‘So you can’t think of anywhere else she might’ve gone.’
“I don’t know, man. If I did, I’d tell you.’
‘Okay, okay. Who else can I ask?’
‘What?’
‘She has to have a best friend, right? Who would she talk to
when she was complaining about you?’
‘She didn’t complain.’
‘Then you must’ve been the perfect boyfriend.’
‘Alicia North. They’d go shopping all the time and they’d
complain about men. Rachel said she did it more for Alicia than for herself. But Alicia didn’t see her that day. I think Rachel did it because she loved shopping. It was kind of annoying. She used to make all these damn impulse buys.’
‘Where does Alicia live?’
“I don’t know. I haven’t spoken to her since.’
‘Ever heard of a woman called Julie Thomas?’
‘Umm … not that I can think of. Is she a student here?’
“No. You sure you haven’t heard of her?’
‘Yeah. Why?’
‘She went missing around the same time as Rachel. What
about Jessica Shanks?’
‘She go missing too?’ he asks.
‘You heard of her?’
He shakes his head.
‘What about Bruce Alderman?’ I ask.
‘Alderman? Umm … no, I don’t think so. Should I have?’
“I don’t know’
‘Did he kill Rachel?’
‘I’m not sure.’
‘Can’t you interrogate him or something?’
‘He’s dead. He shot himself last night. But he says he didn’t do it.’
He stops pacing. ‘What? He shot himself? I … umm … do
you believe him? That he didn’t do it?’
‘Enough to keep looking into it.’
‘Her mum thinks it was me.’
“I know’
“I didn’t do it.’
I look into his eyes. There is sorrow there, I recognise it and I feel it, and though he doesn’t know it, that sorrow is a bond between us. He isn’t acting. His pain is real. Real enough that if I put him in the room with the man who killed Rachel, he would become a completely new man. He would cross a path that he
could not turn back from, and it wouldn’t bother him. He’d cross it again and again if he could.
“I know.’
‘And that Harry dude, what happened to him?’
‘Henry Martins. We’re not sure exactly. Look, David, don’t try to get back to sleep. The cops are going to be here soon. Just tell them what you know’
‘You’re not a cop?’
I hand him my card and take the ring back off him. “I used to
be, but that was a long time ago.’
chapter sixteen
There are no police cars parked outside the Tyler house. They’ve either been and gone or are on their way. There is, though, a car parked up the driveway that wasn’t there last night. Probably the husband. He’d have got the call seconds after I left last night, and rushed home. He didn’t put the car away. Didn’t get up this morning to go and move it. He’s waiting inside with his wife,
waiting for the news. Waiting to hear about his dead daughter.
I check my phone. It has one bar of battery life, three bars of signal, but it still hasn’t been connected to the network.
The door is opened before I get to it. Patricia Tyler’s wearing the same clothes she had on yesterday. She probably slept in them.
Or hasn’t slept at all.
‘Something’s happening, isn’t it,’ she says.
‘Yes.’
‘We’re finding out today, aren’t we?’
‘Yes.’
‘Did you know yesterday? When you came to my house, when
I let you inside. Did you know my daughter was dead?’
“I suspected.’
‘Yet you said nothing.’
‘I’m sorry’
‘You’re sorry’ she says, and her voice is calm and even, tired sounding. ‘They called fifteen minutes ago. They didn’t say
anything, but I could tell. They’re on their way to speak to us.’
There is nothing I can say to make her feel any better, so I say nothing. I wait her out, knowing she hasn’t finished.
‘You’re sorry, yet you came in anyway. You made me believe
there was a chance my daughter was still alive.’
I didn’t make her believe anything. I could have shown up
with her daughter’s hand in a plastic bag along with the ring and she’d still have held out hope. I think she’s still holding out for it now.
‘Can I come in?’
“I don’t think so.’
A man killed himself in my office,’ I say. ‘It was last night. He put a gun to his head and told me he had nothing to do with what happened to Rachel, and then he pulled the trigger.’
She doesn’t look shocked. Doesn’t look satisfied. She just looks tired, as if anything and everything is too much for her now. ‘I saw you on the news,’ she says. ‘It didn’t make you look good. Do you think he killed Rachel?’
‘He might’ve been lying. You can never have justice for what
happened, but this is as close to it as you can get. But if he was telling the truth, then there is still somebody out there who has to pay. That’s why I’m here. For Rachel’s sake.’
‘For Rachel’s sake,’ she repeats, and there is no inflection in her voice, and I can’t get a read on her reason for repeating it. ‘That reporter,’ she goes on. ‘She said your daughter was killed. So you know. And maybe that pain we share will take you further than
the police. Maybe it will make you fight harder for Rachel.’
She leads me through to the lounge. Her husband, an
overweight guy with grey hair and dark shadows beneath his
eyes, stands up from the couch, seems about to shake my hand,
then pulls it back as if the contact will taint the news he’s about to get.
‘Were you the one who found her?’ he asks.
‘Yes.’
How…’ He looks down, studies the carpet for a few moments
as if it’s going to save him from something, then carries on without looking back up. ‘How’d she look?’
It’s the same question the boyfriend asked. They want to hear
that she looked at peace, that she still looked good for a girl who was murdered two years ago. Only she didn’t look good. She
looked like she died hard.
‘Like she was asleep,’ I say, hoping they’ll believe the lie,
hoping that when they plead with the detectives to see her body they won’t be allowed to.
‘It’s hard to believe she’s really dead,’ he says, looking back up. His face is rigid, void of hope. Except for his eyes. His eyes are haunting. I have to look away. ‘It ought to be easier,’ he adds.
‘You’d think two years would have prepared us for this.’
He probably knows exactly how many days it’s been. I think
of my wife and daughter, and I think about what the last two
years have prepared me for. Fate came along and destroyed the
Tyler family, and a week later it destroyed mine.
‘People keep saying that time heals all wounds,’ he says. ‘They say we should get on with our lives. Like we’re just supposed
to forget all about Rachel. Like we’re supposed to give up on
wondering. Give up on our hope. They don’t get it. They think
it’s like losing a puppy or misplacing car keys. They talk without experience; they offer advice, thinking they know what we need to hear, sure that the best thing for us is simply to move on.’
‘But you know all of that, don’t you,’ Patricia Tyler says.
‘Why are you here?’ her husband asks.
‘For Rachel.’
‘Shame you weren’t there for her two years ago,’ he says.
‘Michael…’
‘I’m sorry. It’s just that, well …’ He doesn’t finish. He sits back down in the couch and starts to look around the room as
though he’s misplaced something.
‘I’ve spoken to David,’ I say.
‘You spoke to David!”
‘He said that Rachel liked to shop.’
Patricia looks to her husband. They stare at each other, the kind of look a couple share when trying to decide whether to let the rest of the world in on the big secret. It’s an innocent statement which I’m sure will have an innocent answer, but they’re both