The lights and camera were still crowded around the Clarks' bed.

Committing suicide just seemed to be another aggressive plan to fix her life. If she turned on the movie lights and camera, they could get the death on tape. A snuff movie in two parts. A miniseries. Another Big Project. Killing herself would just be: Tess Clark, getting the job overdone. Another beginning, middle, and end.

Going to work just looked crazy. Eating another meal, ever, made about as much sense as planting tulip bulbs in the shadow of a falling atom bomb.

This is all a flashback now, but it was Nelson who'd looked at their savings account. It was him who said the only way they could afford to have a baby is by making an adult video.

“One day,” Mrs. Clark says, “this will happen to you, and in just that one second your life will feel about one hundred years too long . . .”

On their fifth day of lying in bed, they'd swear they'd been alive forever. Lying in bed day after day is probably how it feels to be a vampire. Imagine being alive for thousands of years and you keep making the same stupid mistake. Just for thousands of years you keep going to bars and clubs and you think you're having a great time. You imagine you're the center of attention. You have a husband you think is handsome. You think you're both such entirely hot shit.

The Clarks thought a lot of couples got rich by making adult movies. The home-video industry is only popular because video porn created the demand. Couples all except them were making extra money in their spare time. Other married couples weren't just wasting their sex, unwatched, unappreciated by strangers. First, they'd rent a camera and the editing deck. They'd find a distributor for the movie. Since they were married, Nelson said, it wouldn't even be a sin.

Now, it doesn't make any sense to get out of bed and erase the videotape. That would be like breaking a mirror for showing you the truth. Like killing the bearer of bad news.

“Just laying in bed day after day,” Mrs. Clark says, “you realize it's not wooden stakes that kill vampires.” It's all the emotional baggage and letdowns they have to carry around for century after century.

You want to think you're getting funnier and smarter all the time. As long as you're making an effort, you're headed for that Big Win. That's how you'd feel as a vampire for maybe the first couple hundred years. After that, all you have is the same failed relationship multiplied by two hundred.

So what.

The trouble with eternal youth is, you do tend to procrastinate. So the Clarks taught themselves how to make a video. This included Nelson shaving away the hair around the base of his dick, to make it look bigger. Tess got breast implants as big as her spine would support. During just an afternoon nap, she got the kind of stand-alone bustline you only see in adult movies. Her lips she got threaded inside with tubes of puffed-foam fillers, giving her a blow-job pout for the rest of her life. Both the Clarks, they signed up for tanning sessions, twenty minutes, twice a day. They read out loud to each other, how editing a video is done by the exact time code given to each moment of tape.

Every moment is coded with the hour, the minutes, the second, and the exact frame number. The code 01:34:14:25 would mean the first hour, thirty-fourth minute, fourteenth second, and twenty-fifth frame of a video tape. Editing even an adult video, you have to create a false reality. You have to imply a relationship by putting events next to each other. This path of images, it has to lead the viewer from one sex act to the next. You have to fake a continuity. The illusion has to make sense.

They got most of the oral coverage shot before 10:22:19:02.

Then they did a lot of genital footage until 25:44:15:17.

They shot some perianal and then perivaginal footage until 31:25:21:09.

And they finished off with the anal stuff at 46:34:07:15.

Since these movies always end the same way, the story about getting there, the journey to the big orgasm, is what's most important. The orgasm, just a formality. Stock footage.

Something else to keep in mind is, the average shot in a video is eight to fifteen seconds long. Tess and Nelson would have to work together for about twenty seconds at a time. After that long, they'd get up and hit the PAUSE button. They'd move the camera to a new angle and relight the shot. They'd film for another twenty seconds. Their marriage was still where sex was fun, but after that first day of filming, the only thing that kept them going was the money they'd make. The money and the baby.

“We were both,” Mrs. Clark says, “full of that energy that makes dogs dance just before they get fed.”

Tess and Nelson, they'd never looked better than they did going into that movie. That was the worst part. For most of a week, they kept going back to the bedroom. Even linked together just twenty seconds at a time, they must've had sex for a total of some forty-eight hours. The hot lights sucking the sweat out of their tanned skin.

To keep excited, they set up a television just outside the shot and ran adult movies they could watch while being taped. These became their cue cards or TelePrompTer they could mimic. The same as the Clarks, the people in each movie seemed to be looking off camera at a movie of their own. This chain of voyeurism, the Clarks watching someone watch someone watch someone, it felt good. The video that Tess and Nelson watched, it was at least five years old. The men had long sideburns and the women wore dangle earrings and blue-sparkle eye shadow. How old the movie those people were watching, it was anybody's guess, but it felt better, knowing that all of them were daisy-chained throughout history.

Those video people, they looked the Clarks' age in front of their camera, but now they'd be sliding into middle age. They looked young, with muscles in their legs and arms, long and standing out, but they moved fast, as if what they watched off camera was a clock.

To help each other smile, Tess and Nelson took turns saying what they'd do with their money.

They'd buy a house.

They'd travel to Mexico.

They'd make real movies. Feature films. They'd start their own independent production company, and never work for other people, ever again.

They'd name their child Cassie, if it was a girl.

Baxter, if it was a boy. Instead of some old birthing video, someday they'd show their child his conception. Baxter would see just how hot and with-it his old folks had been. It seemed so progressive.

And after that, they'd never, ever have to have sex, ever again.

The worse the job got, the more they expected to earn. The more it hurt to touch their chapped skin, or to lie back against the cold, sweat-soaked mattress, the brighter they had to make their future. Their faces ached from smiling. Their skin burned red from being caressed. As the marathon went on, their reward had to grow more and more impossible.

Then, quick as a doctor saying your disease is fatal, quick as a judge handing down a death sentence, they were done.

The Clarks had done everything they could imagine to each other. All they had left to do was edit the tape.

That was supposed to be the fun part.

The difference between how you look and how you see yourself is enough to kill most people.

And maybe the reason vampires don't die is because they can never see themselves in photographs or mirrors.

“No amount of editing,” Mrs. Clark says, “was going to save us.”

No amount of aerobic exercise or plastic surgery would ever make them look the way they'd imagined they looked before they watched that tape. All they saw were two almost hairless animals, hairless and dark pink and proportioned all wrong, the way mongrel crossbreed dogs look, with short legs and long necks and thick torsos with no definite waist. They were grinning big bear-trap smiles at each other while their eyes darted at the camera to make sure someone was still paying attention. They sucked their stomachs flat.