Could be Barrera.

“Okay, we’ll just stand out here with our hands in the air like jerk-offs.” Taylor looks around. “What are you, some kind of monk now?”

“No.”

“These are what, beehives?”

“If your boy there moves to the side again I’ll shoot you first.”

The younger man stops moving. “It’s an honor to meet you. I’m Agent Jiménez. Richard.”

“Art Keller.”

“I know,” Jiménez says. “I mean, everyone knows who you are. You’re the man who took down Adán Barrera.”

“All the Barreras,” Taylor corrects. “Isn’t that right, Art?”

Accurate enough, Keller thinks. He killed Raúl Barrera in a shootout on a Baja beach. He shot Tío Barrera on a San Diego bridge. He put Adán—goddamned Adán—in a prison cell but sometimes regrets that he didn’t kill him too, when he had the chance.

“What brings you here, Tim?” Keller asks.

“I was going to ask you the same thing.”

“I don’t answer to you anymore.”

“Just making conversation.”

“Maybe you didn’t notice,” Keller says, “but we’re not big on conversation around here.”

“Vow of silence sort of thing?”

“No vows.” Keller’s disappointed with himself in how quickly he fell into verbal fencing with Taylor. He doesn’t like it, doesn’t want it or need it.

“Can we go someplace and talk?” Taylor asks. “Out of the sun?”

“No.”

Taylor turns to Jiménez and says, “Art’s always been a hard case. A real asshole—the Lone Ranger. Does not play well with others.”

That was always Taylor’s beef with him, from the moment Keller—freshly transferred from CIA to the new DEA—arrived on Taylor’s turf in Sinaloa thirty-two years ago. He thought Keller was a cowboy, and wouldn’t work with him or let other agents work with him, thereby forcing Keller to be exactly what he accused him of—a loner.

Taylor, Keller thinks now, virtually drove me into Tío Barrera’s waiting arms. There was nowhere else to go. He and Tío made a lot of busts together. They even “took down”—a euphemism for “killed”—Don Pedro Áviles, gomero número uno. Then DEA and the Mexican army sprayed the poppy fields with napalm and Agent Orange and destroyed the old Sinaloan opium trade.

Only, Keller thinks, to watch Tío create a new and vastly more powerful organization out of the ashes.

El Federación.

The Federation.

You start, Keller thinks, by trying to cut out a cancer, and instead you help it to metastasize, spread from Sinaloa throughout the whole country.

It was just the beginning of Keller’s long war with the Barreras, a thirty-year conflict that would cost him everything he had—his family, his job, his beliefs, his honor, his soul.

“I told the committees everything I knew,” Keller says now. “I have nothing left to say.”

There’d been hearings—internal DEA hearings, CIA hearings, congressional hearings. Art had taken down the Barreras in direct defiance of orders from CIA, and it had been like rolling a grenade down an airplane aisle. It blew up on everybody, and the damage had been tough to contain, with The New York Times and The Washington Post sniffing around like bloodhounds. Official Washington couldn’t decide if Art Keller was a villain or a hero. Some people wanted to pin a medal on him, others wanted to put him in an orange jumpsuit.

Still others wanted him to just disappear.

Most people were relieved when, after all the testimony and the debriefings were concluded, the man once known as “the Border Lord” did it on his own. And maybe Taylor is here, Keller thinks, to make sure I stay disappeared.

“What do you want?” Keller asks. “I have work to do.”

“Do you read the papers, Art? Watch the news?”

“Neither.”

He has no interest in the world.

“Then you don’t know what’s going on in Mexico,” Taylor says.

“Not my problem.”

“It’s not his problem,” Taylor says to Jiménez. “Tons of coke pouring across the border. Heroin. Meth. People getting killed, but it’s not Art Keller’s problem. He has bees to take care of.”

Keller doesn’t answer.

The so-called war on drugs is a revolving door—you take one guy out, someone else grabs the empty chair at the head of the table. It will never change, as long as the insatiable appetite for drugs is there. And it’s there, in the behemoth on this side of the border.

What the suits will never understand or even acknowledge—

The so-called Mexican drug problem isn’t the Mexican drug problem. It’s the American drug problem.

There’s no seller without a buyer.

The solution isn’t in Mexico and never will be.

So once it was Adán and now it’s someone else. After that it will be somebody else.

Keller doesn’t care.

Taylor says, “The Gulf cartel stopped two of our agents in Matamoros the other day, drew weapons, and threatened to kill them. Sound familiar?”

It does.

The Barreras had done the same thing with him back in Guadalajara. Threatened him and his family if he didn’t back off. Keller responded by sending his family back to San Diego and pushing harder.

Then the Barreras killed Art’s partner, Ernie Hidalgo. Tortured him for weeks for information he didn’t have and then dumped his body in a ditch. Left a widow and two little kids.

And Keller’s undying hatred.

Their feud became a blood feud.

And it wasn’t the worst thing that Adán Barrera did.

Not by a long shot.

That was what, Keller thinks, twenty years ago?

Twenty years?

“But you don’t give a damn, right?” Taylor asks. “You live in this ethereal world now. ‘In it but not of it.’ ”

When I was in it I was too in it, Keller thinks. I got Ernie killed and then I got nineteen innocent people killed. He’d made up an informant to protect his real source and Adán Barrera slaughtered nineteen men, women, and children along with the phony soplón to teach a lesson. Lined them all up against a wall and shot them.

Keller will never forget walking into that compound and seeing children dead in their mothers’ arms. Knowing that it was his fault, his responsibility. He doesn’t want to forget, not that his conscience will let him. Some mornings the bell wakes him from the memory.

After the El Sauzal massacre he wasn’t in it to stop drug trafficking, he was in it to get Adán Barrera. To this day he doesn’t know why he didn’t pull the trigger when he had the gun to Adán’s head. Maybe he thought that death was too merciful, that thirty or forty years in the hell of a supermax prison before he goes to the real hell was a better fate for Adán.

“I have a different life now,” he says.

A Cold Warrior, then a Drug Warrior, Keller thinks.

Now I’m at peace.

“So here in your splendid isolation,” Taylor continues, “you haven’t heard about your boy Adán.”

“What about him?” Keller asks, despite himself. He wanted to have the strength not to ask.

“He’s gone Céline Dion,” Taylor says. “You can’t stop the guy from singing.”

“You came here to tell me that?” Keller asks.

“No,” Taylor says. “There’s a rumor that he’s put a two-million-dollar bounty on your head, and I’m legally obligated to inform you of a direct threat on your life. I’m also obligated to offer you protection.”

“I don’t want it.”

“See what I mean?” Taylor says to Jiménez. “Hardass. You know what they used to call him? ‘Killer Keller.’ ”

Jiménez smiles.

Taylor turns back to Keller. “It’s tempting—my share of two mil, I could buy a little place on Sanibel Island, get up every morning with nothing to do but fish. Take care of yourself, huh?”

Keller watches them walk back up the hill and then disappear over the crest. Barrera a soplón? There are a lot of things you can call Adán Barrera, all of them true, but a snitch isn’t one of them. If Barrera is talking, it’s for a reason.