Initially, things had gone as smoothly as could be hoped for, but barely a week into the journey to Isst-van III, storms of fearsome power erupted in the warp, tsunamis of unreality that crashed around the vessels of the 28th Expedition and smashed one to destruction before the few surviving Navigators had managed to fight their way through the storms and guide the ships to relative safety.

Moments prior to the first maelstrom of force, terrifying shrieks of agony and terror had echoed the length and breadth of the Pride of the Emperor's astropathic choir chambers. Alarums had sounded, and one entire chancel was blown clear of the vessel by the force of the psychic forces unleashed, forks of purple lightning dancing across the hull before null-shields and integrity fields had contained the breach. Hundreds of telepaths were dead, and those wretched ruins of flesh that survived were reduced to babbling, moronic psychotics. Before their elimination, those that retained some form of communication spoke of terrifying, galaxy changing forces unleashed, a world devoured by a monstrous, creeping death, fires that reached to the heavens, and the ending of billions of lives at a single stroke.

Only Fulgrim and his coterie of most trusted warriors understood the truth behind these forces, and the feasting and carousing that greeted the news plumbed new depths of insanity. The Emperor's Children revelled in the Warmaster's strength of purpose with the abandon that was now commonplace in the Legion.

As the revelries of the Astartes continued, the preparations for Bequa Kynska's Maraviglia reached new heights of wonder and decadence, with each rehearsal discovering new and undreamt of raptures to include. Coraline Aseneca trod the boards nightly as she trained her voice to replicate the sounds recorded in the Laer temple, and Bequa's symphony soared passionately as she sought to encapsulate its power in musical form. As part of her quest, she developed new and outlandish musical devices, their melodies as yet unheard and unknown. Such was their scale and form that they more resembled weapons than instruments, monstrously oversized horns like missile tubes and stringed mechanisms with long necks like rifles.

La Venice became a magical place of music and art, with the remembrancers working on the decor and embellishments of the theatre, excelling themselves as they strove to create a venue worthy of staging the Maraviglia.

Fulgrim spent a great deal of time in La Venice, offering his insights to the artists and sculptors, and every suggestion was followed by frantic bouts of creativity as they were immediately implemented.

Fragmentary scraps of information trickled in from Isstvan III, and it was eventually discerned that the Warmaster's first strike against those whose loyalty remained with the Emperor had failed to wipe them out completely. Instead of viewing this as a setback, it appeared that the Warmaster had taken it as an opportunity to blood his loyal warriors and complete what had begun with the war against the Brotherhood of the Auretian Technocracy.

Warriors from the World Eaters, Death Guard and Sons of Horus were at war in the fire wracked ruins of a murdered world, hunting down and destroying the deluded fools who believed they could oppose the Warmaster's will.

Even now, declared Fulgrim, Chaplain Charmosian and Lord Commander Eidolon would be earning the Warmaster's plaudits as they displayed the battle perfection of their beloved Legion. When the killing on Isstvan III was done, the chaff would have been cut from Horus's force, and they would be a sharpened blade aimed at the heart of the corrupt Imperium.

But the reunion of Fulgrim and Horus was to be delayed it seemed.

With the death of the majority of the astropaths, communication with the 63rd Expedition was problematic to say the least, with the shattered sanity of those left alive making the precise exchange of information between the two fleets virtually impossible. The Navigators could not discern a course through the warp not wracked with heaving currents and battering storms, and declared that it would take at least two months to reach Isstvan III.

Fulgrim chafed at such delays, but even a being as mighty as a primarch was powerless to quiet the tempests of the immaterium. In the enforced wait, he studied more of the writings of Cornelius Blayke, coming upon a passage that lodged like a splinter of ice in his heart.

He tore the page from the book and burned it, but its words returned to haunt him as the dark voyage through the warp continued:

"The phoenix is an angel: the clapping of whose wings is the roar of thunder.

And this thunder is the fearful note that heralds the cataclysm,

And the roar of the onrushing waves that will destroy paradise."

The sculpture was almost complete. What had begun many months ago as a gleaming white rectangle hewn from the quarries at Proconnesus on the Anatolian peninsula was now a towering, majestic sculpture of the Emperor of the Imperium. Ostian's workshop was almost tidy, only the tiniest chips and flakes of marble drifting to the floor, for the last stage of his statue's journey was being wrought with files and rasps of greater and greater fineness.

It had been said that the point of a journey was not to arrive, but to savour the experiences along the way. Ostian had never understood that aphorism, believing that only the end result made the journey worthwhile.

To anyone else, the statue would have been finished some time ago, but Ostian had long ago realised that only in these final stages could be found that which would breathe the final life into the statue. At this crucial stage, a true artist would find the last twist of genius that lifted a statue from a thing of stone to a work of art.

Whether that was in one last imperfection or a human understanding of the frailty of life, he didn't know and didn't want to know, for Ostian feared that if he ever examined his talent too closely he would be unable to piece it back together again.

In the months since their journey to the Callinedes system (a pointless venture if ever there had been one, for the 28th Expedition had tarried barely a week and fought in only one battle as far as he could tell) he had kept himself more or less confined to his studio and the sub-deck where meals were served. La Venice had become a place of lewdness, where people who should know better drank too much, ate too much and indulged their every sordid appetite without regard for the mores of civilised behaviour.

The last few times he had visited La Venice, he had been shocked and revolted by its appearance, the artwork and statuary taking on an altogether more sinister aspect as the primarch lent his vision to the final details of its renovation. Wild, orgiastic gatherings, like the debaucheries of the ancient Romanii Empire were now a frequent occurrence, and Ostian had chosen to stay away rather than be outraged on a daily basis.

The one time he had been forced to set foot in it since he had shared a drink with Leopold Cadmus, a man who, along with almost every remembrancer who had not journeyed to Laeran, appeared to have departed the 28th Expedition, he had seen Fulgrim directing Serena d'Angelus as she completed a great mural on the ceiling. Its proportions were monstrous and its subject matter a vile concoction of writhing serpents and humans engaged in unimaginable excesses.

Serena had spared him a brief glance, and he was ashamed as he remembered his harsh words to her when he had last visited her. Their eyes had met and, for a moment, he had seen a look of such anguished desperation that he had wanted to weep when he later recalled it.

Fulgrim had turned as though sensing his presence, and Ostian had been shocked rigid at the primarch's appearance. Brightly coloured oils rimmed his eyes and his silver hair was bound up in ludicrously tight plaits. The faint lines of what looked like tattoos curled on his cheeks, and his purple robe laid much of his pale flesh bare, revealing an inordinate number of fresh scars and silver rings or bars piercing the skin.