“It’s high time for you to get back into some sort of a routine. Tomorrow. I know it doesn’t seem so, Theo,” she said when I didn’t answer, “but keeping busy is the only thing in the world that’ll make you feel better.”

Resolutely I stared at the television. I hadn’t been at school since the day before my mother died and as long as I stayed away her death seemed unofficial somehow. But once I went back it would be a public fact. Worse: the thought of returning to any kind of normal routine seemed disloyal, wrong. It kept being a shock every time I remembered it, a fresh slap: she was gone. Every new event—everything I did for the rest of my life—would only separate us more and more: days she was no longer a part of, an ever-growing distance between us. Every single day for the rest of my life, she would only be further away.

“Theo.”

Startled, I looked up at her.

“One foot after the other. There’s no other way to get through this.”

The next day, they were having a World War II spy marathon (Cairo, The Hidden Enemy, Code Name: Emerald) that I really wanted to stay home and see. Instead, I dragged myself out of bed when Mr. Barbour stuck his head in to wake us (“Up and at ’em, hoplites!”) and walked to the bus stop with Andy. It was a rainy day, and cold enough that Mrs. Barbour had forced me into wearing an embarrassing old duffel coat of Platt’s over my clothes. Andy’s little sister, Kitsey, danced ahead of us in her pink raincoat, skipping through puddles and pretending she didn’t know us.

I knew it was going to be horrible and it was, from the second I stepped into the bright hall and smelled the familiar old school smell: citrus disinfectant and something like old socks. Hand-lettered signs in the hallway: sign-up sheets for tennis lab and cooking classes, tryouts for The Odd Couple, field trip to Ellis Island and tickets still available for the Swing into Spring concert, hard to believe that the world had ended and yet somehow these ridiculous activities kept grinding on.

The strange thing: the last day I’d been in the building, she was alive. I kept on thinking it, and every time it was new: last time I opened this locker, last time I touched this stupid fucking Insights in Biology book, last time I saw Lindy Maisel putting on lip gloss with that plastic wand. It seemed hardly credible that I couldn’t follow these moments back to a world where she wasn’t dead.

“Sorry.” People I knew said it, and people who had never spoken to me in my life. Other people—laughing and talking in the hallways—fell silent when I walked by, throwing grave or quizzical looks my way. Others still ignored me completely, as playful dogs will ignore an ill or injured dog in their midst: by refusing to look at me, by romping and frolicking around me in the hallways as if I weren’t there.

Tom Cable, in particular, avoided me as assiduously as if I were a girl he’d dumped. At lunch, he was nowhere to be found. In Spanish (he sauntered in well after class started, missing the awkward scene where everyone crowded somberly around my desk to say they were sorry) he didn’t sit by me as usual but up front, slouched down with his legs thrown out to the side. Rain drummed on the windowpanes as we translated our way through a series of bizarre sentences, sentences that would have done Salvador Dalí proud: about lobsters and beach umbrellas, and Marisol with the long eyelashes taking the lime-green taxi to school.

After class, on the way out, I made a point of going up and saying hi as he was getting his books.

“Oh, hey, how’s it going,” he said—distanced, leaning back with a smart-ass arch to the brow. “I heard an’ all.”

“Yeah.” This was our routine: too cool for everyone else, always in on the same joke.

“Tough luck. That really bites.”

“Thanks.”

“Hey—shoulda played sick. Told you! My mom blew up over all that shit too. Hit the fucking ceiling! Well, er,” he said, half-shrugging in the stunned moment that followed this, looking up, down, around, with a who, me? look, like he’d thrown a snowball with a rock in it.

“Anyway. So,” he said in a moving-right-along voice. “What’s with the costume?”

“What?”

“Well”—ironic little back-step, eyeing the plaid duffel coat—“first place, definitely, in the Platt Barbour Look-Alike Contest.”

And despite myself—it was a shock, after days of horror and numbness, an eruptive Tourette’s-like spasm—I laughed.

“Excellent call, Cable,” I said, adopting Platt’s hateful drawl. We were good mimics, both of us, and often conducted entire conversations in other people’s voices: dumb newscasters, whiny girls, wheedling and fatuous teachers. “Tomorrow I’m coming dressed as you.”

But Tom didn’t reply in kind or pick up the thread. He’d lost interest. “Errr—maybe not,” he said, with a half-shrug, a little smirk. “Later.”

“Right, later.” I was annoyed—what the fuck was his problem? Yet it was part of our ongoing dark-comedy act, amusing only to us, to abuse and insult each other; and I was pretty sure he’d come find me after English or that he’d catch up with me on the way home, running up behind me and bopping me on the head with his algebra workbook. But he didn’t. The next morning before first period he didn’t even look at me when I said hi, and his blanked-out expression as he shouldered past stopped me cold. Lindy Maisel and Mandy Quaife turned at their lockers to stare at each other, giggling in a half-shocked way: oh my God! Next to me my lab partner, Sam Weingarten, was shaking his head. “What a dick,” he said, in a loud voice, so loud everybody in the hall turned. “You’re a real dick, Cable, you know that?”

But I didn’t care—or, at least, I wasn’t hurt or depressed. Instead I was furious. My friendship with Tom had always had a wild, manic quality, something unhinged and hectic and a little perilous about it, and though all the same old high energy was still there, the current had reversed, voltage humming in the opposite direction so that now instead of horsing around with him in study hall I wanted to push his head in the urinal, yank his arm out of the socket, beat his face bloody on the sidewalk, make him eat dogshit and garbage off the curb. The more I thought about it, the more enraged I grew, so mad sometimes that I walked back and forth in the bathroom muttering to myself. If Cable hadn’t fingered me to Mr. Beeman (“I know, now, Theo, those cigarettes weren’t yours”)… if Cable hadn’t got me suspended… if my mom hadn’t taken the day off… if we hadn’t been at the museum at exactly the wrong time… well, even Mr. Beeman had apologized for it, sort of. Because, sure, there were issues with my grades (and plenty of other stuff Mr. Beeman didn’t know about) but the inciting incident, the thing that had got me called in, the whole business with the cigarettes in the courtyard—whose fault was that? Cable’s. It wasn’t like I expected him to apologize. In fact it wasn’t like I would have said anything to him about it, ever. Only—now I was a pariah? Persona non grata? He wouldn’t even talk to me? I was smaller than Cable but not by a lot, and whenever he cracked wise in class, as he couldn’t prevent himself from doing, or ran past me in the hall with his new best friends Billy Wagner and Thad Randolph (the way we’d once raced around together, always in overdrive, that urge to danger and craziness)—all I could think was how much I wanted to beat the shit out of him, girls laughing as he cowered from me in tears: oooh, Tom! boo hoo hoo! are you crying? (Doing my best to provoke a fight, I cracked him in the nose accidentally on purpose by swinging the bathroom door in his face, and shoved him into the drinks dispenser so he dropped his disgusting cheese fries on the floor, but instead of jumping on me—as I longed for him to do—he only smirked and walked off without a word.)