Ace Books by Charlaine Harris

The Midnight, Texas, Novels

MIDNIGHT CROSSROAD

DAY SHIFT

The Sookie Stackhouse Novels

DEAD UNTIL DARK

LIVING DEAD IN DALLAS

CLUB DEAD

DEAD TO THE WORLD

DEAD AS A DOORNAIL

DEFINITELY DEAD

ALL TOGETHER DEAD

FROM DEAD TO WORSE

DEAD AND GONE

DEAD IN THE FAMILY

DEAD RECKONING

DEADLOCKED

DEAD EVER AFTER

A TOUCH OF DEAD

AFTER DEAD

Ace Books Edited by Charlaine Harris

THE SOOKIE STACKHOUSE COMPANION

Ace Books Edited by Charlaine Harris and Toni L. P. Kelner

DEAD BUT NOT FORGOTTEN

Ace Anthologies Edited by Charlaine Harris and Toni L. P. Kelner

MANY BLOODY RETURNS

WOLFSBANE AND MISTLETOE

DEATH’S EXCELLENT VACATION

HOME IMPROVEMENT: UNDEAD EDITION

AN APPLE FOR THE CREATURE

GAMES CREATURES PLAY

Berkley Prime Crime Books by Charlaine Harris

The Aurora Teagarden Mysteries

REAL MURDERS

A BONE TO PICK

THREE BEDROOMS, ONE CORPSE

THE JULIUS HOUSE

DEAD OVER HEELS

A FOOL AND HIS HONEY

LAST SCENE ALIVE

POPPY DONE TO DEATH

The Lily Bard Mysteries

SHAKESPEARE’S LANDLORD

SHAKESPEARE’S CHAMPION

SHAKESPEARE’S CHRISTMAS

SHAKESPEARE’S TROLLOP

SHAKESPEARE’S COUNSELOR

The Harper Connelly Mysteries

GRAVE SIGHT

GRAVE SURPRISE

AN ICE COLD GRAVE

GRAVE SECRET

SWEET AND DEADLY

A SECRET RAGE

Berkley Prime Crime Anthologies Edited by Charlaine Harris

CRIMES BY MOONLIGHT

InkLit Graphic Novels by Charlaine Harris

GRAVE SIGHT

InkLit Graphic Novels by Charlaine Harris and Christopher Golden

CEMETERY GIRL: BOOK ONE: THE PRETENDERS

Day Shift _1.jpg

THE BERKLEY PUBLISHING GROUP

Published by the Penguin Group

Penguin Group (USA) LLC

375 Hudson Street, New York, New York 10014

Day Shift _2.jpg

USA • Canada • UK • Ireland • Australia • New Zealand • India • South Africa • China

penguin.com

A Penguin Random House Company

This book is an original publication of The Berkley Publishing Group.

Copyright © 2015 by Charlaine Harris, Inc.

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Ace Books are published by The Berkley Publishing Group.

ACE and the “A” design are trademarks of Penguin Group (USA) LLC.

eBook ISBN: 978-1-101-59881-8

Library of Congress Cataloging-in-Publication Data

Harris, Charlaine.

Day shift / Charlaine Harris.

pages ; cm.—(A novel of Midnight, Texas ; 2)

ISBN 978-0-425-26319-8 (hardback)

I. Title.

PS3558.A6427D39 2015

813'.54—dc23

2014045840

FIRST EDITION: May 2015

Cover illustration © Hugh Syme.

Cover photograph: Clouds © Mr Twister / Shutterstock.

Cover design by Judith Lagerman.

Map illustration by Laura Hartman Maestro.

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

Version_1

To the readers who are kind enough to follow me wherever I may go

ACKNOWLEDGMENTS

I need to thank Dr. Ed Uthman, Dennis DuBois, and Miller Jackson for their advice and information on various issues in this book. And, as always, thanks to Dana Cameron and Toni L. P. Kelner, aka Leigh Perry, for their helpful comments and suggestions.

CONTENTS

Books by Charlaine Harris

Title Page

Copyright

Dedication

Acknowledgments

Map

Prologue

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

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It isn’t the rumbling of the trucks that seizes Manfred Bernardo’s attention; it is the silence that falls when their ignitions die. Big trucks often go through Midnight, slowing to stop for (or speeding up to beat) the traffic light at the intersection of the Davy highway and Witch Light Road. Since Manfred’s rented house lies on Witch Light Road, he’s grown used to the sound until it is simply background music. But the absence of that sound pierces his preoccupation. He’s on his feet and opening the front door before he’s aware of pushing back from his desk. He grabs a jacket from the rack by the door.

Glancing across the road, he sees his friend Fiji Cavanaugh come out into her front garden, which is at its bleakest in January. It’s cold today, by Texas standards, but sunny. Her cat, Mr. Snuggly, a golden tabby, is at his current favorite sunning spot, the base of the pot where Fiji plans to try a gardenia. Even Mr. Snuggly is staring west.

Manfred exchanges a nod with Fiji, who is bundled in a quilted coat. He notes that today she has inexplicably arranged her hair in two dog-ears, like a six-year-old. Then he turns his attention back to the trucks. One is an equipment truck, and it’s laden with building supplies: boards, bricks, electrician’s wire, plumbing pipes, hardware. Two battered white vans have disgorged a clown-car number of small brown men, wearing hoodies they will surely discard as the day warms. Emerging from a Lexus, clearly in charge, is a tall white woman in tan slacks and a blue silk T-shirt. She’s wearing a faux-fur vest. Her thick brown hair is gathered back into a sleek ponytail, and she wears silver earrings and a silver necklace. She also wears glasses, with big square tortoiseshell frames, and her lipstick is an aggressive red.


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