As he hung up the receiver after calling Judd, Artie experienced one of those dark surges of feeling, as if he could have sent a wave of death through the telephone and seen Judd stricken by it, paralysed, turned to stone. Electrocution by telephone. Himself, the master criminal. He’d call up his enemies, and then they would be found dead, telephone in hand.

He saw Judd, sitting like that. And picturing it, Artie felt a flash of comprehension: Judd wanted to be caught and executed. For if you left things around like that, the glasses, the typewriter, you wanted to get caught. Like the kind of girl that leaves hairpins all over the back seat.

So Judd was a terrible danger to him. Rage and grief shuddered through Artie. Why did that punk bastard have to go and spoil the whole thing! All the other things he had done by himself, were done without a trace. The last one in winter, the ice-cold night, the upturned coat collar covering the face, the tape-wound chisel in his pocket, hard against his hand, then the body falling off the pier into the lake. Had he done it, or only pictured it to himself?

That was the sad part of doing things all by yourself, on your own. You lost them. You really needed someone else to be in a thing with you so that the deed stayed alive between you.

Then all the little things he and Judd had done together, the fires and the thing at the frat house in Ann Arbour – all those things rose up in Artie and pleaded for Judd. Pleaded for dog-eyes Jocko. But Artie wasn’t sure. He would decide about Judd after they had got rid of the typewriter. Perhaps, if the feeling came over him… He put his automatic into his pocket.

Artie did not fail to call out good-bye to the family, flashing a charming smile at Mumsie’s guest. Then, though it was the wrong direction for Judd’s, he walked past the Kessler house.

In that house, were they getting any clues leading to him? Ah, let them follow him now! Instead of leading them to his accomplice, he would throw them off the track! And Artie turned up Hyde Park Boulevard, toward Myra’s. Let Judd sit waiting, worrying.

In the gilded lobby of the Flamingo there sat the usual two groups of little ladies in retirement, and Artie could sense the buzz among them as he passed toward the elevators: there goes the brilliant Straus boy, youngest university graduate, they were saying, and surely plotting about catching him for their nieces and granddaughters.

Myra’s mother herself opened the door, welcoming him, but with an air of confusion. “Why, Artie! Hello, Artie. It’s so nice to see you, but you know Myra’s just going out.”

Myra bubbled out from her room; she had not quite finished dressing, and was holding a sash for her beaded green frock. He and she always laughed as soon as they saw each other, a kind of guilty conspiratorial laugh, like the times as kids when they were almost caught playing doctor. Yet despite the laughter, Myra’s eyes were always melancholy, befitting a poetess, and she talked in breathless rushes of words, curiously like Artie.

Her date was a goof, she said, a football player. She had been roped in, but “When he is silent, I can imagine he is a Greek god. Oh, I want to have lots of lovers, like Edna St. Vincent Millay.”

While Myra rushed back to her room to find a poem she had just written, Mrs. Seligman managed to inquire conventionally about his family. How was his mother? How was his father’s blood pressure?

Fine, Artie said, everyone was fine, but Mumsie was rushing to Charlevoix tomorrow morning with little Billy, because of that terrible crime – wasn’t it a monstrous thing? And spying a huge box of candy, Artie poked his finger into one of the chocolates. “Aha! Liqueur!” he cried, sucking the finger, and then poking it down the entire row of candies while Mrs. Seligman giggled in horror – “Really, Artie!”

“He’s wacky!” Myra called. He walked into her room.

Myra thrust herself up against him and kissed him briefly, moving the tip of her tongue, and gyrating her abdomen to show she knew how to be wicked. She broke off and pulled back, looking at him intently with her huge brown eyes. “Is anything wrong, Artie?”

The girl made him impatient sometimes with her understanding looks. He said, “Nah, I just got the willies,” and she said he had to hear her new sonnet. “My Unfaithful Lover” was the title; Artie picked it up and read out loud. “I share my lover with the wingspread sail-”

She shared her lover with the sleet, the gale. He said it was swell.

They were, of course, not lovers. And yet she was in love with Artie; she had loved him since she was a little girl. They were remote relatives, fifty-eleventh cousins they called themselves, Myra always explaining, with a bubble of laughter, that anyone whose family owned Straus stocks was a cousin. Her father had been one of the founders.

She called Artie “lover”, as a kind of promise within herself that it would one day be he. She was sure she knew the Artie others didn’t know; she knew an Artie who was not always shining and being smart, but who was torn. This she cherished as a love secret. Artie was much deeper than he let on.

So now he said there was nothing wrong, he just was sick of the world, had a touch of the blues, and that reminded Myra of a terrific place she had heard about, downtown, where they had a wonderful blues singer. It was in a cellar on Wabash. Why not go there tomorrow?

He agreed; maybe they would make it a double date.

Myra groaned. Not Judd.

Well, he had sort of agreed to help Judd celebrate his Harvard exams tomorrow. Why did she always have to pick on Judd?

“Maybe I’m jealous.” Myra laughed without meaning anything. But she simply couldn’t see why he let that dreary drip hang around.

It was not a new argument. Especially if you went in a crowd, she said, Judd was so unlikable, with his conceited ideas, and his eyes that never blinked.

Aw, Artie told her, Judd was a brilliant little sonofabitch, and the reason he was so unpopular was that people knew they were inferior to him.

“I don’t care how brilliant he is, he gives me the creeps,” she said.

Well, Artie admitted, maybe he let Judd hang around so much partly out of pity because the guy had no friends.

The bell rang; it was her date. Artie grabbed the sash from Myra, and holding it around his waist, shimmied into the other room. Her mother had just opened the door, and Artie swayed toward the young man there, announcing, “I’m your date. Myra has just been kidnapped.”

“Don’t mind him. He’s my wacky cousin, just dropped in from Elgin,” Myra said, taking the sash, and then Artie solemnly declared that he was sorry he couldn’t join them on their date – he had an appointment to hijack a shipment from Canada. He gave her a passionate kiss in front of the young man and her mother. “Don’t drink any wood alcohol,” he admonished, whisking out of the apartment, laughing.

Why did he let Judd hang on to him? Her question resounded as he walked. Ever since the beginning, every piece of trouble had been on account of Judd, and now Dog Eyes had brought him to the edge of real danger.

Walking on Stony Island, purposely past the police station, Artie was now conducting the trial of Judd Steiner. All-powerful, in his hands was the life-or-death decision.

Take the second summer Judd came up to Charlevoix. They hadn’t seen each other much that year, because that was the year Artie had transferred to Ann Arbour. Morty Kornhauser, from the Ann Arbour chapter of Alpha Beta, was visiting him just then, too.

Sunday morning, Judd had to walk into Artie’s room through the connecting bathroom, to wake him up. They were going canoeing to an island where Artie knew a couple of girls – fishermen’s daughters. As Judd started pulling him out of bed, Artie made a playful grab, and then they were wrestling and fooling around.