It’s a foolish notion, I know.
As we pull off the road, large wrought iron gates open in front of our car as if by magic, as if they were pushed by unseen hands. Puffs of mist and fog swirl from the ground and through the tree branches, half concealing whatever lies behind the gate.
Even though the grounds are lush and green, there’s something heavy here, something dark. It’s more than the near constant rain, more than the clouds.
Something that I can’t quite put my finger on.
I’m filled with a strange dread as the car rolls through the gates, as we continue toward the hidden thing. And while the ‘hidden thing’ is just a house, it feels like so much more, like something ominous and almost threatening.
I catch glimpses of it through the branches as we drive, and each glimpse gives me pause.
A steep, gabled roof.
Columns and spires and moss.
Rain drips from the trees, onto the car, onto the driveway, and everything gleams with a muted light.
It’s wet here, and gray, and the word I keep thinking in my head is gothic.
Gothic.
Despite all the beauty and the extravagance here, it still looks a bit terrifying.
I count the beats as we make our way to the house, and I’ve counted to fifteen before the limousine finally comes to a stop on top of a giant circular driveway made of cobblestone.
The house in front of us is made from stone, and it sprawls out as far as I can see. The windows are dark, in all sizes, in all shapes.
Rolling, manicured lawns, an enormous mansion, lush gardens. Stormy clouds roll behind the massive setting of the house, and one thing is clear. Ominous or not, this estate is lavish, to say the least.
“Is our family rich?” I ask dumbly.
Dare glances at me. “Not in the ways that matter.”
He pauses, and there is a rope between us, pulling us together, but at the same time, coiling around us, holding us apart.
“Calla, don’t let your guard down,” he tells me quickly. “This place… it isn’t what it seems. You have to…”
Jones opens the door, and Dare stops speaking abruptly.
I have to what?
“Welcome to Whitley,” Jones tells me with a slight bow. We climb out and suddenly, I’m nervous.
I’m in a foreign country, getting ready to meet a family consisting of strangers, and I know nothing about them.
It’s daunting.
Dare squeezes my hand briefly, and I let him. Because here, I’m alone.
Here, Dare and Finn are the only familiar things.
Here, they’re the only ones who know me.
Of course, maybe they always were.
Jones leads the way with our bags, and before we even reach the front doors, they open, and a small wrinkled woman stands in the doorway. She’s slightly bent, barely a wisp of a woman, with an olive complexion and her hair completely wrapped in a bright scarf twisted at the top. She looks like she might be a hundred years old.
“Sabine!” Dare greets the elderly woman. The little woman’s arm close around him, and her head barely reaches his chest.
“Welcome home, boy,” she says in a deep gravely voice. “I’ve missed you.”
Dare pulls away and glances at me, and I can see on his face that Sabine is important. At least to him. “This is Sabine. Sabine, this is Calla Price.”
Sabine stares at me, curiously, sadly.
“You’re the spitting image of your mother,” she tells me.
“I know,” I tell her, and my heart twinges because my mother is gone. “It’s nice to meet you.”
I offer her my hand, but she grasps it instead of shaking it. Stooping over, she examines it, her face mere inches from my palm. She grips me tight, unwilling to let me go, and I feel my pulse bounding wildly against her fingers.
Startled, I wait.
I don’t know what else to do.
The little woman is surprisingly strong, her grip holding me steady as she searches for something in my hand. She traces the veins and the ridges, her breath hot on my skin. Her face is so close to my palm that I can feel each time she exhales.
Finn coughs, and abruptly, Sabine drops my hand and straightens.
Her eyes meet mine and I see a thousand lifetimes in hers. They’re dark as obsidian, and unlike most elderly people, hers aren’t cloudy with age. She stares into me, and I feel like she’s literally sifting through my thoughts and looking into my soul.
It’s unsettling, and a chill runs up my spine, putting me on edge.
She glances at Dare, and nods ever so slightly.
If I didn’t know better, I would almost think he cringed.
What the hell?
But I don’t have time to ponder, because Sabine starts walking, leading us into the house.
“Come. Eleanor is waiting for you,” Sabine tells us solemnly over her shoulder as she uses much of her strength to open the heavy front doors.
Dare sighs. “I think we’d better freshen up first. It’s been a long flight, Sabby.”
The nanny looks sympathetic, but is unrelenting. “I’m sorry, Dare. She insists on seeing all three of you.”
Dare sighs again, but we obediently follow Sabine through lavish hallways. Over marble floors and lush rugs, through mahogany paneled halls and extravagant window dressings, beneath sparkling crystal chandeliers. My eyes are wide as we take it all in. I’ve never seen such a house in all my life, not even on TV.
But even as it is opulent, it’s silent.
It’s still.
It’s like living in a mausoleum.
We come to a stop in front of massive wooden doors, ornately carved. Sabine knocks on them twice, and a woman’s voice calls out from within.
“Enter.”
How eerily formal.
Sabine opens the doors, and we are immediately enveloped by an overwhelmingly large study, painted in rich colors and patinas, encircled with wooden shelves filled by hundreds and hundreds of leather-bound books.
A woman sits at the heavy cherry desk, facing us with her back to the windows.
Her face is stern, her hair is faded, but I can see that it used to be red. It’s pulled into a severe chignon, not one strand out of place. Her cashmere sweater is buttoned all the way to the top, decorated by one single strand of pearls. Her unadorned hands are folded in front of her and she’s waiting.
Waiting for us.
How long has she been waiting? Months? Years?
For a reason that I can’t explain, I feel suffocated. The room seems to close in on me, and I’m frozen. Dare has to literally pull me, then pull me harder, just to make me move.
I feel like I can’t breathe, like if I approach her, something bad will happen.
Something terrible.
It’s a ridiculous thought, and Dare glances at me out of the corner of his eye.
We come to a stop in front of the desk.
“Eleanor,” he says tightly.
There is no love lost here. I can see it. I can sense it. I feel it in the air, in the formality, in the cold.
“Adair,” the woman nods. There are no hugs, no smiles. Even though it’s been at least a year since she’s seen him, this woman doesn’t even stand up.
“This is your grandmother, Eleanor Savage,” Dare tells me, and his words are so carefully calm. Eleanor stares at me, her gaze examining me from head to toe. My cheeks flush from it.
“You must be Calla.”
I nod.
“You may call me Eleanor.” She glances at the door. “Wait outside, Sabine.”
Without a word, Sabine backs out, closing the door. Eleanor returns her attention to us.
“I’m sorry for your loss,” she tells me stiffly, but her voice lacks any sign of emotion, of sympathy or sadness, even though it was her daughter who was lost.
She looks at me again. “While you are here, Whitley will be your home. You will not intrude in rooms that don’t concern you. You may have the run of the grounds, you may use the stables. You won’t mingle with unsavory characters, you may have use of the car. Jones will drive you wherever you need to go. You may settle in, get accustomed to life in the country, and soon, we’ll speak about your inheritance. Since you’ve turned eighteen, you have responsibilities to this family.”