And there I stand, all alone, in the middle of Stella’s, thinking, Please. Wait. Though by now the girl has vanished from the diner and the redheaded waitress, apathetic to my distress, passes by and hands me the check.

* * *

I take the long way home, anesthetized to the cold, to the fine mist in the air. I go the long way, stopping by the used bookstore on Lincoln to pick up a copy of Anne of Green Gables.

I pay two dollars for the book because there are pages falling out, random, forgotten treasures tucked inside the aging pages: a bookmark with tassels, an old photograph of a little girl in white knee highs beside her grandfather in blue plaid pants. There’s an inscription in the book, and a date: To Mom 1989.

I find my neighbor Graham in the hallway on my way upstairs, about to drop an empty bottle of wine down the garbage chute. “That’s recyclable,” I remind him, hearing a pestering quality to my voice that drives Chris mad.

But Graham just laughs. He’s left his condo door wide-open, a blonde beauty queen on the sofa with a fresh glass of Chablis. We exchange a look, and I force a smile, one that she doesn’t return.

“Caught by the recycle police, again,” he says, withdrawing the bottle from the chute. There are recycle bins by the freight entrance of our building, a long walk for someone who doesn’t think much of the environment. But I do. I stop myself before reminding Graham that it takes some one million years for a glass bottle to decompose.

There’s an overwhelming need to tell someone about my night at Stella’s, knowing that Chris won’t do. Not even Jennifer will do—she is much too logical, too left-brained for this kind of insanity. I need someone who’s ruled by the right brain like me, someone driven by feelings and emotions, by their imagination and beliefs, someone inspired by fantasy.

Someone like Graham.

But from the open condo door, I hear the sound of acoustic guitar on his stereo, the beauty queen beckoning him by name. He tucks the empty wine bottle beneath an arm and tells me he has to go. “Of course,” I say, and watch as he closes the door behind himself and I find myself staring at a square boxwood wreath, listening to a squeal from his date.

Inside my own home, I forget all about my movie and tuck myself into bed with Anne of Green Gables. When Chris finally returns home from his trip, I hide the book quickly underneath the bed, behind a flounced charcoal bed skirt where only cats and dust bunnies dwell, and pretend to be asleep.

He crawls into bed beside me and kisses me long and slow, though his lips are laced with the image of Cassidy Knudsen.

WILLOW

My momma was the most beautiful lady in the world. Long black threads of hair, a thin face with high cheekbones, perfectly arched eyebrows and the bluest eyes I’d ever seen. I love you like a squirrel loves nuts, she’d say to me, or I love you like a mouse loves cheese. We’d spend half a day trying to think of the silliest ones we could: I love you like a fat boy loves cake. And we’d die laughing. It was our thing.

We lived in a rural Nebraska home, in a tiny little unincorporated town just outside of Ogallala. Momma and Daddy, Lily and me. Ogallala came long before Omaha, just like Momma and Daddy came long before Joseph and Miriam. It was another whole world to be exact, another whole me.

Momma used to tell me all the time about the day she and Daddy got married. She said that by the time they said “I do,” she was already pregnant with me, which didn’t matter none to her or Daddy, but her own momma and daddy didn’t like it one bit. Turned out they didn’t like Daddy much, either, and so one day, when Momma was nineteen years old, she and Daddy drove out to a chapel in Des Moines, and they got hitched. Momma told me about it, about their wedding in a cozy little church on the side of the road, as we sat on the front step of our tiny prefabricated home, painting our toes candy-apple red while Lily slept the afternoon away. I was eight years old. Momma told me about the chapel, about her walking down the aisle in a strapless, tea-length vintage wedding dress the color of snow; she told me about her veil, a birdcage veil she called it, and I imagined canaries perched on the top of her head. She told me about the man who did their wedding, some man named Reverend Love, and even at that age, at eight years old, I had a hard time believing that was his real name. Reverend Love. I remember the way Momma said his name, that very day we sat on the front step of our prefab home, staring down the boring old street at some boys playing kickball on their lawn¸ the way she elongated the word love until we both about died laughing.

But she said that Daddy was handsome as all get out, dressed up in a shirt and tie, a sport coat he’d borrowed from a friend. I tried hard to imagine that, ’cause I didn’t think I’d ever seen my daddy in a shirt and tie before in my whole entire life. There were no photos from their wedding, ’cause Momma and Daddy didn’t own a camera back then, but they had a piece of paper that said they were married, and that was even more important to them than some picture. Momma showed it to me, that paper. Certificate of Marriage, it said, and there, at the bottom, the words Reverend Love.

And then, some six months later, I was born. Momma told me about that day, the day I arrived. She told me how I took my sweet time coming out of her, how I was in no rush. She told me how Daddy held on tight to me, there at the hospital, as if he thought I was gonna break. I didn’t meet my grandparents when I was born, not then, not ever. Momma’s momma and daddy didn’t want a thing to do with us, and Daddy’s, well, Daddy’s were dead. We visited them every now and then, over at the cemetery on Fifth Street, leaving browning dandelions beside the headstones that read Ernest and Evelyn Dalloway.

My momma was convinced by her own momma that she was Audrey Hepburn, the reason she was named Holly, as in Holly Golightly. She’d pull her long black hair back into a beehive hairdo and prance around our home with a Breakfast at Tiffany’s style cigarette holder though Momma didn’t smoke. She’d walk around our home in old polka-dot shift dresses on any old day of the week and plagiarize Audrey Hepburn quotes, as if they were her own, and I’d sit there, on the couch, and just stare.

It never surprised me one bit that Daddy wanted to marry her. I’d never seen anyone as beautiful as Momma was.

I asked Momma more than once to tell me how she met my daddy. It was a story she never tired of telling. She told me how she met Daddy in town, at some saloon where he was tending bar, about how some oaf of a man was trying to get friendly with her and how Daddy didn’t like it one bit, how he didn’t like the way that man talked to her, didn’t like the way he kept holding her hand after Momma had told him to quit. Her knight in shining armor, she said. Momma always said that marrying Daddy was the best decision of her life, though as it was, her marrying Daddy made her own parents all but disappear. Poof, she said, holding her hands up in the air like some kind of magician, like magic.

Daddy, being a truck driver, was gone more than he wasn’t. Daddy was an OTR driver, which meant “over the road.” He spent his days traveling from sea to shining sea, hauling some sort of freight or hazmat across the country. We missed him more than anything when he was gone, Momma especially, but when he came home, he made up for it, as he showered Momma with slobbering kisses and touched her in places that made her blush. She would get all dressed up for his return, curling her hair, and painting her lips berry bliss. He always had something for Lily and me, something he’d picked up from Vermont or Georgia or wherever it was he was traveling—a key chain or a postcard, a mini Statue of Liberty. It was like Christmas morning when Daddy was home, like summer vacation. And he brought stuff for Momma, too, but that stuff he wouldn’t show her, not until Lily and I had gone to bed, but I could hear them at night when they thought I was asleep; I could hear them in their bedroom, laughing.