“You could do that in a summer if you found a hook to hang your hat on and then stuck to it,” he’d told Dykstra in a letter. (They hadn’t progressed to using the phone and the fax at that point.) “And it would be twice as much as you’d make teaching classes in the June and August sessions down there at Mangrove U. If you’re going to try it, my friend, now is the time-before you find yourself with a wife and two-point-five children.”

There had been no potential wife on the horizon (nor was there now), but Dykstra had taken Jack’s point; rolling the dice did not get easier as one grew older. And a wife and kids weren’t the only responsibilities one took on as time slipped quietly by. There was always the lure of the credit cards, for instance. Credit cards put barnacles on your hull and slowed you down. Credit cards were agents of the norm and worked in favor of the sure thing.

When the summer-teaching contract came in January of ’94, he had returned it unsigned to the department head with a brief explanatory note: I thought this summer I’d try to write a novel instead.

Eddie Wasserman’s reply had been friendly but firm: That’s fine, Johnny, but I can’t guarantee the position will be there next summer. The man in the chair always gets right of first refusal.

Dykstra had considered this, but only briefly; by then he had an idea. Better still, he had a character: The Dog, literary father of Jaguars and houses on Macintosh Road, was waiting to be born, and God bless the Dog’s homicidal heart.

Ahead of him was the white arrow on the blue sign twinkling in his headlights, and the ramp curving off to the left, and the high-intensity arc-sodium lights illuminating the pavement so brightly that the ramp looked like part of a stage set. He put on his blinker, slowed to forty, and left the interstate.

Halfway up, the ramp branched: trucks and Winnebagos to the right, folks in Jaguars straight ahead. Fifty yards beyond the split was the rest stop, a low building of beige cinder block that also looked like a stage set under the brilliant lights. What would it be in a movie? A missile-command center, maybe? Sure, why not. A missile-command center way out in the boonies, and the guy in charge is suffering from some sort of carefully concealed (but progressive) mental illness. He’s seeing Russians everywhere, Russians coming out of the damn woodwork…or make it Al Qaeda terrorists, that was probably more au courant. The Russians were sort of out as potential villains these days unless they were pushing dope or teenage hookers. And the villain doesn’t matter anyway, it’s all a fantasy, but the guy’s finger is nevertheless itching to push the red button, and…

And he needed to pee, so put the imagination on the back burner for a while, please and thank you. Besides, there was no place for the Dog in a story like that. The Dog was more of an urban warrior, as he’d said at the Pot o’ Gold earlier tonight. (Nice phrase, too.) Still, the idea of that crazy missile-silo commander had some power, didn’t it? A handsome guy…the men love him…looks perfectly normal on the outside…

There was only one other car in the sprawling parking area at this hour, one of those PT Cruisers that never failed to amuse him-they looked like toy gangster cars out of the 1930s.

He parked four or five slots down from it, turned off the engine, then paused to give the deserted parking lot a quick scan before getting out. This wasn’t the first time he’d stopped at this particular rest area on his way back from the Pot, and once he’d been both amused and horrified to see an alligator lumbering across the deserted pavement toward the sugar pines beyond the rest area, looking somehow like an elderly, overweight businessman on his way to a meeting. There was no gator tonight, and he got out, cocking his key-pak over his shoulder and pushing the padlock icon. Tonight there was only him and Mr. PT Cruiser. The Jag gave an obedient twitter, and for a moment he saw his shadow in the brief flash of its headlights…only whose shadow was it? Dykstra’s or Hardin’s?

Johnny Dykstra’s, he decided. Hardin was gone now, left behind thirty or forty miles back. But this had been his night to give the brief (and mostly humorous) after-dinner presentation to the rest of the Florida Thieves, and he thought Mr. Hardin had done a fairly good job, ending with a promise to send the Dog after anyone who didn’t contribute generously to this year’s charity, which happened to be Sunshine Readers, a non-profit that provided audiotape texts and articles for blind scholars.

He walked across the parking lot to the building, the heels of his cowboy boots clocking. John Dykstra never would have worn faded jeans and cowboy boots to a public function, especially one where he was the featured speaker, but Hardin was a different breed of hot rod. Unlike Dykstra (who could be fussy), Hardin didn’t care much what people thought of his appearance.

The rest-area building was divided into three parts: the women’s room on the left, the men’s room on the right, and a big porchlike portico in the middle where you could pick up pamphlets on various central-and south-Florida attractions. There were also snack machines, two soft-drink machines, and a coin-op map dispenser that took a ridiculous number of quarters. Both sides of the short cinder-block entryway were papered with missing-child posters that always gave Dykstra a chill. How many of the kids in the photos, he always wondered, were buried in the damp, sandy soil or feeding the gators in the Glades? How many of them were growing up in the belief that the drifters who had snatched them (and from time to time sexually molested them or rented them out) were their mothers or fathers? Dykstra did not like to look at their open, innocent faces or consider the desperation underlying the absurd reward numbers-$10,000, $20,000, $50,000, in one case $100,000 (that last one for a smiling towheaded girl from Fort Myers who had disappeared in 1980 and would now be a woman in young middle age, if she was still alive at all…which she almost certainly was not). There was also a sign informing the public that barrel-picking was prohibited, and another stating that loitering longer than an hour in this rest area was prohibited-POLICE TAKE NOTICE.

Who’d want to loiter here? Dykstra thought, and listened to the night wind rustle through the palms. A crazy person, that was who. A person to whom a red button would start to look good as the months and years snored past with the sound of sixteen-wheelers in the passing lane at one in the morning.

He turned toward the men’s room and then froze in midstep as a woman’s voice, slightly distorted by echo but dismayingly close, spoke unexpectedly from behind him.

“No, Lee,” she said. “No, honey, don’t.”

There was a slap, followed by a thump, a muffled meat thump. Dykstra realized he was listening to the unremarkable sounds of abuse. He could actually see the red hand shape on the woman’s cheek and her head, only slightly cushioned by her hair (blond? dark?), bouncing off the wall of beige tile. She began to cry. The arc sodiums were bright enough for Dykstra to see that his arms had broken out in gooseflesh. He began to bite his lower lip.

“Fuckin’ hoor.”

Lee’s voice was flat, declamatory. Hard to tell how you could know immediately that he was drunk, because each word was perfectly articulated. But you did know, because you had heard men speak that way before-at ballparks, at carnivals, sometimes through a thin motel-room wall (or drifting down through the ceiling) late at night, after the moon was down and the bars were closed. The female half of the conversation-could you call it a conversation?-might be drunk, too, but mostly she sounded scared.

Dykstra stood there in the little notch of an entryway, facing the men’s room, his back turned toward the couple in the women’s room. He was in shadow, surrounded on both sides by pictures of missing children that rustled faintly, like the fronds of the palm trees, in the night breeze. He stood there waiting, hoping there would be no more. But of course there was. The words of some country-music singer came to him, nonsensical and portentous: “By the time I found out I was no good, I was too rich to quit.”