They stood in front of the house looking at it. There was a gravel drive that curved away to the south. A brick loggia. Double stairs that swept up to the columned portico. At the rear of the house a brick dependency that may once have been a kitchen. Beyond that a log cabin. He started up the stairs but the boy pulled at his sleeve.

Can we wait a while?

Okay. But it's getting dark.

I know.

Okay.

They sat on the steps and looked out over the country.

There's no one here, the man said.

Okay.

Are you still scared?

Yes.

We're okay.

Okay.

They went up the stairs to the broad brickfloored porch. The door was painted black and it was propped open with a cinderblock. Dried leaves and weeds blown behind it. The boy clutched his hand. Why is the door open, Papa?

It just is. It's probably been open for years. Maybe the last people propped it open to carry their things out.

Maybe we should wait till tomorrow.

Come on. We'll take a quick look. Before it gets too dark. If we secure the area then maybe we can have a fire.

But we wont stay in the house will we?

We dont have to stay in the house.

Okay.

Let's have a drink of water.

Okay.

He took the bottle from the side pocket of his parka and screwed off the top and watched the boy drink. Then he took a drink himself and put the lid back on and took the boy's hand and they entered the darkened hall. High ceiling. An imported chandelier. At the landing on the stairs was a tall palladian window and the faintest shape of it headlong on the stairwell wall in the day's last light.

We dont have to go upstairs, do we? the boy whispered.

No. Maybe tomorrow.

After we've secured the area.

Yes.

Okay.

They entered the drawingroom. The shape of a carpet beneath the silty ash. Furniture shrouded in sheeting. Pale squares on the walls where paintings once had hung. In the room on the other side of the foyer stood a grand piano. Their own shapes sectioned in the thin and watery glass of the window there. They entered and stood listening. They wandered through the rooms like skeptical housebuyers. They stood looking out through the tall windows at the darkening land.

In the kitchen there was cutlery and cooking pans and english china. A butler's pantry where the door closed softly behind them. Tile floor and rows of shelves and on the shelves several dozen quart jars. He crossed the room and picked one up and blew the dust from it. Green beans. Slices of red pepper standing among the ordered rows. Tomatoes. Corn. New potatoes. Okra. The boy watched him. The man wiped the dust from the caps of the jars and pushed on the lids with his thumb. It was getting dark fast. He carried a pair of the jars to the window and held them up and turned them. He looked at the boy. These may be poison, he said. We'll have to cook everything really well. Is that okay?

I dont know.

What do you want to do?

You have to say.

We both have to say.

Do you think they're okay?

I think if we cook them really good they'll be all right.

Okay. Why do you think nobody has eaten them?

I think nobody found them. You cant see the house from the road.

We saw it.

You saw it.

The boy studied the jars.

What do you think? the man said.

I think we've got no choice.

I think you're right. Let's get some wood before it gets any darker.

They carried armloads of dead limbs up the back stairs through the kitchen and into the diningroom and broke them to length and stuffed the fireplace full. He lit the fire and smoke curled up over the painted wooden lintel and rose to the ceiling and curled down again. He fanned the blaze with a magazine and soon the flue began to draw and the fire roared in the room lighting up the walls and the ceiling and the glass chandelier in its myriad facets. The flames lit the darkening glass of the window where the boy stood in hooded silhouette like a troll come in from the night. He seemed stunned by the heat. The man pulled the sheets off the long Empire table in the center of the room and shook them out and made a nest of them in front of the hearth. He sat the boy down and pulled off his shoes and pulled off the dirty rags with which his feet were wrapped. Everything's okay, he whispered. Everything's okay.

He found candles in a kitchen drawer and lit two of them and then melted wax onto the counter and stood them in the wax. He went outside and brought in more wood and piled it beside the hearth. The boy had not moved. There were pots and pans in the kitchen and he wiped one out and stood it on the counter and then he tried to open one of the jars but he could not. He carried a jar of green beans and one of potatoes to the front door and by the light of a candle standing in a glass he knelt and placed the first jar sideways in the space between the door and the jamb and pulled the door against it. Then he squatted in the foyer floor and hooked his foot over the outside edge of the door and pulled it against the lid and twisted the jar in his hands. The knurled lid turned in the wood grinding the paint. He took a fresh grip on the glass and pulled the door tighter and tried again. The lid slipped in the wood, then it held. He turned the jar slowly in his hands, then took it from the jamb and turned off the ring of the lid and set it in the floor. Then he opened the second jar and rose and carried them back into the kitchen, holding the glass in his other hand with the candle rolling about and sputtering. He tried to push the lids up off the jars with his thumbs but they were on too tight. He thought that was a good sign. He set the edge of the lid on the counter and punched the top of the jar with his fist and the lid snapped off and fell in the floor and he raised the jar and sniffed at it. It smelled delicious. He poured the potatoes and the beans into a pot and carried the pot into the diningroom and set it in the fire.

They ate slowly out of bone china bowls, sitting at opposite sides of the table with a single candle burning between them. The pistol lying to hand like another dining implement. The warming house creaked and groaned. Like a thing being called out of long hibernation. The boy nodded over his bowl and his spoon clattered to the floor. The man rose and came around and carried him to the hearth and put him down in the sheets and covered him with the blankets. He must have gone back to the table because he woke in the night lying there with his face in his crossed arms. It was cold in the room and outside the wind was blowing. The windows rattled softly in their frames. The candle had burned out and the fire was down to coals. He rose and built back the fire and sat beside the boy and pulled the blankets over him and brushed back his filthy hair. I think maybe they are watching, he said. They are watching for a thing that even death cannot undo and if they do not see it they will turn away from us and they will not come back.

The boy didnt want him to go upstairs. He tried to reason with him. There could be blankets up there, he said. We need to take a look.

I dont want you to go up there.

There's no one here.

There could be.

There's no one here. Dont you think they'd have come down by now?

Maybe they're scared.

I'll tell them we wont hurt them.

Maybe they're dead.

Then they wont mind if we take a few things. Look, whatever is up there it's better to know about it than to not know.

Why?

Why. Well, because we dont like surprises. Surprises are scary. And we dont like to be scared. And there could be things up there that we need. We have to take a look.