Here, though, my mind clouds with indistinct but disagreeable impressions. A distant cry of anger is heard, the woman retreats in fear and fury, and I awake, ashamed to discover my clothing in considerable disarray, the victim of some delirious carphology.

From the Journal of Jonathan Harker, October 7th 1893

The snow has started falling. During these increasingly frequent squalls, all sights and sounds are obscured by a deadening white veil that seals us in the sky. From my bedroom window I can see that the road to the castle is becoming obscured. If the Count does not return soon, I really do not see how I shall be able to leave. I suppose I could demand that a carriage be fetched from the nearest village, but I fear such an action would offend my absent host, who must surely reappear any day now.

I am worried about my Mina. I have not heard from her inside a month, and yet if I am truthful part of me is glad to be imprisoned here within the castle, for the library continues to reveal paths I feel no Englishman has ever explored.

I do not mean to sound so mysterious, but truly something weighs upon my mind. It is this; by day I follow the same routine, logging the books and entering them into the great ledgers my host provided for the purpose, but each night, after I have supped and read my customary pages before the fire, I allow myself to fall into a light sleep, and then…

… then my freedom begins as I either dream or awaken to such unholy horrors and delights I can barely bring myself to describe them.

Some nights bring swarms of bats, musty-smelling airborne rodents with leathery wings, needle teeth and blind eyes. Sometimes the ancestors of Vlad Drakul appear at the windows in bloody tableaux, frozen in the act of hacking off the howling heads of their enemies. Men appear skewered on tempered spikes, thrusting themselves deeper onto the razor-poles in the throes of an obscene pleasure. Even the Count himself pays his respects, his bony alabaster face peering at me through a wintry mist as though trying to bridge the chasm between our two civilisations. And sometimes the women come.

Ah, the women.

These females are like none we have in England. They do not accompany themselves on the pianoforte, they do not sew demurely by the fire. Their prowess is focussed in an entirely different area. They kneel and disrobe each other before me, and caress themselves, and turn their rumps toward me in expectation. I would like to tell you that I resist, that I think of my fiancee waiting patiently at home, and recite psalms from my Bible to strengthen my will, but I do not, and so am damned by the actions taken to slake my venomous desires.

Who are these people who come to me in nightly fever-dreams? Why do they suit my every morbid mood so? It is as if the Count knows my innermost thoughts and caters for them accordingly. Yet I know for a fact that he has not returned to the castle. When I look from the window I can see that there are no cart-tracks on the road outside. The snow remains entirely unbroken.

There are times now when I do not wish to leave this terrible place, for to do so would mean forsaking the library. And yet, presumably, it is to be packed up and shipped to London, and this gives me hope, that I might travel with the volumes and protect them from division. For the strength of a library exists in the sum of its books. Only by studying it – indeed, only by reading every single edition contained within – can one hope to divine the true nature of its owner.

From the Journal of Jonathan Harker, November 15th 1893

Somewhere between dreams and wakefulness, I now know that there is another state. A limbo-life more imagined than real. A land of phantoms and sensations. It is a place I visit each night after darkness falls. Sometimes it is sensuous, sometimes painful, sometimes exhilarating, sometimes foul beyond redemption. It extends only to the borders of the library, and its inhabitants, mostly in states of undressed arousal, are perfumed with excrement. These loathsome creatures insult, entice, distract, disgrace, shame and seduce me, clutching at my clothes until I am drawn among them, indistinguishable from them, enthralled by their touch, degraded by my own eagerness.

I think I am ill.

By day, my high stone world is once more quiet and rational. Would that it were not, for there is no comfort to be had from the news it brings me. The road leading to and from the castle is now quite impassable. It would take a team of mountaineers to scale the sharp gradient of the rock face beneath us. The Count has failed to return, and of his impending plans there is no word. My task in the library is nearly over. The books – all save one single final shelf – have been quantified and, in many cases, explored.

I begin to understand the strangely parasitic nature of my host. His thirst for knowledge and his choice of literature betray his true desires. There are volumes in many languageshere, but of the ones I can read, first editions of Nodier's Infernalia, d'Argen's Lettres Juives and Viatte's Sources Occultes du Romantisme are most familiar. Certain medicalperiodicals and pertinent copies of The London Journal add subtler shades to my mental portrait of the Count. Of course I knew the folk-tales about his ancestry. They are boundwithin the history of his people. How could one travel through this country and not hear them? In their native language they do not seem so fanciful, and here in the castle, confabulations take on substantiality. I have heard and read how the Count's forefathers slaughtered the offspring of their enemies and drank their blood for strength – who has not?Why, tales of Eastern barbarism have reached the heart of London society. But I had not considered the more lurid legends; how the royal descendants lived on beyond death, how they needed no earthly sustenance, how their senses were so finely attuned that they could divine bad fortune in advance. Nor had I considered the consequence of such fables; that, should their veracity be proven, they might in the Count's case suggest an inherited illness of the kind suffered by royal albinos, a dropsical disease of the blood that keeps him from the light, an anaemia that blanches his eyes and dries his veins, that causes meat to stick in his throat,that drives him from the noisy heat of humanity to the cool dark sanctum of his sick-chamber.

But if it is merely a medical condition, why am I beset with bestial fantasies? What power could the Count possess to hold me in his thrall? I find it harder each day to recall his appearance, for the forbidden revelations of the night have all but overpowered my sense of reality. And yet his essence is here in the library, imbued within each page of his collection. Perhaps I am not ill, but mad. I fear my senses have awoken too sharply, and my rational mind is reeling with their weight.

I have lost much of my girth in the last six weeks. I have always been thin, but the gaunt image that glares back at me in the glass must surely belong to a sickly, aged relation. I appear as a bundle of blanched sticks by day. I have no strength. I live only for the nights. Beneath the welcoming winter moon my flesh fills, my spirit becomes engorged with an unwholesome strength, and I am sound once more.

I really must try to get away from here.

From the Journal of Jonathan Harker, December 18th 1893

The Count has finally returned, paradoxically bringing fresh spirits into the castle. For the life of me I cannot see how he arrived here, as one section of the pathway below has clearly fallen away into the valley. Last night he came down to dinner, and was in most excellent health. His melancholy mood had lifted, and he was eager to converse. He seemed physically taller, his posture more erect. His travels had taken him on many adventures, so he informed me as he poured himself a goblet of heavy claret, but now he was properly restored to his ancestral home, and would be in attendance for the conclusion of my work.