She froze. For a full minute, no movement, no sound. Her quads were cramping. They’re listening. Did I make a noise? Can they hear my heartbeat? The cut on her right arm stung. Sweat ran down into her eyes, and she shut them tightly against the burn.

This made her think of growing up in the suburbs of Baltimore. She’d been a tomboy, and on Friday nights, in the summer of her tenth year, she would meet the neighborhood boys at a city park to play something they’d invented, called the “Dead Game.” One kid was named the “killer,” and everyone else had one minute to run and hide. The killer would then go hunting, and if he touched you, you were dead and had to lie on the ground until he’d caught everyone. She recalled hiding under a sliding board one night, watching the killer pass by, and the exhilaration, the pretend-fear that had flooded through her.

The boot lifted and she listened to the footsteps trail away.

As she huddled in the darkness, trying to fathom what was happening, she heard June’s voice at the other end of Abandon, shouting her husband’s name. For a moment, she considered hiding there indefinitely, days if she had to. But what if they’ve seen me? What if they know I’m somewhere in town? In daylight, it won’t take them more than a few hours to search every structure. Safer to escape now, in the dark.

Abigail remembered her cell phone, which was sitting in the top compartment of her backpack in the vestibule of her tent. She probably wouldn’t get service in this canyon, but earlier today, when they’d crested the pass, she’d gotten a signal, even called her mother.

Abigail crawled back through the puddles and the dirt to the hole in the floor, rising up slowly, until only her eyes peeked out.

The dance hall appeared empty. June’s screaming had stopped. Even the wind had died away. Abigail scrambled up onto the floor. She felt safer, less exposed on her stomach, so she crawled along on her belly back to the hole in the wall she’d come through.

She peered through the busted clapboard out into the fog. It would be too dangerous to run back to camp through town. She’d have to follow the side street, climb the slope, and stay above Abandon as she worked her way upcanyon. Then she could go straight down the hill into camp, know before she arrived if anyone was there. Her battery was charged. If she had a signal, she’d call 911, but assuming she didn’t, it might be an hour up to the pass.

Abigail took a moment to calm herself, filling her lungs with oxygen in preparation for the run. She tried to ignore it, but the thought forced itself on her: They see me, I’m dead.

Abigail ducked through the hole and stepped outside.

She jogged down the side street. Five more seconds and she’d be out of the ghost town.

Something darted out from behind the dance hall. A hand covered her mouth.

“It’s me, Abby.” Lawrence’s voice. He pulled her down behind the building.

She said, “Jerrod’s dead, and Scott’s hurt bad.”

Wood creaked in a structure across the street.

“Listen,” Lawrence said, “there’s a house up that slope, with a bay window in front. I want you to go there, hide inside, get out of the open.”

“My headlamp’s out.”

“Take my flashlight.”

“What about you?”

“I tweaked my ankle. You’ll move faster without me. Here.” He handed her his day pack. “There’s a gun inside and a box of rounds.”

“I can’t.”

“You can if you want to live. There’s a button on the left side of the Ruger. Press it. Cylinder flips open, you put the shells in. It’s double-action. No safety. Just squeeze back the hammer and fire. Now listen. When I say ‘Run,’ you go and you don’t stop and you don’t look back, no matter what happens. I’ll go a different way, try to meet you in the house. We’ll figure something out.” Footsteps moved toward them up the side street.

“What’s happening here, Lawrence? Who are these—”

“I don’t know, but you have to get going. Now run.”

Abigail scrambled to her feet, shouldered the pack, and took off.

Soon she was passing wiry firs and vacant cabins, dreary and haunted-looking in the freezing fog, fighting with every step the urge to look back. She suddenly emerged onto a long, narrow glissade, lost her footing on the old ice, and slid upside down on her back, racing toward the bottom. The ice ended, but she still tumbled through the scree, finally crashing into a boulder. Blood streamed down her face from a gash above her left eyebrow. Down in Abandon, someone screamed. She got up, pushed on, nearing the timber-line, with the ghost town a hundred feet below, scarcely visible through the fog.

Just ahead was the house with the bay window—two stories, still intact. She glanced back. Too dark and foggy to see a thing. She came up on the house, saw a doorway toward the back of the old structure, slipped inside, scrambling over a pile of boards into a large empty room. She could see the bay window—four glassless rectangles with a view of the ghost town. She dropped the day pack on the floor and glanced through a window frame on the side of the house, spotted movement at the base of the slope she’d just climbed—two black specks slinking through the shrubs. She lost them amid the ruins of a homestead, then picked them up a moment later, larger and close enough that she could see their deformed eyes, protruding long and sharp, like fangs. Night-vision goggles. They know I’m in here.

Abigail knelt down in the corner and unzipped the day pack, shone the flashlight inside, saw the dull gleam of the revolver.

She didn’t realize how badly her hands were trembling until she tried to grab the gun.

Holding the flashlight between her knees, she tore open the box of .357 Magnum rounds. Hollow-point shells spilled across the floorboards, most of them disappearing into a hole. She felt the button on the left side of the frame, pushed it. The cylinder swung open. With her hands shaking, it took her three tries to get the first round into the chamber.

Footsteps approached. Abigail pushed in three more shells, wondered if she’d even loaded them correctly, having never held a gun until this moment.

With the six chambers loaded, she pushed the cylinder back and stood up. Through the window, she saw it was snowing now, and the two shadows were much closer, less than twenty yards downhill. They moved up a steep section of the slope, climbing on all fours, like spiders, up the mountain. She turned off the flashlight, hunched down in a corner, knees drawn into her chest. Thumbed back the hammer, total dark save for the faint outline of night through the bay windows. Blood running into her eyes. Outside, rocks shifted. She couldn’t slow her breathing down, her chest heaving, hyperventilating. You have to be quiet. You have to.

She closed her eyes, stilled her mind. Her heart followed. Then came the awful silence. No more whispering voices or clandestine footsteps or distant screaming.

Ice pellets ticked against the house, pinged on the tin roof.

She waited. A minute passed, and the image took hold again—that shadow thrusting something into the back of Jerrod’s head. It wasn’t just the brutality that horrified her.

Why is this bugging me? She remembered. Oh Jesus.

One of the interviews she’d conducted for her article on PTSD vets had been with a col o nel in spec ops. They’d stumbled onto the topic of the silent kill, and he’d told her that, contrary to common belief, slitting a throat wasn’t the quietest way to kill a person. He’d explained that when Force Recon or SEALs wanted to kill instantly and with minimal noise, they’d jam a combat knife at a forty-five-degree angle through the base of the skull, where the bone was thin. It scrambled the medulla oblongata. Instantly wiped out all motor control.

That’s what happened to Jerrod. Are these guys spec ops?