But as could be understood from the history of Egypt and quotations from the Bible, cited in the Supplement, two these Jews were right except for one thing: save for the world, the Western regional civilization by that time was ruled by the heirs of ancient-Egypt hierarchy, by means of biblical culture on the whole, and within its course — by means of controlling and Jews, and finances, which were controlled by clans of Jewish usurious "aristocracy".

[180] The term which was used by J.V. Stalin to characterize the writers, since its their works during the pre-television epoch that in many respects formed morality and world understanding of the growing and grown-up generations of educated (i.e. literate) people.

[181] In essence such a widespread attitude to one’s life erases the difference between a man and a working cattle while the owner of the latter is responsible for cattle’s way of living and acting.

[182] In other words, H. Ford's complaints could be easily explicable under the conditions of Russia, where the serfdom was repealed just two years before the birth of H. Ford and his contemporaries, and traditional serfdom psychology in people's behavior had not yet been replaced by some other psychology. The matter is that for Russia it is quite difficult to find reliable statistics on this issue.

[183] The statement that Jewish culture is built on parasitism produces many people's (irrespectively of their origin) emotional, thoughtless reaction of aversion. Therefore we shall remind you once more: usury is parasitism and the way of oppression of people and the offspring, but it is the backbone factor in biblical culture.

The purpose of system of trade of personal copyrights and rights of «intellectual property» is to prevent culture, and especially scientific and technical progress from being the common property. This is the backbone parasitism and the way of oppression of people and the offspring too, developing in the 20th century in biblical civilization.

The ones who protest against such estimation of the institution of personal copyrights and rights of «intellectual property», should come to their senses; they should not close the issue of how to protect the society from the system, in which it is ruled on the basis of corporative-and-monopolistic buying-up and distribution of rights to use cultural, scientific and technical achievements with the issue of how the society should support the creators economically.

[184] IP's of the USSR outlooks at origination of the «Jewish question» are set out in paper “Dead Water” and, in more detail, in paper “Sinai Crusade”; its essence and prospects are considered in papers “Dead Water”, “Towards God’s Ruling…”, “The Sorrowful Legacy of Atlantis” (“Trotskyism is «Yesterday», but not «Tomorrow»”), “«Master and Margaret»: a Hymn to Demonism? Or the Gospel of the Covenantless Faith”.

Here, we shall briefly elucidate this issue. The priesthood of the ancient Egypt had degraded morally and ethically and had craved for undivided global intra-social power. Having seen the futility of force ways of achieving this goal, it saw fit to switch to establishment of world domination of "cultural cooperation". The essence of this new for those years way of aggression was to construct the culture, which, being accepted by other nations, made them dependent of the project bosses. Biblical culture had become this historically real culture. To disseminate this culture and to manage the project locally, they needed an instrument. As such an instrument, during the Egyptian captivity and 40-years long nomads' encampment along the Sinai desert, the historically real Jewry was bred on the basis of the same principles, used for breeding domestic animals' breeds with addition of some kinds of magic. Later on, this basis was inoculated with historically real Christianity — the teaching of Saul (apostle Paul), which replaced the withheld teaching of Christ for two thousand years. And Old Testament was provided with Talmudic comments. This is how historically real biblical culture and its sociology were formed.

Sociological doctrine of biblical project, revealing the essence of the “Jewish question”, is given in the Supplement.

[185] On this issue see IP's of the USSR work “On Racial Doctrines: Unfounded, but Plausible”.

[186] In this case H. Ford would completely realize the meaning of his surname, having opened the people way to new quality of life: «ford» means «passing» over the water obstacle. In certain mythology symbolizes culture as a whole. In this case, the matter concerns overcoming of biblical culture, which became a «water barrier» on the way to humanity.

But in the narrow practical and industrial-and-organizational shape, which «Fordizm» took, it could be adapted in practically any doctrine of industrial civilization life organization, if there was the will of its conceptual power.

[187] Once on TV they said that this is how comic actor of the 20th century, Charles Spencer Chaplin called Adolph Schicklgruber-Hitler. Schicklgruber is the Hebrewish surname, originating from the sobriquet «schickl-gruber», that stuck to the Hebrew, collecting the «schickl», internal tax in the Hebrewish community, which was established by the rabbinate.

Hitler is no more than a schicklgruber. His surname is the sign for those who understand the backstage history. «Holocaust» is the religious myth for the crowd as the continuation of the project «Moustached Clown»: it is cynical, but this is the truth of backstage history of the biblical civilization. Somehow involved in the backstage history, C. Chaplin parodied A. Hitler in the movie “Great Dictator”. Its full version was restored by the USA on the basis of computer technologies and shown on 17.02.2002 at Berlin film festival.

«According to the initial Chaplin’s idea, the final scene of the movie would show the fraternization of the hostile armies, and the soldiers would dance together. But he had to reject this idea due to technical difficulties concerned with the shooting of this scene (what could be difficult in it? — (comment supplied by the authors when citing). Instead, at the end of the film, Charlie Chaplin (who plays two parts in the film — the part of Hebrew hairdresser and the part of dictator Adenoid Heinkel) delivers monologue calling to the peace on the planet (on behalf of who: Hebrewish hairdresser and Hebrewish dictator— the clown who had fooled simple-minded German nationalists and "anti-Semites" (like H. Ford) of the whole world? — (question supplied by the authors when citing). (…)

Chaplin had been working on the film “Great Dictator” for over a year; he had been shooting the film at his own expense. After the film distribution it became one of the most commercial films. In 1940’s it broke all the records of handles in the USA and Great Britain» (Advertising-and-Information Agency “Novosti”, 18.01.2002, report about discovery at the cellar of C. Chaplin's house (in Switzerland) an amateur film with the episodes of Chaplin's shooting “Great Dictator”).

The war was under way, people died on the front lines and in the back areas, concentration camps were operating, but attitude of the Hebrewish “elite” (one of the spokesmen of which was Ch.S. Chaplin) was ironical…

The ones who would like to retort and stand up for Ch. Chaplin should know that derided evil does not cease to be evil and not only does not cease to be dangerous, but becomes still more dangerous, because is perceived ridiculous, but not dangerous and threatening.