“Who told you that?”

“Nobody told me anything, but I hear things. I don’t repeat what I hear, if that’s on your mind.”

“No—what you say is true. I hope it isn’t necessary to flee the country. But it never hurts to know where the back door is. Come with us, Lymon, if the worst happens, God forbid. Calyxa has good things to say about Mediterranean France.”

“Thank you for asking, Adam. That’s very flattering to me. But I wouldn’t know what to do in a foreign country. I don’t know France from Canaan. If it comes to that I mean to steal a horse and head west, maybe as far as the Willamette Valley.”

We came to the guest-house where Calyxa and Flaxie and I had made our temporary home. I felt unaccountably sad; but I didn’t want Lymon Pugh to see that emotion, or hear it in my voice, so I did not speak.

“You have a fine family, Adam Hazzard,” he said. “You make sure nothing unpleasant happens to them. That’s your task, if you don’t mind taking advice from a plain Republican Guardsman. And now I’m off to bed.” He turned away. “Goodnight!”

“Goodnight,” I managed.

I paused at the door as Lymon Pugh headed back toward the Palace.

The night had that unusual calm which marks the hour before the dawn, “silence brooding like a gentle spirit / O’er all the still and pulseless world.” Off in the darkness I saw a huge silhouette lumbering among the trees—that was Otis, who seemed well on the way to becoming a nocturnal Giraffe. Perhaps he especially enjoyed the lonely hours of the morning. Or perhaps he couldn’t sleep any better than the rest of us.

I looked into the darkness for a good long while. Then I went indoors, and crept into bed with Calyxa just as the sky was lightening, and curled into the warmth of her sleeping body.

^* The cells were installed during the reign of the very first Comstock, and had been used by every Comstock since, including Julian: Julian’s uncle Deklan, since his deposition, had been languishing in that same internal prison.

^* Much to Calyxa’s disappointment and disgust.

^† In July of 2175 a rebellion among indentured laborers at an Ohio broad-silk mill had spread to neighboring ribbon factories and dye shops. Over one hundred men died in the resulting siege.

^* To be fair, many of these same individuals defied expectations in matters of Masculine and Feminine Deportment even when fully sober. It’s a common failing among theater people, I have found.

^* The former President, not the Giraffe which was named after him.

^* I asked Julian whether this was about the False Tribulation, but Julian said no; On the Beach had been produced nearly a century before the End of Oil. The events it dramatized must have been purely local in nature, or purely imaginary.

8

Less than a month passed between the night of the Wrap Party, which marked the end of the filming and editing of The Life and Adventures of the Great Naturalist Charles Darwin, and its debut in a plush Broadway theater. A short time by ordinary reckoning; but it was a dire eternity in Julian’s reign as President.

Sam Godwin, who maintained close contact with the military, had taken on the thankless duty of conveying bad news to Julian—a role he was forced to play increasingly often. It was Sam who told Julian that the Army of the Californias had been met with fierce re sis tance by ecclesiastical forces at Colorado Springs. It was Sam who told him how the Rocky Mountain Division of that Army had rebelled, and swung its support from the Executive Power to the Dominion of Jesus Christ on Earth. It was Sam (and I envied him this task least of all) who was obliged to tell Julian that, after extensive but ineffectual shelling and burning, Army commanders had worked out a truce with the Dominion Council and declared a unilateral cease-fire—all in violation of Julian’s direct orders.

Sam emerged from that session ashen-faced and shaking his head. “At times, Adam,” he confided in me, “I don’t know whether Julian even understands what I say to him. He acts as if these reverses were inconsequential, or too distant to matter. Or else he storms and rages at me, as if I were the author of his defeats. Then he hides away in that Projection Room of his, mesmerizing himself with moving pictures.”

There was worse to come. A mere three days before the debut of Charles Darwin, news reached us that the joint leaders of the Army of the Laurentians had declared solidarity with their comrades in California and had raised the possibility of a march on New York for the purpose of unseating Julian Conqueror. The name of Admiral Fairfield (who had been so successful at sea) was mooted as a possible successor. That might have been the keenest cut of all, for Julian admired the Admiral, and they had got along well during the Goose Bay Campaign.

These small and large insurrections shook the foundations of his Presidency; but Julian continued to make plans for the Broadway opening of his film. Local churches had begun calling for a boycott of it, and it would be necessary to cordon the theater with Republican Guards to prevent riots. Nevertheless Julian invited us all to the premiere, and made sure the finest carriages were available, and told us to dress in our best clothes, and make a grand occasion of it; and we did so, because we loved him, and because we might not have another chance to pay him such an honor.

A phalanx of gilded carriages, surrounded and preceded by armed Guardsmen on horseback, made its way out of the Palace grounds on the appointed afternoon.

Calyxa and I rode in one of the central carriages, following the vehicle that carried Julian and Magnus Stepney, with Sam and Julian’s mother in a third conveyance behind us. It was near Christmas, but the streets of Manhattan were not merry. Banners of the Cross had been pulled down in order to clear a line of sight for the sharpshooters Julian had placed on all the rooftops between Tenth and Madison Avenue. But the streets weren’t crowded in any case, in part because of the new Pox—the same Pox Dr. Polk had worried about last summer—which had been communicated by fraudulent vaccination shops to young Eupatridian ladies, and which had spread from there into all walks of life in the great City of New York.

It was not an especially virulent disease—not more than one in forty or fifty New Yorkers had come down with it—but it was unpleasant and deadly. It began with fevers and confusions, followed by the appearance of yellow pustules all over the body (especially the neck and groin), and culminated in bleeding lesions and a rapid decline into death. As a result many people chose to keep at home despite the season, and many of the pedestrians we passed wore paper masks over their noses and mouths.

All that, plus a chill wind blowing from the north, lent a certain bleakness to the city’s Christmas.

Fear of Pox had not altogether prevented public gatherings, however, since the disease seemed to be transmitted by something more than casual contact. The theater as we approached it was brightly-lit, its sidewalks swarming with patrons and curiosity-seekers, and the roast-chestnut vendor was doing a roaring business.

The theater’s grand marquee proclaimed the title of the movie, and added a banner announcing THE WORLD DEBUT OF JULIAN CONQUEROR’S BRILLIANT AND STARTLING CINEMATIC MASTERPIECE!^* A cordon of Republican Guards kept out would-be troublemakers, mobs of whom had been dispatched by church committees as an obeisance to the Dominion. The film, of course, was not attractive to especially pious or conservative people; but there were more than enough Aesthetes, Philosophers, Agnostics, and Parmentierists in Manhattan to make up the deficit. These people were Julian’s constituency, if he could be said to have one, and they had turned out in force.