‘Rachel Ann Lussier,’ she said. ‘This is Blakie. He’s my little brother. We live at Nineteen Fresh Winds Way, Falmouth, Maine, oh-four-one-oh-five. Don’t go near it, Trooper Jimmy. It looks like a car, but it’s not. It eats people.’

‘Which car are we talking about, Rachel?’

‘That one in front, next to my daddy’s. The muddy one.’

‘The muddy car ate Daddy and Mommy!’ the little boy – Blakie – proclaimed. ‘You can get them back, you’re a policeman, you got a gun!’

Still on one knee, Jimmy held the children in his arms and eyeballed the muddy station wagon. The sun went back in; their shadows disappeared. On the turnpike, traffic swished past, but slower now, mindful of those flashing blue lights.

No one in the Expedition, the Prius, or the truck. He was guessing there was no one in the horse-trailer, either, unless they were hunkered down, and in that case the horse would probably seem a lot more nervous than it did. The only vehicle he couldn’t see into was the one these kids claimed had eaten their parents. Jimmy didn’t like the way the mud was smeared on all its windows. It looked like deliberate mud, somehow. He didn’t like the cracked cell phone lying by the driver’s door, either. Or the ring beside it. The ring was downright creepy.

Like the rest of this isn’t.

The driver’s door suddenly creaked partway open, upping the Creepy Quotient by at least thirty percent. Jimmy tensed and put his hand on the butt of his Glock, but no one came out. The door just hung there, six inches ajar.

‘That’s how it tries to get you to come in,’ the little girl said in a voice that was little more than a whisper. ‘It’s a monster car.’

Jimmy Golding hadn’t believed in monster cars since he saw that movie Christine as a kid, but he believed that sometimes monsters could lurk in cars. And someone was in this one. How else had the door opened? It could be one of the kids’ parents, hurt and unable to cry out. It could also be a man lying down on the seat, so he wouldn’t make a shape visible through the mud-smeared rear window. Maybe a man with a gun.

‘Who’s in the station wagon?’ Jimmy called. ‘I’m a state trooper, and I need you to announce yourself.’

No one announced himself.

‘Come out. Hands first, and I want to see them empty.’

The only thing that came out was the sun, printing the door’s shadow on the pavement for a second or two before ducking back into the clouds. Then there was only the hanging door.

‘Come with me, kids,’ Jimmy said, and shepherded them to his cruiser. He opened the back door. They looked at the backseat with its litter of paperwork, Jimmy’s fleece-lined jacket (which he didn’t need today), and the shotgun clipped and locked to the back of the bench seat. Especially that.

‘Mommy n Daddy say never get into a stranger’s car,’ the boy named Blakie said. ‘They say it at school, too. Stranger-danger.’

‘He’s a policeman with a policeman’s car,’ Rachel said. ‘It’s okay. Get in. And if you touch that gun, I’ll smack you.’

‘Good advice on the gun, but it’s secured and the trigger lock’s on,’ Jimmy said.

Blakie got in and peered over the seat. ‘Hey, you got a iPad!’

‘Shut up,’ Rachel said. She started to get in, then looked at Jimmy Golding with tired, horrified eyes. ‘Don’t touch it. It’s sticky.’

Jimmy almost smiled. He had a daughter only a year or so younger than this little girl, and she might have said the same thing. He guessed little girls divided naturally into two groups, tomboys and dirt-haters. Like his Ellen, this one was a dirt-hater.

It was with this soon-to-be fatal misconception of what Rachel Lussier meant by sticky that he closed them in the backseat of Unit 17. He leaned in the front window of the cruiser and snared his mike. He never took his eyes from the hanging front door of the station wagon, and so did not see the little boy standing next to the rest area restaurant, holding an imitation-leather saddlebag against his chest like a small blue baby. A moment later the sun peeked out again, and Pete Simmons was swallowed up by the restaurant’s shadow.

Jimmy called in to the Gray barracks.

‘Seventeen, come back.’

‘I’m at the old Mile 81 rest area. I have four abandoned vehicles, one abandoned horse, and two abandoned children. One of the vehicles is a station wagon. The kids say …’ He paused, then thought what the hell. ‘The kids say it ate their parents.’

‘Come back?’

‘I think they mean someone inside grabbed them. I want you to send all available units over here, copy?’

‘Copy all available units, but it’ll be ten minutes before the first one gets there. That’s Unit Twelve. He’s Code Seventy-three in Waterville.’

Al Andrews, no doubt chowing down at Bob’s Burgers and talking politics. ‘Copy that.’

‘Give me MML on the wagon, Seventeen, and I’ll run it.’

‘Negative on all three. No plate. As far as make and model, the thing’s so covered with mud I can’t tell. It’s American, though.’ I think. ‘Probably a Ford or a Chevy. The kids are in my cruiser. Names are Rachel and Blakie Lussier. Fresh Winds Way, Falmouth. I forget the street number.’

‘Nineteen!’ Rachel and Blakie shouted together.

‘They say—’

‘I got it, Seventeen. And which car did they come in?’

‘Daddy’s Expundition!’ Blakie cried, happy to be of help.

‘Ford Expedition,’ Jimmy said. ‘Plate number three-seven-seven-two IY. I’m going to approach that station wagon.’

‘Copy. Be careful there, Jimmy.’

‘Copy that. Oh, and will you reach out to nine-one-one dispatch and tell her the kids are all right?’

‘Is that you talking or Pete Townshend?’

Very funny. ‘Seventeen, I’m sixty-two.’

He started to replace the mike, then handed it to Rachel. ‘If anything happens – anything bad – you push that button on the side and yell ‘Thirty.’ That means ‘Officer needs help.’ Have you got it?’

‘Yes, but you shouldn’t go near that car, Trooper Jimmy. It bites and it eats and it’s sticky.’

Blakie, who, in his wonder at being in an actual police car, had temporarily forgotten what had befallen his parents, now remembered and began to cry again. ‘I want Mommy n Daddy!’

In spite of the weirdness and potential danger of the situation, Rachel Lussier’s eye-rolling you see what I have to deal with expression almost made Jimmy laugh. How many times had he seen that exact same expression on the face of five-year-old Ellen Golding?

‘Listen, Rachel,’ Jimmy said, ‘I know you’re scared, but you’re safe in here, and I have to do my job. If your parents are in that car, we don’t want them hurt, do we?’

‘GO GET MOMMY N DADDY, TROOPER JIMMY!’ Blakie trumpeted. ‘WE DON’T WANT THEM HURRRT!’

Jimmy saw hope spark in the girl’s eyes, but not as much as he might have expected. Like Agent Mulder on the old X-Files show, she wanted to believe … but, like Mulder’s partner, Agent Scully, she couldn’t quite do it. What had these kids seen?

‘Be careful, Trooper Jimmy.’ She raised one finger. It was a schoolteacherly gesture made even more endearing by a slight tremble. ‘Don’t touch it.’

As Jimmy approached the station wagon, he drew his Glock service automatic but left the safety on. For the time being. Standing slightly south of the hanging door, he once again invited anyone inside to exit the vehicle, open and empty hands foremost. No one came out. He reached for the door, then remembered the little girl’s parting admonition, and hesitated. He reached out with the barrel of his gun to swing the door open. Only the door didn’t open, and the barrel of the pistol stuck fast. The thing was a glue-pot.

He was jerked forward, as if a powerful hand had gripped the Glock’s barrel and yanked. There was a second when he could have let go, but such an idea never even surfaced in his mind. One of the first things they taught you at the Academy after weapons issue was that you never let go of your sidearm. Never.