RUN

by

Blake Crouch

SMASHWORDS EDITION

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PUBLISHED BY:

Blake Crouch on Smashwords

Copyright 2011 by Blake Crouch

Cover art copyright 2011 by Jeroen ten Berge

All rights reserved.

RUN is a work of fiction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

For more information about the author, please visit www.blakecrouch.com.

For more information about the artist, please visit www.jeroentenberge.com.

Smashwords Edition License Notes

This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each person you share it with. If you're reading this book and did not purchase it, or it was not purchased for your use only, then you should return to Smashwords.com and purchase your own copy. Thank you for respecting the author's work.

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Confirmation of the murders came by way of two shocking films shot by holidaymakers. The first was initially believed to show a dolphin fishing for salmon - until closer examination revealed a relentless attack on a porpoise. . .The team described the mammals’ injuries as “perhaps the worst example of inter-specific aggression any of us had ever seen. This young female had literally had the life beaten out of her.”

The Daily Telegraph

January 25, 2008

The attack was. . .the first recorded instance of lethal raiding among chimpanzees. Until the attack. . .scientists treated the remarkable violence of humanity as something uniquely ours. Scientists thought that only humans deliberately sought out and killed members of their own species.

Richard Wrangham and Dale Peterson

Demonic Males

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THE tattered windsock hangs limp against its pole. Weeds erupt through fissures in the ancient pavement of the runway where she stands, and in the distance, support beams rise from heaps of twisted metal—three hangars, long since toppled upon a half dozen single- and twin-engine airplanes. She watches the Beechcraft that brought her here lift off the ground, props screaming, and climb to clear the pines a quarter mile past the end of the runway. She walks into the field. The midmorning sun blazing down on her bare shoulders. The grass that grazes her sandaled feet still cold with dew. Someone jogs toward her, and beyond them she can see the team already at work, imagines they started the moment the light became worth a damn.

The young man who has come to greet her smiles and tries to take her duffle bag, but she says, “No, I’ve got it, thanks,” and keeps walking, her eyes catching on the colony of white canvas tents standing several football fields away near the northern edge of the forest. Still probably an insufficient distance to avoid the stink when the wind blows out of the south.

“Good flight in?” he asks.

“Little bumpy.”

“It’s so cool to finally meet you. I’ve read all about your work. I’m even using two of your books in my thesis.”

“That’s great. Good luck with it.”

“You know, there’s a few decent bars in town. Maybe we could get together and talk sometime?”

She lifts the strap of her heavy bag, swings it onto the other shoulder, and ducks under the yellow crime scene tape that circumnavigates the pit.

They arrive at the edge.

The young man says, “I’m doing my thesis on—”

“I’m sorry, what’s your name?”

“Matt.”

“I don’t mean to be rude, Matt, but could you give me a minute alone here?”

“Oh, sure. Yeah, of course.”

Matt heads off toward the tents, and she lets her bag slide off her shoulder into the grass, estimating the dimensions of the pit at thirty-five meters by twenty meters, and presently attended to by nine people, seemingly oblivious to the flies and the stench, each in their respective worlds, doing what they walk this earth to do. She sits down and watches them work. Nearby, a man with shoulder-length graying hair buries a pickax into a wall of dirt. A young woman—probably another intern—flits from station to station, filling a bucket with backdirt to be added to the mound of gravefill near the southern edge of the pit. Everywhere that human remains have been exposed, red flags stand thrust into the earth. She stops counting them after thirty. The nearest anthropologist appears on the verge of pedestaling a skeletonized body, down to the detail work now—poking chopsticks between ribs to clear out the dirt. Other skeletons lie partially exposed in the upper layers. The remnants of human beings with whom she will become closely acquainted in the weeks to come. Deeper, the dead are more than likely mummified, possibly even fleshed depending on the water content of the grave. Beside the autopsy tent on the other side, tables have been erected in the grass, and at one of them, a woman she recognizes from a previous UN mission is at work reassembling a small skeleton on a black velvet cloth to be photographed.

She realizes she’s crying. Tears are fine, even healthy in this line of work, just never on the clock, never in the grave. If you lose control down there, you might never get it back.

Approaching footsteps snap her out of her reverie. She wipes her face and looks up, sees Sam coming toward her, the bald and scrawny Australian team leader who always wears a tie, especially in the field, his rubber boots swishing through the grass. He plops down beside her, reeking of decomp. Rips off the pair of filthy, elbow-length gloves and tosses them in the grass.

“How many have you taken out so far?” she asks.

“Twenty-nine. Mapping system shows a hundred and fifty, hundred and seventy-five still down in there.”

“What’s the demographic?”

“Men. Women. Children.”

“High-velocity GSWs?”

“Yeah, we’ve collected a ton of .223 Remington casings. But this is another weird one. Same thing we saw in that mass grave in Denver. Maybe you heard about it.”

“I haven’t.”

“Dismemberment.”

“Have you determined what was used?”

“In most instances, it’s not a clean break, like a machete or ax strike. These bones are splintered.”

“A chainsaw would do that.”

“Clever girl.”

“Jesus.”

“So I’m thinking they cut everyone down with AR-15s, and then went through with chainsaws. Making sure no one crawled out.”

The blond hairs on the back of her neck stand erect, a rod of ice descending her spine. The sun burns down out of the bright June sky, more intense for the elevation. Brushstrokes of snow linger above timberline on the distant peaks.