But you don't have to be with someone to have breakfast at the Alamo. Actually, it's better alone. As long as she stays in the gardens. She doesn't like the buildings-the Long Barracks, the high-ceilinged souvenir shop where she once coveted the blue and white Alamo dinnerware. The buildings are cold as crypts, chilled by the horrible memories they hold. Places can remember, too. But here, in the garden, beneath the hot, healing sun, the soil has forgotten all the blood it has known. She wishes she could forget. She wishes she could remember. Wake up, Mommy. Wake up, Mommy.

"Tienes sueños, pobrecita?"

The voice makes her start, and the barbacoa tacos tumble to the ground from her lap. Tienes sueños-Are you sleepy? He uses the Spanish reluctantly, at her insistence. But it's so much better in Spanish: Do you have dreams? Nothing but.

She squints into the sunlight.

"Why are you here?"

"I couldn't find you this morning. I worried."

"We broke up. Remember, I broke up with you?" Not cruel, just stating the facts.

"I know. And I know why. But I can't turn my back on you."

"You're going to help me?" Incredulous, not quite trusting him, although she wants to so badly. She needs an ally.

"I promise," he says. "I'll help you, and you'll help me."

She wonders if he thinks this means he'll get to crawl on top of her again. As much as she could use his assistance, she isn't sure she could stomach that. Once she's done with a man, she's done. It's like trying to reheat a cup of coffee. Dark, bitter stuff. But she doesn't think he's trying to find a way back into her bed. Truth is, he had seemed even less interested than she, if such a thing were possible.

But he's going to help her. Her mood takes off, like a rocket. In her joy, she pleats the grease-stained bag from her breakfast into a tiny accordion and pretends to play it. "A little conjunto music, ladies and gentlemen. Please welcome la señorita con la concertina, la señorita mas bonita, la señorita de las carnitas, la señorita de Suenos Malos." She sings, one of her favorite old folk songs. "Ay te dejo en San Antonio." I've already left you in San Antonio.

A few tourists look up, smiling hopefully, as if her song might redeem their wasted morning. The Alamo can be the ultimate anticlimax, the guaranteed disappointment to end all disappointments, at least for those who dream of wind-swept plains and a Davy Crockett who looked like John Wayne. "It's so small," outsiders always complain. "And there's a Burger King across the street." Personally, she likes the way the mission is plopped down in the middle of real life. Home of the Whopper meets the fort of the whopper, with all its little lies, all those stories told to make it cleaner, better, nicer. Davy Crockett swinging old Betsy, Jim Bowie groaning on his cot with a broken leg, William Barrett Travis drawing the line that separated the men from the boys. Death made people so pure. Did it matter if none of it was true? Did it matter if all of it was true?

"Maybe I should sing a few bars of the ‘Yellow Rose of Texas.' Bet I'd make some money before the Daughters kicked me out."

He isn't amused.

"If I help you, then you have to listen to me, do things my way. You have to stop doing shit like this. Nice and normal, remember? That's how you fly under the radar. Nice and normal."

"Who wants to be nice? Or normal?" She drops her makeshift accordion, begins breaking apart a scab on her calf. It reminds her of bacon, the way it crunches in her fingers. She scratches her shin, drawing fresh blood. Normal is giving up. Normal is everybody else, going on with their lives. Normal is the real sickness, the pretense that lets your body live while your soul shrivels inside. Besides, she wants him to know she's back in town, wants him to be aware of her. She wants him to sit up in bed at night, wondering if he just felt her hot breath on his neck. Tienes sueños, pobrecita?

Blood dribbles down her leg, warm as a teardrop. He grabs her hands, holding her fingers tight so she can't pick at herself anymore. "Everything you want, you'll have," he says, his voice almost pleading. "But you have to trust me."

She shakes her head up and down, pretending to agree, trusting no one and hoping no one trusts her. Everything you want. Men made such promises so easily. Alamo dinnerware, a new pearl necklace, a car upon high school graduation, a safe place in the world, love everlasting. It's her lot in life to have nothing she wants, she knows that now. She sees herself as she wants to be, sleeping peacefully, just like the photograph. Sees him as she wants him to be, screaming, screaming, screaming, his mouth as round and wide as the entrance to a carnival ride that never ends. C'mon scaredy cat, let's go through. She's ready. She's tall enough now-and old enough, and sad enough, and desperate enough.

She's ready.

Tess Monaghan hated surveillance work, something of a problem for someone who made her living as a private investigator. Do what you love and you'll love what you do, they told her. Well, she loved everything else about her job. Loved being her own boss, loved being her only employee. She was even starting to love her gun, which she knew was kind of creepy. Unfortunately, surveillance work was a private investigator's bread-and-butter, and she loathed every minute of it, especially in the cause of romantic disputes. Besides, it was just so passive. All her life, she had hated waiting for things to happen. She yearned to be an instigator. Yet here she was again, slouched down in the front seat of her car, camera ready to document someone else's bad behavior.

She stared at the faded plaster king who welcomed guests to the Enchanted Castle Motor Court on Route 40. Time had not been kind to him-his purple coat had whitish spots that made it appear as if it were moth-eaten, his face was pitted, and one eye had faded away, so his once-genial smile was now more of a leer. Still, he made her feel nostalgic, for Maryland's past and for her own. There was a time, almost in her memory, when Route 40 was the major east-west highway across the state of Maryland and these kinds of campy stucco cottages had beckoned to travelers with neon promises of air-cooled rooms and fresh pies in the diner.

As for Tess, she had lost her own virginity in this particular motor court, at the allegedly sweet age of sixteen. The wine had been sweet at least. Mogen David, hijacked from her Gramma Weinstein's Seder almost two months earlier, because teenage Tess had been methodical about her bad behavior. The younger version was always plotting, looking ahead to the night when she could just get it over with-first drunk, first dope, first sex-mark another milestone on her path to adulthood. Why had she been in such a hurry? She couldn't even remember now. Anyway, it hadn't been bad, it hadn't been good. In fact, it wasn't unlike her early rowing practices. Sore muscles you didn't even know you had on the day after. But it got better, and she got better at it. Just like rowing.

This was the part she remembered the best: The motor court's diner had still been open then and afterwards she had blueberry pie, hot, with vanilla ice cream, the chubby king smiling benignly at her through the glass. That had been just perfect. To this day, blueberry pie made her blush. Now the diner was just a rusting aluminum shell. Despite the reputation fostered by the film Diner, Baltimore had a severe diner deficit, if you didn't count the modern, ersatz ones, and Tess sure didn't. "Where have you gone, Barry Levinson?" she sang softly to herself. "Charm City lifts its hungry eyes to you." No more diners, no more tin men. No Johnny U's Golden Arm, no Gino's, no Hot Shoppes Jr.'s, no Little Taverns.