Praise for the novels of

CHRIS JORDAN

“Harlan Coben meets Mary Higgins Clark—that’s Taken. [It] will send chills up your spine.”

—Steve Berry

“A skillful storyteller, Jordan keeps the action constant.”

—RT Book Reviews

“One of the short list novels for thriller of the year.”

—Midwest Book Review on Taken

“Shouldn’t be missed; with its plethora of thrills, engaging characters, and fast plotting, it has all that’s needed…to make for a late night.”

—New Mystery Reader Magazine on Taken

“Jordan takes the action one step beyond.”

—RT Book Reviews on Trapped

“Puts you in the shoes of the parent going through their child’s teen years and turns it into a great mystery novel.”

—The Bookworm Society on Trapped

“Extremely well written…a very good read, with an interesting twist.”

—Crime Squad on Taken

“Heart-pounding.”

—Publishers Weekly on Torn

Also by Chris Jordan

TORN

TRAPPED

TAKEN

CHRIS JORDAN MEASURE OF DARKNESS

For Lynn, forever and always.

Little Gull Cottage

Prides Crossing, Massachusetts

Being a genius isn’t terribly useful when you’re five years old. Joey understands chord progressions, he sees the shape of music way better than most adults, but has very little understanding of evil in the shape of man. And yet he senses that something is wrong. The bad man has never touched or threatened the boy—all communication comes through the woman—but the man’s very presence makes Joey regress to his old habit of sucking his thumb. A habit he long ago—a year at least—abandoned to please his mother.

Mi Ma. Mommy. Joey last saw his mother two weeks ago, and he worries incessantly that he may never see her again, despite more or less constant reassurance from the woman who is taking care of him.

“Where’s my real mommy?” he asks. It’s his most frequent question, and the only one that matters.

“I told you, sweetie, she had to go away to the hospital.”

Joey nods, his eyes big. “Real Mommy’s okay?”

“She’s fine. She’ll be back in a few days, as soon as she’s all the way better. Okay?”

“Okay,” he says.

“You want to play some more? How about your Mozart, you love Mozart.”

On the verge of tears he shakes his head.

“How about a story. The Phantom Tollbooth? You like that one, don’t you?”

Weeping silently, the boy sucks his thumb and nods.

The scary man has many names. Just lately he’s been calling himself Kidder. He thinks of himself as having a sense of humor, although others might disagree. If the ability to kill without remorse is funny—and it does sometimes make him laugh out loud—then he has a great sense of humor. His present assignment involves keeping an eye on a very special little boy and his caregiver. Great location. A private, oceanfront estate with absentee owners. Less than an hour from the city and yet it’s country quiet, with total privacy and a lovely view of the sea. Easy duty for him, not so much for the woman, who gets all in a tizzy when the boy whines for his real mother.

Kidder doesn’t get it, why the kid won’t stop whining. The little brat has a new mommy, one focused solely on his welfare—a definite improvement on the old one, no question there. He has his special kid-size piano keyboard and his headphones, where he can practice for hours at a time—and only when he wants to, it’s not like anybody makes him. If he’s bored with music he has all the toys in the world, pizza whenever he wants and a big-screen TV loaded with DVDs of his favorite shows. Not exactly a torture situation. More like a trip to his own personal Disney World.

At the moment New Mommy is reading him a story, and when she gets to the end she starts all over again, keeps it up until the brat finally falls asleep.

Kidder thinks it’s funny that when New Mommy puts the kid to bed she calls it “putting him down.” Like he’s a dog at the pound being put to sleep forever. Not that New Mommy would ever do such a thing. She’s all soft and weepy and worried, totally clueless about the real nature of the operation, and comes to Kidder with her eyes wet, like she caught tears from the kid.

“How much longer?” she asks.

“A day. A week. Forever.”

“That’s not funny!”

“It is if I say it is,” Kidder says.

“How long?” she insists.

“Not my call. When Shane says so, that’s when. You know how he is.”

“I need to speak to him,” she says, her voice choking. “I need to talk to Shane. Please?”

He shakes his head, grinning. “You knew it was a one-way deal when you signed up. No calls to him. Not from me, not from you, not from anybody. That’s the only way to keep the boy safe. I explained all that.”

“I know, I know, but it’s making me crazy.”

“Yeah? I’ll make you crazy. Me and Wee Willie Winkie. Come on over here and sit on my lap.”

“You’re disgusting!”

That makes Kidder laugh. He makes the same sound when killing, a jagged, high-pitched giggle as sharp and sudden as a bag of razor blades. Not that he’s going to kill the woman or the brat.

Not yet anyway. Not today.

When it does happen, he’ll try to make it fun for everyone.

Contents

Part 1. The Last Kid Finder

Chapter One: The Trunk Thing

Chapter Two: Tea & Sympathy, Not

Chapter Three: The Very Private Investigator

Chapter Four: The Rest of Forever

Chapter Five: Free Thought Radicals

Chapter Six: Why Murder Is like Real Estate

Chapter Seven: She Needs the Knowing

Chapter Eight: The Bad Boys Club

Chapter Nine: What the Cat Lady Said

Chapter Ten: Promises to Keep

Chapter Eleven: Where It Gets Complicated

Chapter Twelve: Waves of Water, Waves of Light

Chapter Thirteen: Life Is Short But She’s Not

Chapter Fourteen: The Invisible Man Revealed

Chapter Fifteen: Mrs. Beasley Presents

Chapter Sixteen: Baked Alaska

Chapter Seventeen: In the Name of Shane

Chapter Eighteen: Gaba-dabba-doo