“Of what kind?”

“Two more bodies were found on Sir Owain’s land yesterday.”

“Bodies?”

“Definitely murdered this time, no question about it.”

Sebastian explained further, including mention of Sir Owain’s appearance at the temporary mortuary and his assertion that the victims had been “torn by beasts.”

“One is the child of a prominent barrister,” he concluded, “so I imagine we’ll get to hear more about it. Sir Owain showed no sign of any guilt, only concern. I made little headway with Grace Eccles, but I’m hoping to track down Evangeline Bancroft. In the meantime I’d like to confirm the credentials of Doctor Ernest Hubert Sibley.”

“Stay with it,” Sir James said. “It’s no easy matter to take a knight of the realm out of circulation. So let’s hold off calling his doctor a quack until we can back it up with proof.”

AS HE left the customs house and crossed the street, Sebastian was startled to hear his name being shouted from nowhere.

“Mister Becker!”

He looked all around. Then he looked up. Stephen Reed, the young detective, had opened a second-floor window above the photographer’s studio in order to call to him.

“Yes?”

“Have you a moment? Can you come up?”

The studio was at the top of the house, combining attic space and a large skylight. It was reached by a gloomy staircase through the photographer’s living quarters. His private rooms were screened off by a red velvet curtain with braid and tassels, like the dressing on a Punch and Judy booth. Sebastian ascended through the chemical odors of the photographer’s trade, musty and unnatural, and the boiled-cabbage fragrance of his midday meal, even less appetizing.

Stephen Reed was waiting at the top of the stairs.

Sebastian said, “Did you pass on my suspicions to your superiors?”

“I did,” Stephen Reed said, “and the rebuke was even sharper than I expected. My handling of the search has been roundly criticized and I’ve been demoted to evidence duties.”

“I’m sorry. I’d hoped you might get a better hearing.”

“I know. I blame no one. For what it’s worth, I still think that your theory should be investigated before it’s dismissed.”

“Strictly speaking, Mister Reed, it’s more hypothesis than theory. It’ll be a theory when I can offer some hard facts in support of it.”

The studio itself was a bright room with a square of heavy carpet on the floor. Potted plants and chairs stood before a canvas drop with a painted seascape on it. Just showing behind the backdrop was a rack of dressing-up clothes that included cloaks and Pierrot costumes.

“Mister William Phillips,” Stephen Reed said, by way of introduction to the resort’s resident photographer. Billy Phillips was a small man, in a baggy linen jacket with a wing-collared shirt and a bow tie.

“I’m sorry, but I can’t do anything with this,” Billy Phillips said, indicating the object of his frustration with a wave of his hand. Under the skylight stood the photographer’s retouching table. On the table stood the camera from the murder scene. “It’s a Birtac,” he added, as if that explained it.

“What’s one of those?” Sebastian said.

“A moving-picture camera,” Stephen Reed said. “Of a kind that’s designed for amateur use, apparently.”

“It doesn’t expose to plates,” Phillips said. “And plates are all I do. I’m not sure what it uses. For moving pictures there’s almost as many film types as there are devices. All I know is, it’ll be on a long roll and I’ve no way of handling anything of that length. I could try to rig something up in the bathtub, but I can’t guarantee I won’t ruin it. I don’t even want to risk opening the case.”

Sebastian said, “Where does the camera’s owner send his films?”

“That’s almost certainly the father. I’m not allowed to speak to him.”

The photographer said, “There’s a footage counter. See? It’s been run about fifteen feet into the roll.”

“What does that mean?”

“That something has been captured onto the film.”

“But we can’t know what it is yet,” Stephen Reed said, and he looked at Sebastian. “Unless you’ve any other ideas, I’ll have to return it to the evidence store.”

They walked out together with the camera parceled up in brown paper, to disguise it from view. The coroner, a local solicitor, had set a date for an inquest, and members of the national press had been arriving on the morning trains. A journalist and a photographer from the Daily Mirror had made the journey in a two-seater roadster. Hungry for story, they’d need little encouragement to speculation.

As soon as they were alone, Stephen Reed said, “I didn’t only stop you about the camera. I checked, and there’s a police file on Evangeline and Grace.”

“Can you get hold of it?”

“I already have. I called Records last night and it came over this morning. I tell you, I had no idea.”

“What do you mean?”

“They were not simply lost on the moors for a few hours, as we children were told. They suffered an ordeal, and had no memory of it.”

“Memory or no memory, Grace Eccles is a damaged and defensive young woman.”

“I knew Evangeline better.”

“Well enough to approach her on such a subject?”

“We’re not children now. I’d hope to engage her in a professional manner.”

Sebastian said, “Then I’d better set my office to tracking her down.”

“There’s no need for that,” Stephen Reed said. “We can ask at the library.”

“They have London directories there?”

“I wouldn’t know,” Stephen Reed said. “But Evangeline’s mother is the librarian.”

SEBASTIAN WAITED OUTSIDE. IT SEEMED WISER. ALTHOUGH Lydia Bancroft hadn’t shown him any actual hostility, he’d given her good reason to be cool toward him. How was he to have known that the subject of his insensitive inquiry—as she must have seen it—was actually the librarian’s own grown-up daughter?

He stood at the bottom of the street, looking out across the harbor. There wasn’t much to the harbor itself; a sea wall, some fishermen’s huts, a low tidal jetty with its pilings hung with weed. The sea was a way out, the sound of its rollers like a distant train. Where the river estuary spilled across the sand, the masts of beached sailboats pointed this way and that.

After only a few minutes, he heard the faint sound of a latch and the opening of a door. He turned and looked back up the street, expecting to see Stephen Reed emerging from the library. Instead he saw a young woman in a short-waisted coat and a full traveling skirt. Her hair was up, with a hat pinned in place. She looked back as she emerged; Stephen Reed was right behind her, a small traveling bag in his hand, drawing the library door closed after them. As he stepped out to join the young woman, Stephen Reed gestured down the street, in Sebastian’s direction. She looked his way and seemed suddenly confused. As they moved toward Sebastian, Stephen Reed was explaining something.

Sebastian did not need an introduction to tell him the young woman’s name. With her hair pinned up, the resemblance to her mother was unmistakable.

Sebastian straightened up and made an effort to look pleasant.

“Mister Becker,” Stephen Reed said. “This is Evangeline Bancroft.”

Sebastian briefly took her hand and felt almost as much at a loss as the young woman looked.

“Evangeline heard the news and came up on the morning train,” Stephen Reed explained.

“Heard it how?” Sebastian said. “I thought it hadn’t reached the papers yet.”

“The murder of a barrister’s child,” the young woman said. “It’s all over the Inns of Court.”

“You work in the Inns of Court? Are you in the legal profession, Miss Bancroft?”