The last time he had seen Serena had been over a month ago and she had looked terrible, a far cry from the fastidious woman he had, if he was honest, begun to fall a little in love with. They had exchanged only a few words of greeting, before Serena had hurriedly and clumsily excused herself.

'I have to go and see her,' he said to himself, as though the act of saying the words aloud would make their realisation more likely.

A troupe of dancers and singers cavorted on the stage to a cacophonous racket that Ostian hoped wasn't supposed to be music. Coraline Aseneca, the beautiful remembrancer and actress who had denied him the chance to visit the surface of Laeran, stood centre stage. The true architect of that misfortune strutted like a martinet before the stage, screaming and yelling at the dancers and choral singers. Bequa Kynska's blue hair waved around her head like alien seaweed, and her dress flailed as she raged at the incompetence of those around her.

To Ostian's eye, the effect of what was being done to La Venice was grotesque, the excess of the design rendering the overall aesthetic into a confused jumble of sensations. At least the bar area was still intact, the crazed interior designers not yet having the courage to try and shift several hundred surly remembrancers from their perches for fear of inciting a full scale riot.

A great many of those remembrancers gathered around the huge figure of an Astartes named Lucius. The pale-faced warrior regaled his audience with tales of a planet he called Murder, telling improbable tales of the Warmaster and Sanguinius, and of his own mighty deeds. Ostian thought it rather wretched that a mighty warrior such as an Astartes should seek so obviously to impress the likes of those that filled La Venice, but he kept such thoughts to himself.

In the past, La Venice had served as a place of relaxation, but the constant hammering, blaring ''music'' and caterwauling from the stage had transformed it into a place where people simply came to complain and curse the fates that had seen them excluded from the process of its renovation.

'You notice it's all the folks that went down to Laeran that got to work on this place?' said a voice at his elbow. The speaker was a bad poet by the name of Leopold Cadmus. Ostian had spoken to him on a few occasions, but he had, thankfully, managed to avoid reading any of his poetry.

'I had, yes,' said Ostian as a shouting team of labourers tried to guide a lifter servitor in the placement of a libidinous statue of a naked cherub.

'Bloody disgrace is what it is,' said Leopold.

'That it is,' agreed Ostian, though he wondered what part someone like Leopold had expected to play in the work going on.

'I'd have thought someone like you would have been a definite to do something,' said Leopold, and Ostian couldn't miss the jealous edge to his statement.

He shook his head and said, 'I'd have thought so too, but looking at what they're doing to the place, I think I'm well out of it.'

'What do you mean?' slurred Leopold and Ostian realised the man was drank.

'Well I mean, look at it,' he said, pointing towards the paintings along the nearest wall. 'The colours look as though a blind man has chosen them, and as for their subject matter, well, I'd expect some nudes in a theatre, but most of these are virtually pornographic.'

'I know,' smiled Leopold. 'It's wonderful isn't it?'

Ostian ignored the remark and said, 'Listen to that bloody music. I loved Bequa Kynska's work when I first heard it, but this is like a cat hung up by its tail outside a window and trying to stick to the panes of glass with its claws. As for the sculptures, I don't know where to start? They're crude, obscene and there's not one of them I'd consider finished.'

'Well, you are the expert,' said Leopold.

'Yes,' said Ostian, shivering as he remembered hearing that same sentiment recently.

It had been an ordinary day, the high-pitched tapping of his hammer and chisel filling the studio as he sought to render his vision into the stone. The statue was slowly coming to life, the armoured body of the warrior taking shape within the marble as Ostian had chipped away all that wasn't part of the form he had seen in his mind. His silver hands roamed the marble, the metriculators within his fingertips reading the stone to unlock the secret fault lines and stress points hidden within its mass.

Each stroke of the hammer was finely judged, delivered with an instinctive feel for the shape he was creating and a love and respect for the marble he worked with. From a slow beginning, where anger had been motivating his hammer blows, a new calmness and respect for his vision had softened his attacks on the marble, and he found the serenity that came with the satisfaction of seeing something beautiful emerge.

As he stepped back from the marble, he became aware of a presence within his chaotic studio. He turned to see a giant warrior in purple and gold plate armour, carrying a great, golden-bladed halberd. His armour was ornate, much more so than was common for an Astartes. The warrior's helm was winged and the frontal visor had been fashioned to resemble the countenance of a great bird of prey.

Ostian pulled down his dust-mask as another five identical warriors entered his shuttered studio, followed by a lifter servitor bearing a wide pallet upon which were three irregularly shaped objects draped in white cloth. Ostian immediately recognised the warriors as belonging to the Phoenix Guard, the elite praetorians of…

Fulgrim entered his studio and Ostian was stunned rigid at the towering presence of the primarch. The master of the Emperor's Children wore a simple robe of deepest red, woven with subtle purple and silver threads. His pale features were powdered, his eyes rimmed with copper ink and his silver hair was pulled back in an elaborate pattern of plaits.

Ostian had dropped to his knees and bowed his head. To be in such close proximity to a being of perfect beauty was like nothing Ostian had ever experienced. Yes, he had seen the Primarch of the Emperor's Children before, but to be in a confined space and have his dark eyes fixed upon him was akin to being rendered dumb and idiotic in the space of a moment.

'My lord, I…' began Ostian.

'Please stand, Master Delafour,' said Fulgrim, walking towards him. Ostian could smell the pungent aroma of the scented oils that had been rubbed into his skin. 'Genius such as yours need never kneel before me.'

Ostian slowly rose to his feet and tried to raise his head to look the primarch in the eye, but found his body unwilling to obey.

'You may look upon me,' said Fulgrim. Ostian suddenly felt as though his muscles were under the control of the primarch, and his head came up without any apparent command from his brain. Fulgrim's voice was like music, each syllable pronounced with perfect pitch and tone as though no other sound could have filled the air so appropriately.

'I see your work progresses,' said Fulgrim, walking around the shorn block of marble and admiring his work. 'I look forward to its completion. Tell me, will it be a representation of any particular warrior?'

Ostian nodded, trying and failing to find the right words to express his thoughts to this magnificent being.

'Who?' asked Fulgrim.

'It is to be the Emperor, beloved of all,' said Ostian.

'The Emperor,' said Fulgrim, 'a fine subject.'

'I thought it fitting,' said Ostian, 'given the perfection of the marble.'

Fulgrim nodded as he circled the statue with his eyes closed, running his hands over the marble much as Ostian had done only moments before. 'You have a rare gift, Master Delafour. You bring such life to the stone. Would that I could do similar.'

'I am told that you have a great gift for sculpture, my lord.'