Volvox
Mermaid
The Pacific Ocean stood on her back. She ignored it.
It crushed the bodies of her friends. She forgot them.
It drank the light, blinding even her miraculous eyes. It dared her to give in, to use her headlamp like some crippled dryback.
She kept going, in darkness.
Eventually the sea floor tilted into a great escarpment, leading into light. The bottom changed. Mud disappeared under viscous clumps of half-digested petroleum: a century of oil spills, a great global rug to sweep them beneath. Generations of sunken barges and fishing trawlers haunted the bottom, each a corpse and crypt and epitaph unto itself. She explored the first one she found, slid through shattered windowpanes and upended corridors, and remembered, vaguely, that fish were supposed to congregate in such places.
A long time ago. Now there were only worms, and suffocating bivalves, and a woman turned amphibious by some abstract convergence of technology and economics.
She kept going.
It was growing almost bright enough to see without eyecaps. The bottom twitched with sluggish eutrophiles, creatures so black with hemoglobin they could squeeze oxygen from the rocks themselves. She flashed her headlamp at them, briefly: they shone crimson in the unexpected light.
She kept going.
Sometimes, now, the water was so murky she could barely see her own hands in front of her. The slimy rocks passing beneath took on ominous shapes, grasping hands, twisted limbs, hollow death's heads with things squirming in their eyes. Sometimes the slime assumed an almost fleshy appearance.
By the time she felt the tug of the surf, the bottom was completely covered in bodies. They, too, seemed to span generations. Some were little more than symmetrical patches of algae. Others were fresh enough to bloat, obscenely buoyant, straining against the detritus holding them down.
But it wasn't the bodies that really bothered her. What bothered her was the light. Even filtered through centuries of suspended effluvium, there seemed far too much of it.
The ocean pushed her up, pulled her down, with a rhythm both heard and felt. A dead gull spun past in the current, tangled in monofilament. The universe was roaring.
For one brief moment, the water disappeared in front of her. For the first time in a year she saw the sky. Then a great wet hand slapped the back of her head, put her under again.
She stopped swimming, uncertain what to do next. But the decision wasn't hers anyway. The waves, marching endlessly shoreward in gray, seething rows, pushed her the rest of the way.
She lay gasping on her belly, water draining from the machinery in her chest: gills shutting down, guts and airways inflating, fifty million years of vertebrate evolution jammed into thirty seconds with a little help from the biotech industry. Her stomach clenched against its own chronic emptiness. Starvation had become a friend, so faithful she could scarcely imagine its absence. She pulled the fins from her feet, rose, staggered as gravity reasserted itself. A shaky step forward.
The hazy outlines of guard towers leaned against the eastern horizon, a gap-toothed line of broken spires. Fat tick-like shapes hovered above them, enormous by inference: lifters, tending the remains of a border than had always kept refugees and citizens discreetly segregated. There were no refugees here. There were no citizens. There was only a humanoid accretion of mud and oil with machinery at its heart, an ominous mermaid dragging itself back from the abyss. Undiscardable.
And all this endless chaos—the shattered landscape, the bodies smashed and sucked into the ocean, the devastation reaching God knew how far in every direction—it was all just collateral. The hammer, she knew, had been aimed at her.
It made her smile.
Fables of the Reconstruction,
Great glittering skyscrapers, shaking themselves like wet dogs. Downpours of shattered glass from fifty floors of windowpanes. Streets turned into killing floors; thousands slickly dismembered in the space of seconds. And then, when the quake was over, the scavenger hunt: a search for jigsaws of flesh and blood with too many missing pieces. Their numbers grew logistically over time.
Somewhere between the wreckage and the flies and the piles of eyeless bodies, the soul of Sou-Hon Perreault woke up and screamed.
It wasn't supposed to happen that way. It wasn't supposed to happen at all; the catalysers kept all those obsolete, maladaptive feelings safely preempted, their constituent chemicals split apart before they'd even reached the precursor stage. You don't go wading through an ocean of corpses, even vicariously, as a fully functional human.
She was all over the map when it hit her. Her body was safely stored at home in Billings, over a thousand klicks from the wreckage. Her senses hovered four meters above the remains of the Granville Street Bridge in Hongcouver, nestled within a floating bluebottle carapace half a meter long. And her mind was somewhere else again, doing basic addition with a tally of body parts.
For some reason, the smell of fresh decomposition was bothering her. Perreault frowned: she wasn't usually so queasy. She couldn't afford to be—the current body count was nothing compared to what cholera would rack up if all that meat wasn't cleaned out by the weekend. She tuned down the channel, even though enhanced olfac was the method of choice for nailing buried biologicals.
But now visual was bugging her, too. She couldn't exactly put her finger on it. She was seeing in infra, in case any of the bodies were still warm—hell, someone might even be alive down there—but the false color was unsettling her stomach. She dialed through the spectrum, deep infra up to x-ray, settled finally on plain old visible EM. It helped a little. Even though she might as well be looking at the world through merely human eyes now, which wouldn't help her tag rate any.
And the fucking gulls. Jesus Christ, you can't hear anythingover that racket.
She hated gulls. You couldn't shut them up. They flocked to scenes like this, threw feeding frenzies that would scare sharks away. Over on the other side of False Creek, for instance, the bodies lay so thick that the gulls were for fucksake high-grading. Just pecking out the eyes, leaving everything else for the maggots. Perreault hadn't seen anything like it since the Tongking spill five years before.
Tongking. Its aftermath bubbled irrelevantly in the back of her mind, distracting with memories of carnage half a decade out-of-date.
Concentrate, she told herself.
Now, for some reason, she couldn't stop thinking about Sudan. That had been a mess. They really should have seen it coming, too; you don't dam a river that size without pissing off someone downstream. The real wonder was that Egypt had waited ten years before they'd bombed the bloody thing. The slide had spread a decade's muddy backlog downstream in an instant; by the time the waters fell it was like picking raisin clusters out of sludgy chocolate.
Ah. Another torso.
Except the raisins had arms and legs, of course. And eyes—
A gull flew past. The eyeball in its beak looked at her for an endless, beseeching instant.
And then, for the first time—through a billion logic gates, endless kilometers of fiberop, and a microwave bounce off geosynch—Sou-Hon Perreault looked back.
Brandon. Venesia. Key West.
My God—everybody's dead.
Galveston. Obidos. The Congo Massacre.
Shut up! Concentrate! Shut up shut up…
Madras and Lepreau and Gur'yev, place to place to place the names changing and the ecozones changing and the death toll never sitting still for a fucking instant but always the same song, the same endless procession of body parts buried or burned or torn apart—