I dropped trou in the weeds, above a septic depression rimmed by moon and the headlights of my rental Daewoo. Just as I unleashed my stream I noticed the stones, I was pissing on the stones, a cemetery of nubby slabs askew and overgrown, desecrated by the weather or Poles, and just ahead was my own, it was my gravestone, rather it was a sandstone marker belonging to Yehoshuah ben David Ha-Cohen, whose dates had been abrased yearless though the rest was still legible, Adar 14–Tevet 4. This wasn’t just my Hebrew name, but also the deathday was the same as my birthday by the Hebrew calendar. By the time I’d made the calculations I was trickling. Zipping, buttoning up. Yiddish might have a word for “both strange and expected,” or German, “expectedly strange”: the banality of names, the banality of numbers (I went to make a rubbing but it didn’t take) (and my camera’s flash was broken).
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Archaeology—that’s what I’m doing in the Emirates—what else is there to do in the desert? except excavate through bone and bed, toward a terminal stratum, an inaccessible anticline depth? I won’t fully love a woman unless I’ve done this, unless I’ve dug between her legs. A site. I have to wave my spade around seeking the who and where and when of her. Who was here, or there. First, last, longest, shortest. The Chaldeans? The Sumerians or Akkadians, Assyrians or Babylonians? One of the Canaanite tribes, like the Moabites? Or just a bluechip Jewish Philistine from Central Park West?
This was my field—I’d fuck someone new, some casual bar score from Barnard, or The Factchecker for Bloomberg News, who held that title for an unprecedented 1994–98, and the moment I was finished, with her lying next to me unsatisfied or in the bathroom already flushing and clitting off, I’d be asking about her partners, asking what she liked, what she didn’t, and if she’d answer at all it’d be abashedly—but still I’d press, barter, bribe, shovel atop my own carnalities, overplaying myself until my mid-20s, downplaying intensively by 30, not because I was so experienced, just wiser. But then by that age my women were too, and they understood and manipulated my appetite. Giving me the grittiest on exactly precisely how many men they’d fucked before me, how many times and in what locations for what durations, simultaneously, or separately, ages, races, physiques, with what appendage sizes in which positions in which orifices—was it good? who was better? grand total of orgasms? their intensities? and whatever their pasts, I’d suffer through them, until I’d find the strength to live up to them.
Which was the thing with Rach—with her I dug harder than ever, and turned up all of what? Comedy club stubs from dates she’d had with retirement age tax lawyers and radiologists, a taxi receipt in return from a tryst with her graymaned counterpart at a competing agency, the baggy condom of a dentist and family friend.
They treated her like an equal, that’s what she swore—that’s the truth of it. Just like everything she writes for her campaigns is true—it has to be. The best electronics won’t obsolesce with their production. The top refrigerator/freezers won’t expire before the eggs inside them. The acclaimed bouncy bath toy will never suffocate a child. Rach, of the monochrome suits, the locavore dairies and cauline greens, the classes in bhangra, hatha yoga, and the Audi whose space rented for twice my office—her talent was for enthusiasm, with a specialty in revisionism, in her men as in her ads, and if she didn’t find the explanations she was after, up at a client’s HQ, or down in its labs, in the market testings, or at the brandjob rounds of her fellow creatives, she didn’t hesitate to invent.
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History has always privileged the civilization—shunning nomadism, tribalism, all the existential bachelorhoods.
A people’s legitimacy is derived from its artifacts. Even a relationship isn’t a relationship unless it’s left behind its trash.
Knives, forks of diverse tines, spoons, a ladle. Shards, sherds—from the same or different pots? did this dish catch the spray of human sacrifice or was it used to prepare a corny gruel (I had similar quandaries at the fancier spots in London and Paris)?
Impossible to grasp the development of the handle: that improvement that made handheld blades of basalt, which before had cut only the closest things, now cut violently at a distance, as axes, spears, and arrows—the handle, the innovation that made vessels move. Impossible to come to grips with how its perfectability endures: the wheel becoming the halfwheel of the handle? metaphorized into the handle that posts and chats, gropes virtually?
In that sense, women, vessile women, posed a threat.
The wife I was supposed to fuck, but had no desire to fuck, had no handles (ancient, modern), whereas the nonwife I wasn’t supposed to fuck, but had this uncontrollable desire to fuck immediately in one of the Met’s least frequented galleries—#547 for the bergère, the #400s of Mesopotamia, rattling the ewers in American Wing parlor interiors—had an abundance of handles: she had a waist and clefts, posterior juts, a jug’s taper beneath the jugs, and it was death to decide which to hold, and how (very ancient, very modern).
Once Lana wrote an essay for an exhibition catalog, which means I helped, inhibited. The show concerned an archaeological controversy, and presented a pair of prehistoric remains from Chile’s Atacama found intact, but evincing no sign, or no “evident sign,” as we phrased it, “of having been purposefully mummified or otherwise preserved.”
The remains were of a man and wife, a couple, presumably, and, if so, their serene condition was doubly inexplicable. Some scholars pointed to the geochemical composition of the quebrada cavern they’d been found in/buried in, something to do with salts. Others pointed to the holes bored into their skulls, as being too alike to have been the cause of their deaths, and to the fragments of hair found in the brain cavity of the male, which defied all tests until one finally identified them as a llama’s. Our walltext, at least, had no agenda—it just stated the case, the state of the research, the arguments for and against intentionality, cagey.
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My own Pharaonic entombment, a Caliph Suite at the Burj:
—clothing, the basics concierged in Paris from American Apparel, from London an outrageous suit in barcode gingham, an albion basketweave shirt, and a tie frauding me in the regimental colors of the First Royal Dragoons, Savile Row.
—a cache of Europorn, bilingual and lesbically bisexual, purchased in London and Paris (Great Windmill & Brewer, Soho, Rue des Archives, Fourth Arrond.), after Aar had emailed a reminder that the Emirates curtailed access to certain niche haunts online, which didn’t stop me from tempting that access: trying workarounds, proxy IPs, any way to evade (any way not to consult Principal).
—purchased from the dutyfree, four cartons of cigs (Camel Lights), and a bottle each of scotch, whiskey, and vodka (I’ll identify the vodka, which was Gorbachev, which was horrid), after Cal had emailed that the Arabs who’d invented it—al-Cohol—now sell it only to foreigners, not in bottles but by the bankrupting glass.
—one pill left in the bottle of Ativan, a half going to gauze in the bottle of Xanax (the tradenames for lorazepam and alprazolam, which remind me of genie or djinni incantations, abracadabra, alakazam).
—a candybar, put on a creditcard, a receipt for a $6 candybar (Toblerone the size of an alpenhorn).
—two pairs of shoes, dressy and less, an unmatched aquasock crept in, Dad’s watch.
—a wallet I haven’t much used, keys to an apartment I’ll never use: W. 92nd 2 br/ba, prewar/newly renovated, move-in condition, spare room prefurnished with a crib and daubed in a pink that insists on not just a baby but a girl, even as Broadway dawn and Hudson dusk ensanguines.