So his anger was mollified. He looked up with bright eyes, and spoke aloud to the assembled company. ‘May the god of love,’ he said, ‘bless me and bless you all! How mighty and how great a lord is he! No one can withstand his power. He overcomes all obstacles. His miracles themselves proclaim his divinity for he can move the human heart in any direction that he wishes. Look here at Arcite and Palamon. They both escaped from imprisonment in the dark tower, and might have lived royally in Thebes. They both knew that I was their mortal enemy, and that it lay in my power to slaughter them. And yet the god of love has brought them here, where they may die. Consider it. Is it not the height of folly? Yet folly is the mark of the true lover. Look at them, for God’s sake. Do you see how they bleed? Do you see in what condition they are? So has their lord and master, the god of love, repaid them for their loyalty to him! Yet of course they consider themselves to be wise men, and virtuous in their service, whatever may happen to them. And do you want to know the best joke of all? The lady who has provoked all their passion knew no more of it than I did. Emily was as unaware of their rash valour as the birds in the trees above us. Yet we have all to be tempered in the fire of love, whether we are hot or cold, young or old. I know it well enough myself. I was a servant of the god many years ago. And since I know all about the pain of love, and know how sore a wound it can inflict when the lover is caught in its meshes, then I fully forgive the trespasses of these two knights. I will accede to the petition both of my queen, who kneels here before me, and of my dear sister, Emily. There is one condition. Both of you must swear that you will never again invade my territories. You must never threaten war against me but, on the contrary, you must pledge yourselves to be my friends and allies. On that condition, you are forgiven.’

Palamon and Arcite humbly and gratefully assented to his terms. They asked him in turn to become their lord and protector, to which he graciously agreed. ‘In terms of royal lineage and wealth,’ he said, ‘either one of you is worthy to marry a princess or even a queen. That is obvious. If I may speak for my sister, Emily, over whom you have suffered so much strife and jealousy – well, you yourselves know well enough that she cannot marry both of you at once. You can fight for eternity but, like it or not, only one of you can be betrothed to her. The other can go whistle in the wind. Be as jealous, or as angry, as you may. That is the truth. So listen while I explain to you my plan, to find whose destiny is shaped for Emily and whose is turned the other way. This is what I have devised. It is my will, and you must make the best of it. I will listen to no argument or objection. I stipulate that both of you should go your separate ways, without ransom or hindrance, and in a year’s time that both of you should return with a company of one hundred knights fully armed and equipped for a tournament. Your men should be ready to decide the hand of Emily by dint of battle. Upon my honour, as a knight, I promise you this. I will reward whichever of you has the most strength. Whether you slay your adversary, or with your hundred companions drive him from the joust, I will give you the hand of fair Emily. Thus fortune will favour the brave. The tournament will take place here and, as God have mercy on my soul, I will be a fair and true judge of the contest. And I will allow only one conclusion. One of you will be killed or made captive. If both of you agree, then assent now and hold yourselves well served.’

Who could be more cheerful now than Palamon? Who could be more joyful than Arcite? I cannot begin to describe the rejoicing of the whole company at the decision of Theseus. He had behaved so graciously that all of them went down on their knees and thanked him. The two Thebans, in particular, expressed their gratefulness. So with heads high, and hope in their hearts, Palamon and Arcite made their way back to the ancient city of Thebes. They had a year to prepare themselves for battle.

I am sure that you would accuse me of negligence if I failed to tell you of the expense and trouble that Theseus went to in preparing the royal tournament. I dare say that there was no greater amphitheatre in the whole world. It was a mile in circumference, the shape of a circle, environed with great walls and moats. The seats rose in tiers some sixty feet, and were so well arranged that everyone had a full view of the arena. On the eastern side there stood a gate of white marble, balanced in harmony with its counterpart on the western side. It was a dream of stone. Nothing of this style had ever been built so well or so quickly. Theseus enquired throughout his land and enlisted the services of every craftsman skilled in arithmetic or in geometry; he hired the best artists, and the most renowned sculptors, in the construction of this glorious theatre. And then, for the purposes of worship and ceremonial, he caused to be built an altar and a shrine to Venus in a room above the eastern gate. Above the western gate there was constructed a temple to Mars. They cost a wagon-load of gold. And then on the northern side, within a turret on the wall, Theseus built an exquisite temple to the goddess of chastity, Diana, elaborately wrought out of white alabaster and red coral.

I had almost forgotten to describe to you the noble carvings and paintings that adorned these three temples, displaying all the most delicate skills of expression and action. On the walls of the temple of Venus, for example, were depicted images of the broken sleep and pitiful sighs of the servants of love; here also were pictures of the sacred tears and lamentations of lovers, together with the fiery strokes of their desires. Here were the oaths they passed. Here were the figures of Pleasure and of Hope, of Desire and of Foolishness, of Beauty and of Youth, of Mirth and of Costliness, of Luxury and Care and Jealousy. Jealousy wore a garland of golden marigolds, the token of cruelty and despair; on her hand was perched a cuckoo, bright bird of infidelity. On the walls, too, were painted frescoes of all the feasts, concerts, songs and dances devoted to love. Here were images of desire and display, all the circumstances of love that ever have been and ever will be celebrated. I cannot mention them all. Suffice it to say that the whole island of Cytherea, the dwelling and domain of Venus, was floating upon the walls of the temple.

In its gardens could be seen the figure of Idleness, the keeper of love’s gates. Here was Narcissus, of ancient times, together with lecherous King Solomon. There were other martyrs to love. There was Hercules, betrayed by goddesses and mortal women. There was Turnus, who lost all for love. There was Croesus, wretched in captivity. On another wall were the two enchantresses Medea and Circe, holding out their potions of love. There is no force on earth that can withstand Venus – not wisdom, not wealth, not beauty, not cunning, not strength or endurance. All will fail. She rules the world. I have given you one or two examples of her mastery. There are a thousand more. She captured all these lovers in her net, and all they could do was let slip the word ‘alas’.

The image of Venus, in this temple, was glorious to see. She was naked, floating on a limitless ocean of green; from the navel down she was environed by waves as glittering as any glass. She held a lute in her right hand, ready to play upon its strings, and on her head she wore a garland of fresh roses; their perfume rose into the air above her, where fluttered turtle-doves. Beside her stood her son, young winged Cupid; he was blind, as the legend tells us, but he bore a bow with arrows bright and keen.

Why should I not also tell you about the frescoes within the temple of red Mars? The walls were all painted from top to bottom, just as if they were the interior apartments of his desolate temple in Thrace. It is a region of frost and snow, where the great god of war has his dominion. So on the wall was painted the image of a forest, forlorn and deserted, with black and knotted boughs and bare, ruined trees. Between these stumps and dead things there came a blast of wind, like a sigh from hell, as though a hideous tempest might whirl everything away. There on a bank, beside a hill, stood the temple of Mars omnipotent; it was wrought of burnished steel, its entrance long and narrow. Through this grim portal there rushed an endless wind that shook the hinges of the gates. An icy light from the north shone through the doors of this temple, for there were no windows in the edifice itself. The doors themselves were adamantine and eternal, their frames plated with sheets of thick iron. The pillars that supported the temple were as thick as barrels, cast out of cold glittering iron.