All of these activities the painter accompanied by a steady flow of chatter. “I don’t like to disappoint a man of your stature,” he said, as he let his eyes travel over Akitada’s body. “Both figuratively and literally. Those are very nice muscles. I am strong for my size, but I hate to think what trouble you would have been without the sleeping draught.”

Akitada managed only a faint growl from behind the stinking rag in his mouth.

Noami laughed. “I would enjoy a conversation, but it’s not advisable. I live like a hermit here, and I doubt anyone would pay attention to your screaming, but then you never know. By the way, your son seems to have disappeared. I was sorry to lose him. A child is always much more effective in conveying horror than a grown man, though a nobleman of your stature should make a rather neat point. On the other hand, Yori was such a charmingly pampered child. A child of a noble house. All my previous subjects have been the spawn of untouchables.”

Without his efforts to stretch the rope, Akitada was beginning to shake again. His relief at Yori’s escape from this maniac was tempered by the knowledge that, even if he managed to loosen the rope enough to free himself, he would by then be in no condition to defend himself, let alone walk away. Dear heaven, what did Noami have in mind?

“I expect you are afraid,” the painter said, sketching rapidly with his brush while casting sharp glances at Akitada. “Yes, I can see it in your eyes.”

Akitada attempted a glare and another grunt of protest.

“No? I don’t believe you. Your situation is quite hopeless, you know. You cannot get away from me, and soon even your sturdy constitution will succumb to the frigid temperatures.” He glanced about him. “Regrettable that the snow did not last. But what I need for my last panel, for my hell of ice, is the suffering produced by freezing to death. You, my lord, will be immortalized.”

Akitada did not think that he would freeze to death very readily. Perhaps the man would be satisfied with some sketches and untie him when he was done. If Noami was the slasher, and there was little doubt he was, he had never actually killed any of his victims, though some had died from their wounds. Some remnant of his Buddhist training probably caused him to shy away from actual murder.

Noami paused to stare at Akitada. “You asked for this, you know,” he said. “If you had not started snooping at the temple, we might never have met. But you could not leave it alone. You had to come here, claiming to be a customer! Hah! I’m not such a fool that I could not tell you wanted to inspect my studio for evidence. Then I caught you back at the temple, asking more questions. I suppose the abbot asked you to investigate? I thought he looked at me strangely after he saw the first panels of the screen. Imagine my shock when I came to your house and saw a girl there that I’d used as a model for the hell of knives. I heard you calling me a slasher, a common criminal! That was when I was sure that you were about to call in the police, and I could not let you do that. Not before my screen was completed.”

Akitada’s foolish hope that Noami might be satisfied with a few sketches collapsed. Noami would not let him go. There was nothing left now but the feeble hope that Yori somehow would make people understand where his father was.

“Hmm,” said Noami, looking at his sketch critically and nodding. “This will have to do. More extreme suffering will have to wait till later.” He held up the sketch for Akitada to see.

Akitada did not recognize himself in the pitiful, twisted creature suspended from a bare branch. Was his face really so contorted? He attempted to straighten up.

Noami grinned. “My compliments on your self-control, by the way. Your position must be quite painful by now.” He rose and came to check Akitada’s bonds again. “Tsk, tsk. You’ve been pulling on the rope. All you accomplished was to tighten the knots on your wrists. Your hands are already blue and quite swollen. I doubt if you have any feeling left in them. You should be safe enough.” He suddenly cocked his head and listened, then turned abruptly and padded off into the garden.

Akitada immediately returned to jerking on the rope. He discovered that he could manage ten sharp pulls before the pain on his wrists and arms became too great and he had to rest. At least he had some leverage by now. Sweat was running down his face despite the cold. He thought at first it was blood, that somehow the cold had thinned his skin until the slightest exertion cracked it wide open. Relieved that it was not, he began his routine again. There was a little more slack than before. Blood started trickling from his wrists again, but he did not care and gave more and harder pulls on the rope. By now his whole torso was a mass of fiery pain, and he was almost certain he had dislocated both of his shoulders, but he finally had some hope that he might have enough purchase to loosen his bonds or break the rope.

He had hardly thought this when the painter reappeared, muttering to himself. He was carrying two heavy pails and some rags. The pails he set down next to Akitada and, dropping the rags into the first pail, he began to wash Akitada’s body down.

Although he was thoroughly chilled already, the shock of the icy water was so great that Akitada groaned and flinched back violently. He could not fathom the purpose of this bath. If Noami wanted to get rid of the blood, he had no need to wet his head, chest, and abdomen.

When Akitada was completely wet, Noami moved the second pail next to Akitada’s feet, then bent to lift them into the pail.

Having his legs knocked out from under him pushed Akitada forward, his whole weight suddenly suspended again from his raw wrists and damaged shoulders. He screamed in agony, a muffled groan because of the gag, and closed his eyes against the excruciating pain which ran down his arms to the rest of his body like hot lightning. When his feet touched ground again and took the weight from his arms, the relief was so enormous that he did not realize right away that Noami had inserted his bound feet into a pail of freezing water halfway up his shins. He shrank into himself, then flinched violently as Noami draped the icy cloths about his bare body, covering him from his head to his hips.

When the wet cloth slapped against his nose and cheeks, robbing him of sight and air simultaneously, his terror was so great that he reared up, and the back of his head somehow struck Noami. He heard a sharp cry, and then felt a vicious blow to his head, which made him sag abruptly. He almost wished for unconsciousness at that moment, but Noami had been careful. He still needed him, needed him conscious and in agony.

Akitada could not see, but when Noami had struck him he had loosened the wet cloth on his face enough that he could breathe. He heard Noami muttering as he moved about.

“There,” he said suddenly quite close to Akitada’s ear as he adjusted one of the wet rags, “that should freeze nicely to your skin in the next hour. Not quite as natural as chaining you in a frozen pond, but I expect to see much the same expressions of pain and fear. It is very difficult to arouse certain emotions through art, but people will see my hell screen and be terrified. Nothing moves one’s heart like utmost terror and pain in the faces of other creatures. Terror has many faces, you know. Its variety would surprise you. I am quite curious how you will look when I return. If the effect is as fine as I hope, you will occupy the foreground, a lesson to all sinners. Through my art, the terror of one person, you, becomes the terror of all who see you, and terror is the only emotion which moves men’s hearts from sin. Thus a small sacrifice produces a great good. Now do you under… ?”

The rest was drowned out by the gush of icy water from the other pail. It hit Akitada squarely across head and shoulders and soaked his whole body.