"It will do presently - when you are ready to start. I said nine o'clock... it is only four now. I am tired... Tell citizeness Evrard to bring me some hot coffee in an hour's time... You can go and fetch me the Moniteur now, and take back these proofs to citizen Dufour. You will find him at the 'Cordeliers,' or else at the printing works... Come back at nine o'clock... I am tired now... too tired to tell you where to find the house which is off the Chemin de Pantin. Presently will do..."
Even while he spoke he appeared to drown into a fitful sleep. His two hands were hidden under the sheet which covered the bath. Molé watched him in silence for a moment or two, then he turned on his heel and shuffled off through the anteroom into the kitchen beyond, where presently he sat down, squatting in an angle by the stove, and started with his usual stolidness to chop wood for the citizeness' fire.
When this task was done, and he had received a chunk of sour bread for his reward from Jeannette Maréchal, the cook, he shuffled out of the place and into the street, to do his employer's errands.
Chapter IV:
Paul Molé had been to the offices of the Moniteur and to the printing works of L'Ami du Peuple. He had seen the citizen Dufour at the Club and, presumably, had spent the rest of his time wandering idly about the streets of the quartier, for he did not return to the Rue des Cordeliers until nearly nine o'clock.
As soon as he came to the top of the street, he fell in with the crowd which had collected outside No. 30. With his habitual slouchy gait and the steady pressure of his powerful elbows, he pushed his way to the door, whilst gleaning whisperings and rumours on his way.
"The citizen Marat has been assassinated."
"By a woman."
"A mere girl."
"A wrench from Caen. Her name is Corday."
"The people nearly tore her to pieces awhile ago."
"She is as much as guillotined already."
The latter remark went off with a loud guffaw and many a ribald joke.
Molé, despite his great height, succeeded in getting through unperceived. He was of no account, and he knew his way inside the house. It was full of people: journalists, gaffers, woman and men - the usual crowd that come to gape. The citizen Marat was a great personage. The Friend of the People. An Incorruptible, if ever there was one. Just look at the simplicity, almost the poverty, in which he lived! Only the aristos hated him, and the fat bourgeois who battened on the people. Citizen Marat had sent hundreds of them to the guillotine with a stroke of his pen or a denunciation from his fearless tongue.
Molé did not pause to listen to these comments. He pushed his way through the throng up the stairs to his late employer's lodgings on the first floor.
The anteroom was crowded, so were the other rooms; but the greatest pressure was around the door immediately facing him, the one which gave on the bathroom. In the kitchen on his right, where a while ago he had been chopping wood under a flood of abuse from Jeannette Maréchal, he caught sight of this woman cowering by the hearth, her filthy apron thrown over her head and crying - yes, crying for the loathsome creature, who had expiated some of his abominable crimes at the hands of a poor, misguided girl, whom an infuriated mob was even now threatening to tear to pieces in its rage.
The parlour and even Simonne's room were also filled with people: men, most of whom Molé knew by sight; friends or enemies of the ranting demagogue who lay murdered in the very bath which his casual servant had prepared for him. Everyone was discussing the details of the murder, the punishment of the youthful assassin. Simonne Evrard was being loudly blamed for having admitted the girl into citizen Marat's room. But the wench had looked so simple, so innocent, and she said she was the bearer of a message from Caen. She had called twice during the day, and in the evening the citizen himself said that he would see her. Simonne had been for sending her away. but the citizen was peremptory. And he was so helpless... in his bath... name of a name, the pitiable affair!
No one paid much attention to Molé. He listened for a while to Simonne's impassioned voice, giving her version of the affair; then he worked his way stolidly into the bathroom.
It was some time before he succeeded in reaching the side of that awful bath wherein lay the dead body of Jean Paul Marat. The small room was densely packed - not with friends, for there was not a man or woman living, except Simonne Evrard and her sisters, whom the bloodthirsty demagogue would have called "friend"; but his powerful personality had been a menace to many, and now they came in crowds to see that he was really dead, that a girl's feeble hand had actually done the deed which they themselves had only contemplated. They stood about whispering, their heads averted from the ghastly spectacle of this miserable creature, to whom even death had failed to lend his usual attribute of tranquil dignity.
The tiny room was inexpressibly hot and stuffy. Hardly a breath of outside air came in through the narrow window, which only gave on the bedroom beyond. An evil-smelling oil-lamp swung from the low ceiling and shed its feeble light on the upturned face of the murdered man.
Molé stood for a moment or two, silent and pensive, beside that hideous form. There was the bath, just as he had prepared it; the board spread over with a sheet and laid across the bath, above which only the head and shoulders emerged, livid and stained. One hand, the left, grasped the edge of the board with the last convulsive clutch of supreme agony.
On the fourth finger of that hand glistened the shoddy ring which Marat had said was not worth stealing. Yet, apparently, it roused the cupidity of the poor wretch who had served him faithfully for these last few days, and who now would once more be thrown, starving and friendless, upon the streets of Paris.
Molé threw a quick, furtive glance around him. The crowd which had come to gloat over the murdered Terrorist stood about whispering, with heads averted, engrossed in their own affairs. He slid his hand surreptitiously over that of the dead man. With dexterous manipulation he lifted the finger round which glistened the metal ring. Death appeared to have shriveled the flesh still more upon the bones, to have contracted the knuckles and shrunk the tendons. The ring slid off quite easily. Molé had it in his hand, when suddenly a rough blow struck him on the shoulder.
"Trying to rob the dead?" a stern voice shouted in his ear. "Are you a disguised aristo, or what?"
At once the whispering ceased. A wave of excitement went round the room. Some people shouted, others pressed forward to gaze on the abandoned wretch who had been caught in the act of committing a gruesome deed.
"Robbing the dead!"
The were experts in evil, most of these men here. Their hands were indelibly stained with some of the foulest crimes ever recorded in history. But there was something ghoulish in this attempt to plunder that awful thing lying there, helpless, in the water. There was also a great relief to nerve-tension in shouting Horror and Anathema with self-righteous indignation; and additional excitement in the suggested "aristo in disguise."
Molé struggled vigorously. He was powerful and his fists were heavy. But he was soon surrounded, held fast by both arms, whilst half a dozen hands tore at his tattered clothes, searched him to his very skin, for the booty which he was thought to have taken from the dead.
"Leave me alone, curse you!" he shouted, louder than his aggressors. "My name is Paul Molé, I tell you. Ask the citizeness Evrard. I waited on citizen Marat. I prepared his bath. I was the only friend who did not turn away from him in his sickness and his poverty. Leave me alone, I say! Why," he added, with a hoarse laugh, "Jean Paul in his bath was as naked as on the day he was born!"