The fifth book in the Patrik Hedstrom series, 2011

Translated by Tiina Nunnally

In the stillness of the room the only sound was from the flies. A constant buzzing from the frantic beating of their wings. The man in the chair didn’t move, and he hadn’t for a long time. He wasn’t actually a man any more. Not if a man was defined as someone who lived, breathed, and felt. By now he’d been reduced to fodder. A haven for insects and maggots.

The flies buzzed in a great swarm around the motionless figure. Sometimes landing, their mandibles moving. Then flying off again in search of a new spot to land. Feeling their way and bumping into one another. The area around the wound in the man’s head was of particular interest though the metallic odour of blood had long since vanished, replaced by a different smell that was mustier and sweeter.

The blood had coagulated. At first it had poured from the back of his head and down the chair, on to the floor where it formed a pool. Initially it was red, filled with living corpuscles. Now it had changed colour, turning black. The puddle was no longer recognizable as the viscous fluid that ran through a person’s veins. Now it was merely a sticky black mass.

Some of the flies had had their fill. They had laid their eggs. Now, sated and satisfied, they simply wanted out. Their wings beat against the windowpane in their futile attempts to get past the invisible barrier, striking the glass with a faint clicking sound. Eventually they gave up. When their hunger returned, they went back to what had once been a man but was now nothing but meat.

All summer long Erica had circled around the thoughts that were always on her mind. Weighing the pros and cons, she would find herself tempted to go up there. But she never got further than the bottom of the stairs leading to the attic. She could blame it on the fact that the past few months had been so busy, with everything that had to be done after the wedding and the chaos in the house when Anna and her kids were still living with them. But that wasn’t the whole truth. She was simply afraid. Afraid of what she might find. Afraid of rooting around and bringing things to the surface that she would have preferred not to acknowledge.

She knew that Patrik was wondering why she didn’t want to read the notebooks they’d found up in the attic. Several times he had seemed on the verge of asking her about it, but he’d held back. If he had asked, she wouldn’t have been able to answer. What scared her most was that she might have to change her view of reality. The image she’d always had of her mother – who she was as a person and how she’d treated her daughters – was not very positive. But it was Erica’s, all the same. An image that was familiar, an unshakable truth that had held up through the years and had been something she could count on. Maybe it would be confirmed. Maybe it would even be reinforced. But what if it was undermined? What if she was forced to relate to a whole new reality? Up until now she hadn’t been brave enough to find out.

Erica set her foot on the first step. From downstairs in the living room she heard Maja’s happy laughter as Patrik played with her. The sound was comforting, and she put her other foot on the stairs. Only five more steps to the top.

The dust swirled in the air when she pushed open the trap door and climbed up into the attic. She and Patrik had talked about remodelling the space sometime in the future, maybe as a cosy hideaway for Maja when she was older and wanted some privacy. But thus far it remained an unfinished attic with wide planks for the floor and a sloping ceiling with exposed beams. It was partially filled with clutter. Christmas decorations, clothes that Maja had outgrown, and boxes of items that were too ugly to have downstairs but too expensive or too fraught with memories to discard.

The chest stood way at the back, near the gable wall. It was old-fashioned, wood with metal fittings. Erica had a vague notion that it was what they called an ‘America trunk’. She went over and sat down on the floor next to it, running her hand over the top. After taking a deep breath she gripped the latch and lifted the lid. A musty smell rose up, making her nose twitch. She wondered what created such a distinct, heavy odour of age. Probably mildew, she thought, noticing that her scalp was beginning to itch.

She could still recall the emotion that had overwhelmed her when she and Patrik first discovered the chest and went through its contents, slowly lifting each item out. Drawings that she and Anna had done when they were children, little things they had made at school. All of them saved by their mother Elsy. The mother who had never seemed interested when her young daughters had come home and eagerly presented her with their creations.

Erica did the same thing now, taking out one item after another and setting everything on the floor. What she was looking for was at the very bottom of the chest. Carefully she took out the piece of cloth, finally holding it in her hands again. The infant’s shirt had once been white, but as she held it up to the light she could see how it had yellowed with age. And she couldn’t take her eyes off the small brown stains on the garment. At first she had assumed they were rust spots, but then she’d realized they must be dried blood. There was something so heartbreaking about finding spots of blood on the child’s shirt. How had it ended up here in the attic? Whose was it? And why had her mother saved it?

Erica gently placed the shirt next to her on the floor. When she and Patrik first found the garment, an object had been wrapped inside, but it was no longer there. That was the only thing she had removed from the chest – a Nazi medal that had been hidden in the stained cloth. The emotions awakened in her when she first saw the medal had been surprising. Her heart had begun pounding, her mouth went dry, and images from old newsreels and documentaries about the Second World War flickered before her eyes. What was a Nazi medal doing here in Fjällbacka? In her own home and among her mother’s possessions? The whole situation seemed absurd. She had wanted to put the medal back in the chest and close the lid, but Patrik had insisted that they take it to an expert to find out more. Reluctantly Erica had agreed, but she felt as if voices were whispering inside her; ominous voices, warning her to hide the medal away and forget all about it. But her curiosity had won out. In early June she’d taken it to an expert specializing in World War II artefacts, and with a little luck they would soon know more about the medal’s origin.

But what interested Erica most was what they’d found at the very bottom of the chest. Four blue notebooks. She recognized her mother’s handwriting on the covers. That elegant, right-slanted writing, but in a younger, rounder version. Now Erica removed the notebooks from the chest, running her index finger over the cover of the one on top. Each of them had been labelled ‘Diary’, a word that aroused mixed feelings in her. Curiosity, excitement, eagerness. But also fear, doubt, and a strong feeling that she was invading her mother’s privacy. Did she have the right to read these notebooks? Did she have the right to delve into her mother’s innermost thoughts and feelings? A diary was not intended for anyone else’s eyes. Her mother hadn’t written the books so that others might share the contents. Maybe she would have forbidden her daughter to read them. But Elsy was dead, and Erica couldn’t ask for permission. She would have to decide for herself what to do with the notebooks.