I sure hoped so. Shame on me.

“But you know I can’t. I couldn’t do that to my family and friends. But thank you for asking.” She pulled her hand from my grip and closed the door, which locked automatically.

The limo pulled away, and I looked through the back window, watching her stand there in the street until the car turned a corner and she was gone.

Strange as it might sound, I missed her.

I looked up front to see that the divider window was up; it was tinted, so I couldn’t make out anything about the person driving. I looked around until I found the intercom button, pressed it, and said: “Can you lower the window, please?”

There was a soft click, followed by a low, steady hum, and the window glided downward. There was no one driving. I should have known.

There was, however, a small television mounted on the dashboard, and as the window finished lowering, the screen flickered to life and I was looking at Daddy Bliss’s face.

“This is a pre-recorded message, Driver, so please don’t do anything so pointless and predictable as talking back to the screen. They lock people up for that sort of behavior.

“I’m fairly certain that you’ve by now managed to charm some information from our dear Ciera—I was, in fact, counting on it. So let’s proceed on that assumption, shall we?

“You are being driven to the only stretch of road in our fair metropolis that is smooth blacktop from beginning to end. A three-mile straightaway that my children long ago named ‘Daddy’s Dead Run’. A bit over-the-top, I know, but their hearts were in the right place and I’ve never been able to bring myself to tell them that I think it’s a silly, melodramatic name, but what is one to do?

“Once this limousine—and isn’t it a lovely vehicle? You should help yourself to some snacks and the wet bar, both are well-stocked. Now, where was I? Ah, yes.

“Once this limousine comes to a stop, you will be taken to your vehicle for this evening’s contest. You will be driving a car that I personally chose for you. I call it ‘The Ogre.’ Yes, I know—I have the gall to make fun of ‘Daddy’s Dead Run’ and then name a car ‘The Ogre’? It’s the little contradictions in one’s character that makes one fascinating to others. An enigma, so to speak.

“‘The Ogre’ was a1964 Triumph Spitfire in its previous life. Allow me to gloat a bit of its history—after all, I designed and supervised its metamorphosis myself, so I think I’ve earned the right to boast.

“I began with a Spitfire frame that was made ready for a Chevy V-8 engine, Muncie transmission, and modified Corvette rear suspension. When the chassis was complete—with engine, transmission, rear suspension and third member, brake lines, front suspension with stock rack and pinion steering, as well as new body-mounts—the body from the stock Spitfire was prepared and set on the frame. The electrical systems were re-established and the bonnet added. Its present engine is a 383 Stroker. On the Dyno, she checked out at 470 horsepower and 500 ft-lbs of torque. This a small but very powerful car you’ll be climbing into, Driver. It has a maximum speed of 180 miles per hour, and goes from 0 to 90 in just under ten seconds.

“For the first ten seconds of the race, both The Ogre and Fairlane’s vehicle will be under the sole control of The Road. Once you have passed from the sight of the crowd, control of the vehicles will be given over to you. I trust you can drive a shift. If not—well, then, this could be a short but spectacular contest.

“You have a few minutes before you reach your destination, dear boy. Why not raid the refrigerator and wet bar? Godspeed, Driver. No pun intended.”

And with that, the screen snapped off.

I looked out the window and saw the lights reflecting from the massive car-cubes along Levegh Lane in the distance, and realized that these dead piles rose so high they could be probably be seen from any place in the city.

I wondered if, very soon, the smashed corpse of the Ogre would be added to them for future Repair material.

12

FADE IN: a seemingly endless stretch of smooth two-lane blacktop emptying into shadows. Crowds of people line both sides of the road, the men looking tough while clutching at their bottles of beer, the women looking anxious while clutching at the filtered tips of their cigarettes, and the kids—especially the really young ones—looking like they aren’t sure how they should be feeling while they clutch at the hands or coats of the tough beer drinkers and anxious cigarette smokers.

…and this is where we came, isn’t it?

I climbed out of the limo and saw the Ogre parked in the left lane up ahead, Sheriff Hummer leaning against the driver’s-side door. He saw me, gave a little wave, and gestured for me to join him.

I kept glancing at the crowd as I approached him, but after a few seconds of that realized it wasn’t the best idea; the people who comprised this crowd—men, women, children (God, the children…)—were all Repaired to varying degrees, and the fusion of flesh and metal, rather than repulse me as it had before, now seemed to possess an organic correctness that I was suddenly all too willing to accept as being normal…or what passed for normal, here. One little girl who couldn’t have been more than seven years old smiled at me, displaying a mouthful of spark plug tips that took the place of her teeth. She seemed so proud of that smile, like she was showing off. I smiled back at her, and she blushed.

Don’t look at them, I told myself. If you don’t look, then they’re not there.

Pitiful, I know, but it worked. They were shadows, props, decorations on the periphery, not real, not flesh and bone (and metal and steel, said the voice in the back of my head), and maybe, if I concentrated hard enough, I could Zen-out of this whole mess for a few moments.

“You seem tense,” said Hummer.

I looked up at him but couldn’t think of anything to say.

Then he did something that surprised me; he stepped forward and put a hand on my shoulder and said, “You’ll be fine. It’s almost over.”

I heard the grinding of a large engine in the distance behind us, and as I turned the crowd broke into wild shouts and applause. More lights came on, illuminating the road, and a few seconds later the object of their adulation rolled into sight.

A great semi tractor-trailer crawled out of the darkness, pulling a car-cube, smaller than the ones I’d seen before but still fairly massive. Atop the cube four large torches burned, flames snapping against the night, one set at each corner, and in the middle of it all was a raised platform. Daddy Bliss sat there, the wheels of his chair held in place by clamps attached to the base. Large concert speakers were positioned at the sides of the platform, angled outward. Ciera stood at Daddy Bliss’s side. She’d changed clothes; she was now dressed in a paisley skirt and tight short-sleeved sweater, her blonde hair pulled back into a ponytail, a scarf tied around her neck. She held a long red kerchief in each of her hands.

The truck crept by, rumbling and growling like a constipated dinosaur, then began a slow, wide turn, moving forward, then back, a little to the left, forward again, the driver doing an impressive job of reversing, until, finally, the car-cube was well off the road and at an angle facing the crowd.

Ciera walked to the side of the cube and pushed something over the edge; a long rope ladder that reached to the ground. She turned, blew a kiss toward Daddy Bliss, and began descending.

Daddy Bliss smiled—a celebrant at the beginning of Mass—and the crowd’s cheering grew even louder. He smiled, nodded his head a few times, then cleared his throat; amplified by the speaks, it sounded as if a section of the ground were splitting open.