at Gibson; then he loudly cleared his throat.