Evening after evening, playing the game, picking out victims discussing the size, the maximum weight of a victim practical to handle… Nobody too large – a struggle would be abhorrent. And then the long arguments – almost fights – he had had with Artie, trying to convince him that it should be a girl. The image of it swept back on Judd: making it a girl, and raping the girl, would have been part of it. From the beginning he had seen it that way, the image of the rape always sweeping through him like a dizziness.

But Artie had eliminated the idea of a girl. He had no really valid reasons. He was simply against it. A boy, then. A small one.

After that, they had spent evenings debating the amount of the ransom. If you asked for a hundred thousand, Artie said, every cop in town would be on the job. How much would a man risk, and keep away from the police, just to get his son back?

“How much would your own old man give?”

“Hah! That depends on which son!” And, eyes snapping, Artie had begun to stutter as he did only when he was extremely excited. “Billy now! Billy, the baby, the cutie! They’d pay a hundred thousand, a million for him! Hey! Why not really kidnap Billy?”

For a moment he had been serious, Judd was sure. But then they had dismissed it as impractical. Artie would be surrounded by police all over the house. It would be too difficult to collect the ransom.

For a whole evening their game had followed that vein. Suppose they staged a kidnapping, one with the other? “My old man would give a hundred thousand simoleons and say, ‘Keep the punk!’” Artie had kidded. And he had pictured where he would send his old man to pick up messages. His dignified pater. A message in a ladies’ toilet! That had convulsed him.

Judd had in turn pictured how his own father would react. Oh, he’d pay; he was proud of his prodigy! The boy ornithologist! Judah Steiner, Sr., had to have his prodigy’s achievements to brag about at the club.

Then Artie had produced an even better idea: kidnapping their own old men, in person! They had fallen over each other with laughter. Artie, imitating his father – dignity outraged! Judd could just see Randolph Straus, the richest Jew in Chicago: “Boys! What is the meaning of this!”

Even now, sitting waiting for Artie, Judd had to smile at the thought. As if the whole thing were still to be done. And then he saw it as his own father, the old man’s bewilderment as they tied him up and took off their masks. “What are you doing to me?” the old man would demand in his ponderous way. Ah, there would be a crime for posterity!

But the thing was already done, Judd reminded himself. Though if they got away with this, Artie might want him to – No. For when he returned from Europe and went to Harvard, he would be different; maybe he wouldn’t feel this way about Artie any more…

Judd drew in his breath, and looked fearfully toward the wicket, as if by this disloyal thought alone he might lose Artie.

In a moment Artie would be coming out. Judd rehearsed the Kessler phone number, the address of the drugstore, and told himself he must now be sure not to tell the Adversary to go into the Help Keep the City Clean box. That was eliminated, and there jumped into his mind the other thing about the box, the final, macabre idea Artie had proposed, a skeleton popping up as the lid was opened, or maybe – his eyes darkening – even better than a skeleton, a severed hand

“You’ll give the guy heart failure; we’ll never collect!” Judd had said. “Besides, where would you get it?”

And Artie had given him that look, as if, despite all they had done together, Judd really wasn’t in on the real, the inside things. “Oh, I could get it all right.” Laughing, he added, “From a medical student. From Willie.”

And Judd had felt a fear, a sadness, that gripped him again even now as the scene came back to him; Artie’s merely naming Willie Weiss had brought the convulsed feeling around his heart that there were things Artie did with others, maybe with Willie, activities, secrets, from which he was excluded. He had even tried to turn it, to make Willie the victim.

“Willie!” he had exclaimed, but with a fear in watching Artie’s reaction. “Hey, he’d be a good one. How about him?” For a moment Artie had joined in the idea. Had it been to tease him? Picturing Willie, the astounded look on his face, Willie trying to talk his way out of it and his cleverness failing him, Willie with the gag in his mouth, then dead between them. But finally Artie had said no, because Willie’s old man was a notorious tightwad. He’d never pay…

There was Artie, coming from the train, smiling, as if he were just stepping out to buy a magazine. Now was the time to make the phone call. Judd pictured Mr. A by a phone, waiting. It was again a man like his own father. Still, it was better, purer, that nothing personal had guided them in their final choice. To have left blank the address on the ransom envelope, even as they prowled the street for the victim – that had been a superb affirmation. It proved destiny was accidental. Wouldn’t that settle forever the silly argument about any meaning in life? Concatenation of circumstances – admitted – but meaningless, meaningless…

Judd arose to the gladness of Artie coming toward him. Yesterday had been an intrusion. Now, the game was continuing.

He had already changed a nickel for a telephone slug, as each public phone had its own token. With the slug ready in his hand, Judd waited for Artie to crowd in beside him in the booth. They heard the busy signal together. Artie yanked the receiver from Judd’s hand, and slammed it back onto the hook. “Sonsabitches! They’re violating our instructions!” His eyes were yellow. Judd knew these sudden rages Artie could have. But after all…“Maybe somebody called them, by accident,” he said.

“Let’s get out of here!”

They hurried from the station. Artie, with his long stride, was already starting the car when Judd caught up with him. “Let’s call again from a drugstore,” Judd said. The note was on the train, the train would soon be on its way.

Pulling up at the nearest drugstore, on Wabash, Artie was out of the car before it had completely stopped. He snapped his fingers at the clerk for a couple of slugs. The clerk was busy with some blobby-faced woman over shades of rouge.

But Artie turned on his charm. “Excuse me,” he said to the lady, “I don’t want to keep my girl waiting by the phone.” She broke into a fat coy smile, while the clerk changed Artie’s dime.

Hurrying into the booth, Artie took the phone; Judd seized it from him. Kessler might know Artie’s voice. “I was only going to get the number,” Artie snapped.

The ringing began.

Charles Kessler seized the phone almost thankfully. “Yes, this is Charles Kessler personally. My boy is all right?” The kidnappers were keeping their word; they were calling. Surely that newspaper reporter was crazy. Paulie was safe.

“Do you have the money ready, according to our instructions?”

“Yes, yes. Is Paulie all right?”

“Your boy is safe. A cab will shortly call at your door. Proceed in the cab to the drugstore at 1360 East 63rd Street. Wait for a call in the first phone booth from the door. Is that clear?”

Kessler tried again, about the boy. Could he talk to Paulie?

“Remember, the address is 1360 East 63rd Street. You will receive further instructions at that time.” Their receiver clicked down.

“Wait! Wait-”

Judge Wagner seized the phone. “Operator! Operator-” But it was too late to trace the call.

“He told me a drugstore, on 63rd Street…” Then, despairingly, Kessler clapped his hand to his head. He couldn’t remember the address of the store.

From the phone next to Judd’s, Artie had meanwhile sent off the cab. Judd felt anew the pleasure in the whole thing, a kind of duet with Artie, the smoothness of their working together.