Chapter 13

"Reminder: when you want to destroy files, simply hit Command X. When private files are transferred to the Trash directory, it is recommended you erase them first, for the Trash directory can be ACCESSED BY ALL USERS. Many reporters and editors forget to delete their files, allowing prying eyes to skim them. Remember, each department-Metro, Features, Sports, etc.-has its own Trash directory. D. Starnes."

Puzzled, Tess stared at the computer screen. It was Tuesday, about 11 A.M., and she had just started her day at the Beacon-Light, after checking in with Colleen's secretary, as required. Funny, she had expected Colleen to have a male secretary, an unctuous himbo guarding her office, but the secretary was a pleasant moon-faced matron, who put a little smiley face next to Tess's name, along with a notation of the time-to the minute.

In her office, Tess had turned on the computer thinking she might fill her daily sentence of six hours by exchanging e-mail with Whitney, or reading the wires, only to see this message pop up. It was phrased as if it were a directive to all users, yet she knew enough about the system to realize the message was addressed only to her. Strange. Dorie wanted her to find something, but didn't want to make it too easy, or appear to be doing her any special favors.

With a quick glance at the cheat sheet posted next to the keyboard, Tess typed in the command instructing the computer to call up all items in "Trash Metro." The computer obliged, quickly and silently, and Tess soon found herself sifting through the electronic equivalents of cigarette butts, half-empty coffee cups, and tissues with lipstick traces. Here were memos as dull and plodding as any corporation's. Here were reporters' ill-crafted leads, the false starts they would have crumpled and tossed across the room in the typewriter era. Here were notes from telephone interviews. "Sez city mayor No can do/Constinal ish big. Pres. no agree. Wld req ref. More stdy requrd." Good fodder for a libel trial, Tess thought. It was doubtful the writer could reliably decode this Tarzanese. Fortunately, the notes would soon disappear: whatever was dumped in the trash expired in twenty-four hours.

Moving from Metro Trash to Features Trash and Sports Trash, then back to Metro Trash, Tess found daily staffing reports from each department's executive secretary and a log of overtime requests. Anyone filing for more than ten hours per week was flagged and expected to provide an explanation for daring to request what the contract guaranteed. Rosita, who had filed for twelve hours of overtime in the last pay period, had written an obsequious little note to Colleen, with copies to Mabry and Sterling, reminding them that the Wynkowski story was the reason.

"Now that the story has appeared, I'm sure you can appreciate how much time it took. I would never take advantage of your generosity. In fact, I worked almost 20 hours of overtime, but deferred the rest to comp time."

Tess thought she detected a lot of attitude in that one word, "Now." Feeney had filed for eighteen hours of overtime without bothering to defend himself in writing. That, too, was in character.

Why would any reporter, especially a cagey type like Rosita, allow her craven brown-nosing to be on display? Tess couldn't be the first pair of "prying eyes" to pass through these directories. She checked the history field, the way Dorie had shown her. Of course: reporters created the files, but the editors dumped them. And the editors weren't concerned about safeguarding anyone's privacy except their own. Reganhart, in particular, never erased reporters' notes before trashing them, while Sterling was erratic. Only Lionel Mabry, who had seemed so vague and out of it, scrupulously expunged everything he discarded.

Digging deeper into the electronic trash, Tess found yesterday's news budget, which included ongoing projects at the bottom. Reporters assigned to the Wink story were to keep checking with county police, on the off chance the death would be classified as an accident or homicide when the toxicology reports came back from the medical examiner. The budget also indicated at least five other reporters had been deployed in case Wink had even nastier skeletons in his closet. So far, they had come up empty. Meanwhile, Feeney was responsible for tracking the basketball deal, which was expected to unravel unless Paul Tucci could find more backers, but there had been no developments on that front, either.

In fact, the only Wink-related story in today's editions was a thin piece on his wake by Rosita. As published, the piece had been flat and unremarkable. The original, sent to the trash by Reganhart, was inappropriately vicious, the kind of piece in which the writer mistook mere bitchery for wit. Tess was particularly struck by the description of Wink's high school basketball team members in "green-and-gold letter jackets that would never button again, not in this lifetime." At least Reganhart, whatever her weaknesses, understood how disastrous this would have been. Death demanded reverence not only for the deceased, but for his mourners.

"So what's moving on the wires this morning?"

Startled, Tess jumped and banged her right knee hard on the lap drawer of the old metal desk, which caused her to swear under her breath. Jack Sterling was leaning against the door jamb, hands in his pockets, shirt sleeves rolled up. A solid blue shirt today, which made his eyes almost too blue.

"Not much," she lied automatically. Even if she wasn't actually hacking, she didn't want to admit she was digging through the Blight's electronic trash. "Spring training stories."

"In March, it's hard to believe Opening Day will ever come. In August, when you're a Cubs fan like myself, you sometimes wish it never had."

As Tess casually cleared her screen of any incriminating files, Sterling came in and sat on a corner of the desk, inches from her right elbow.

"Do you like baseball, Tess?"

"I watch the World Series. Want to know my deepest, darkest secret?"

"I'm a journalist. I live to know secrets."

"I don't even know where the Orioles finish, most years."

He laughed, a sound so spontaneous and generous that Tess wished she could find other secrets to confide in him. I didn't report all my income on my taxes last year. I think you're cute. I've been known to be something of a round-heels under the right circumstances.

"Let me ask you something, Tess."

Yes.

"Did anything bother you about the first Wynkowski story? The, um, unofficial one?"

She knew she was suppose to say she had been bothered, and she hated to disappoint him. But what had been wrong? She wracked her brain.

"I know there were a lot of anonymous sources. Then again, you let the guy in Georgia cloak his identity, too."

"At least I know who he is this time, and what his motivation is. I don't know anything about the sources in the first story. I've got a bad feeling in my gut about this whole thing. What about you? What do your instincts tell you, Tess?"

It was an uncomfortable question for Tess, who had once watched as her best instincts had collapsed against the backdrop of three separate deaths. But it was foolhardy to tell the unvarnished truth to an employer, and Jack Sterling was still just that: her employer.

She settled for a partial truth. "My gut tends to be opinionated, so it's not infallible."

Her stomach picked this exact moment to groan with hunger. Tess wanted to crawl under the desk, or find some graceful way to inform Sterling she did not normally make such noises.

"Running on empty? Let me treat you to lunch at Marconi's." Tess grinned at him the same way Esskay the greyhound grinned at any offering of food.

They walked down Saratoga Street to the restaurant. It was a little cool, but the sun was out and the sky clear. A few brave crocuses peeked out among the stunted trees planted along the sidewalks. A horrible tease, Tess knew. Did spring have an equivalent term for Indian summer, a way to describe these March flirtations with nice weather?


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