Image, status, appearance: they were all that mattered to her. That had been the way of it since the day her Aunt had assumed responsibility for Chiara and her sisters when their father had died. The girls had been bred as socialites, glittering little trophies used to proclaim the family’s respectability. What a laugh! Violet obsessed about it. She subscribed to the Tatler and lived by the social diary written by “Jennifer”, plotting the key events of the season and doing everything she could to have the girls included. Chiara had witnessed it twice before, with her sisters, and knew it was coming for her, too. The season ran from late spring through to autumn, and included Ascot, the Queen Charlotte Ball and the Dublin horse show. Most mothers put their daughters through the ordeal in the hope of landing an eligible husband. Violet didn’t care about that. She toted the sisters as a means to ingratiate herself with high society.

Chiara thought about all of that until dawn broke. She gave up the pretence of sleep, pulled on a robe and went downstairs to find a glass of water. It was cold. Hargreaves always thriftily turned down the heating at night. She heard the sound of movement in the kitchen and tentatively pushed at the door. “Hello?”

Edward Fabian was at the sink, running himself a glass of water. He was wearing pyjamas and one of Joseph’s old robes, the yellow material thick and a little worn, full of military frogs and tassels. “Oh––hello,” she said. Her face broke into a smile. “Can’t sleep?”

“My head––it’s a little sore.”

“Mine too,” she laughed. Edward took a second glass, filled it and handed it to her. “Did you enjoy yourself?”

“Oh, yes. Very much.”

“I’m pleased. Thank you for coming. It’s lovely to see my family, and George and Violet’s friends are very kind, of course, but it’s nice to have people my own age.”

“That’s very kind, but I’m afraid I haven’t been twenty-one for rather a long time.”

“Nonsense.”

“I’m afraid not.”

He was standing in the light of the wide window above the sink. She looked him over: he did look rather the worse for wear, unshaven and with red-rimmed eyes, but he was tall and good-looking and he had looked rather dashing last night, even in his tired suit. The fact that he had obviously fallen upon hard times was quite romantic. She would have liked to have sat at the table with him and Joseph. They were the loudest and most raucous, and had obviously had the most fun.

“Do you like the house?”

“What I’ve seen of it is splendid.”

“You haven’t had the tour?”

“We arrived a little late for that.”

“Would you like to see the rest? I could give you a quick look around, if you have time?”

“That would be lovely.”

They started in the hall, with its long run of polished marble, scuffed near the skirting. Chiara led the way to a closed door and opened it, revealing a gloomy room that, once she pulled back the curtains that covered the window at the far end, was revealed as a modest library. The carpet was threadbare, disfigured by worn stretches that revealed the boards beneath. Ghostly pale markings revealed furniture that had once been there but had since been sold. Chiara had forgotten how tired and jaded the room looked and, for a moment, was a little embarrassed by it. Edward was gentlemanly enough not to comment; instead, he pulled aside the sheet that covered a shelf and took out a book. “Dickens,” he said. “Great Expectations. One of my favourites. This is a lovely room, Chiara.”

“It’s seen better days,” she said. “I remember, when I was a little girl, my father used to spend all of his time in here.” She didn’t mention that her father couldn’t read, but that he just liked to know––and, more importantly, for other people to know––that he owned a room full of books. She closed the curtains again and led the way into the neighbouring room, accessed through an interconnecting door. It was an office, panelled in oak and with ornately carved plasterwork on the ceiling. A large oak desk was set in one corner but it was unused, covered in dust and a confusion of papers that hadn’t been disturbed for months.

“The whole house has seen better days,” she admitted. “There used to be staff here. We’ve still got Wilson, just about, and there’s a woman who cooks for us and her husband keeps an eye on the gardens, as much as he can manage, but I can remember when we had half a dozen staff.”

“What’s happened so that you don’t?”

“Money. I don’t get involved in business but my aunt says that times are difficult. There’s a lot of competition––more than there used to be.”

Chiara didn’t tarry, exiting into the hallway again and leading the way through a curtained arch to a flight of stairs that led down to the basement. She pointed out the fusty-smelling boot-room, a lavatory, the large kitchen with an Aga and rickety wooden dressers.

They returned to the ground floor and Chiara directed them to the vaulted staircase. She pointed out the half dozen portraits that were hung from the wall on the sub-landing.

“Who are they?” Edward asked.

“The owners of the house. The paintings were left behind when my grandfather bought it.” That was a polite way of putting it. The Costellos had acquired the house in their usual aggressive fashion and there had been no opportunity for the seller to retrieve any of his furniture or other possessions. What they liked, they kept. The rest was sold or burnt. These paintings, which had appealed to her grandfather’s sense of history, had been reprieved from the bonfire.

She pointed to the first, a portrait of a severe-looking cleric. “This is the Bishop of Worcester. The house was built for him in the fourteen-hundreds. This one, I think, is Edmund Lawrence, who leased the house from the manor. This one is Robert Fielding, who married Lawrence’s daughter, and he left it to his eldest son, Charles, here. From the Fieldings it passed to the Roberston Family in the late eighteenth-century. Industrialists. My grandfather bought it from the second Robertson to own it.”

“This is him?”

“Yes, that’s grandfather.”

Edward pointed to the next one along. “Your father?”

“Yes.”

“My goodness,” Edward said. “Joseph looks like both of them.”

That much was indisputable. She looked at her father’s portrait and saw, quite clearly, the same thick black hair, cold eyes, the solid lines of the cheekbones and jaw, the same warm complexion. The resemblance was noticeable with their grandfather but it was clear and obvious with their father.

“And these two I recognise.”

“Ah,” Chiara said. “Yes.” The last portrait of the collection was the most recent. George and Violet had been painted together in the library a few months after her father had died and her aunt had moved in. They were sat next to each other, dressed in their Sunday best, both of them presenting stern expressions that came dangerously close to pomposity. The artist was a bit of a hack, despite the price that he had charged, but it wasn’t the lack of skill that was embarrassing. It was the presumption of the thing, the notion that, even after a couple of years, their picture should join the other owners of the house. The whole blessed thing was foolish from start to finish and Chiara hated it. She had forgotten it was there and now she was embarrassed to have drawn attention to it.

“Have you seen the gardens?” she said, eager for a chance to draw Edward away.

“Joseph and I took a stroll last night.”

“But it was dark then. You should have a look now––they’re lovely. Best part of the house if you ask me. Come on, I could do with the fresh air.”

A door at the end of the hall opened onto a set of flying stone steps that led down to a terrace. They stopped at the boot room and took a pair of Wellingtons each, pulling them on over the top of their pyjamas. Chiara led them on, down the steps and onto the south lawn. It was trimmed, bordered with shrubbery and low flowers and studded with croquet hoops. Two large English elms, barely under control, stood at the edge of the grass. To the east, around the corner of the house, was the large gravelled space where the cars had been parked. Beyond that were a collection of outbuildings: a barn, the garage and the stable block.